Guide To The African Human Rights System Celebrating 40 Years Since The Adoption Of The African Charter On Human And Peoples Rights 1981 2021edited By Centre For Human Rights Faculty Of Law University Of Pretoria 2021

About the publication A Guide to the African human rights system has been conceived as an accessible and informative introduction to the human rights system established under the auspices of the African Union (AU). This Guide provides an overview of developments related to the African Charter on Human and Peoples’ Rights, its supervisory body, the African Commission on Human and Peoples’ Rights, the African Court on Human and Peoples’ Rights, as well as the African Charter on the Rights and Welfare of the Child and its supervisory body, the African Committee of Experts on the Rights and Welfare of the Child. It is launched on 2 November 2017, commemorating the date, 30 years earlier, on which the African Commission was inaugurated. The Guide aims to both chart the most salient historical developments and provide an accessible introduction to the African human rights system, and is continuously revised. The Centre for Human Rights is both an academic department and a non-governmental organisation (NGO) accorded observer status with the African Commission. The Centre teaches academic programmes and engages in research, advocacy and training on human rights, with a specific focus on Africa. Its flagship programmes are the Master’s in Human Rights and Democratisation in Africa and the African Human Rights Moot Court Competition. For more information on the Centre for Human Rights, visit www.chr.up.ac.za

The author of many books on typography, Dan X. Solo was also the proprietor of his own typography shop in Oakland, California — an establishment dedicated to unusual typography and special effects. This comprehensive catalog offers graphic designers a dazzling selection of over 4,000 typefaces and optical effects available from Solotype Typographers. Here, in Solo's words, is "a great cast of characters" — the alphabet — abetted by a cornucopia of typographical ideas and an endless resource of letters, words, phrases, slogans, logos, humorous comments, headlines, and graphic symbols. Individual sections of the book display a rich variety of typefaces in categories such as Condensed, Victorian, Art Nouveau, Art Deco, Rustic, Thick-and-tin, Calligraphic, Uncials, Latins, and Blackletter. Samples are imaginatively presented. "Stagecoach," for example, is printed in Fargo typeface, evoking dusty trails, rawhide, and ten-gallon hats, while "Sizzling summer savings" appears appropriately in the flamboyant Firebug typeface. All typefaces are indexed for quick and easy reference. As entertaining as it is practical and useful, this impressive treasury of versatile typefaces and optical effects will be indispensable to busy commercial artists as an inexhaustible source of typographic ideas and a "swipe file" of words, phrases, and letters for use in graphic art projects.

Nigerian law for so long developed only one aspect of its property law, namely, real property law, and the law on personal property was left in shambles and unreformed. As a result, most secured lenders refused to accept personal (movable) assets as collateral for loans. One of the reasons was a lack of a collateral registry where security interests on personal property collateral ought to have been registered to inform the public about existing encumbrances. Thus, due to this exploitable gap it was possible for debtors in a non-possessory lending context to create the ostensible impression before potential lenders that they owned the property free from any encumbrance, thereby obtaining several credits with a collateral that was insufficient to cover the debts. Similarly, third party buyers were tricked into purchasing collateral that was encumbered because, prior to purchase, such buyers had no collateral registry to verify ownership and encumbrances."

A new publication presenting an overview of the work of Samoan-born New Zealand-based alphabet and advertising designer Joseph Churchward [1932]. The publication compiles archive material, correspondence, realised and un-realised designwork, alphabet designs and in-dispersed with essays surrounding aspects of Churchward's practice by New Zealand and overseas writers and designers. It attempts to tell a story in process of New Zealand's most prolific designer of letters to date.

An in depth study of one of the most complex eras in European history.

Catalogue of an exhibition that brings together work that is enriched and informed by an exchange of knowledge to create new forms, with an emphasis on animated, digital, and kinetic work linked to processes found in the natural world.

Western esotericism has now emerged as an academic study in its own right, combining spirituality with an empirical observation of the natural world while also relating the humanity to the universe through a harmonious celestial order. This introduction to the Western esoteric traditions offers a concise overview of their historical development. Nicholas Goodrick-Clarke explores these traditions, from their roots in Hermeticism, Neo-Platonism, and Gnosticism in the early Christian era up to their reverberations in today's scientific paradigms. While the study of Western esotericism is usually confined to the history of ideas, Goodrick-Clarke examines the phenomenon much more broadly. He demonstrates that, far from being a strictly intellectual movement, the spread of esotericism owes a great deal to geopolitics and globalization. In Hellenistic culture, for example, the empire of Alexander the Great, which stretched across Egypt and Western Asia to provinces in India, facilitated a mixing of Eastern and Western cultures. As the Greeks absorbed ideas from Egypt, Babylon, Assyria, and Persia, they gave rise to the first esoteric movements. From the late sixteenth to the eighteenth centuries, post-Reformation spirituality found expression in theosophy, Rosicrucianism and Freemasonry. Similarly, in the modern era, dissatisfaction with the hegemony of science in Western culture and a lack of faith in traditional Christianity led thinkers like Madame Blavatsky to look East for spiritual inspiration. Goodrick-Clarke further examines Modern esoteric thought in the light of new scientific and medical paradigms along with the analytical psychology of Carl Gustav Jung. This book traces the complete history of these movements and is the definitive account of Western esotericism.

With an output of more than 250,000 minutes annually, and with roughly 5,000 producers and production units, the Chinese are leading the field of animated films. Although it is almost impossible to completely cover 90 years of filmmaking, this book provides a comprehensible introduction to the industry’s infancy, its Golden Age (Shanghai Animation Film Studio) and today’s Chinese animation (in feature films, television series and student films). There are classics such as Princess Iron Fan (made at the time of the Japanese occupation) and the color Havoc in Heaven, both starring the Monkey King Sun Wukong, as well as countless TV stars (Blue Cat, Pleasant Goat and Big Big Wolf) and many almost unknown works by young filmmakers who are not focusing on an audience of children (like most of the industry output).