Guilty Thing

Ben Slocum's marriage careens out of control, so he flees New England, only to have his progress-and nearly his life-ended. Octogenarian and psychiatrist Will Rivard saves Ben with the stroke of a T'ai Chi sword. The ensuing friendship brings to light a stunning secret that has tormented Will for six decades. Will shares this secret through his adolescent journal, transporting Ben back in time to the height of the Great Depression. Ben's glimpse back in time reveals why two lovers cross the raging floodwaters of Fountain Creek, even as a bridge washes out beneath their car. Stranded, they huddle on the roof, a spot scarcely larger than a welcome mat, as rescuers throw ropes and launch boats into the torrent. Will Rivard joins in the fight to save them. Yet questions remain: Why did the couple attempt such a desperate gambit in the first place? Did Will chase them to that spot? As the complex strands of past and present converge, romance blossoms in Ben's life and he learns, of Will's ill-fated love. Like a Guilty Thing presents parallel dramas, each with questions-and answers-that race toward its gripping end.

In A Guilty Thing Surprised, multi-million copy and SUNDAY TIMES bestselling author Ruth Rendell has created a thriller so taut and tense and full of twists and turns, you'll be gripped from page one. An absolute must for fans of PD James, Ann Cleeves and Donna Leon. 'Ruth Rendell is England's premier detective-thriller writer' -- Spectator 'The best mystery writer in the English-speaking world' -- The Times 'Ruth Rendell has a sharp and perceptive eye for everyday detail, an uncanny understanding of human behaviour and, above all, the ability to colour innocence with evil' -- The Sunday Telegraph 'I could not put the book down!' -- ***** Reader review 'You'll love it!' -- ***** Reader review 'A real page-turner' -- ***** Reader review 'Wexford at his compelling best' -- ***** Reader review ********************************************************************** EVEN THE DEAD HAVE SOMETHING TO HIDE... The discovery of Elizabeth Nightingale's broken body in the woods near her home could not have come as a bigger shock. Called in to investigate, Chief Inspector Wexford quickly determines that the Nightingales were considered the perfect couple - wealthy, attractive and without an enemy in the world. However, someone must have been alone with Elizabeth that night in the woods. Someone who hated - or perhaps loved - her enough to beat her to death. The case seems straightforward. But Wexford soon learns that beneath the placid surface of the Nightingales' lives lie undercurrents and secrets no one ever suspected...

'Life for De Quincey was either angels ascending on vaults of cloud or vagrants shivering on the city streets.'Thomas De Quincey - opium-eater, celebrity journalist, and professional doppelgänger - is embedded in our culture. Modelling his character on Coleridge and his sensibility on Wordsworth, De Quincey took over the poet's former cottage in Grasmere and turned it into an opium den. Here, increasingly detached from the world, he nurtured his growing hatred of his former idols and his obsession with murder as one of the fine arts.De Quincey may never have felt the equal of the giants of the Romantic Literature he so worshipped but the writing style he pioneered - scripted and sculptured emotional memoir - was to inspire generations of writers: Dickens, Dostoevsky, Virginia Woolf. James Joyce knew whole pages of his work off by heart and he was arguably the father of what we now call psychogeography.This spectacular biography, the produce of meticulous scholarship and beautifully supple prose, tells the riches-to-rags story of a figure of dazzling complexity and dazzling originality, whose rackety life was lived on the run, and both brings De Quincey and his martyred but wild soul triumphantly to life and firmly establishes Frances Wilson in the front rank of contemporary biographers.

She took a peaceful walk in the woods—and found death waiting. . . . “The best mystery writer anywhere in the English-speaking world.”—The Boston Globe Elizabeth and Quentin Nightingale. A happy couple who lived quite graciously at Myfleet Manor in the gentle English countryside. Elizabeth Nightingale found peace and tranquility on her nightly walks through the rich, dense forests surrounding Myfleet Manor. But the peace she treasured was shattered one night when she found death waiting in the woods. Chief Inspector Wexford and his colleague Inspector Burden find a most unsavory case on their hands—and must use all their wit and wisdom to solve it . . . “Undoubtedly one of the best writers of English mysteries and chiller-killer plots.”—Los Angeles Times “You cannot afford to miss Ruth Rendell.”—The New York Times Book Review “For readers who have almost given up mysteries . . . Rendell may be just the woman to get them started again.”—Ellery Queen's Mystery Magazine

"You can't be convicted of a crime without a guilty act and a guilty mind." A lawyer might dress the same idea up in Latin: "You can't be convicted of a crime without actus reus and mens rea." Things like that are often said, but what do people mean when they say them? Guilty Acts, Guilty Minds proposes an understanding of mens rea and actus reus as limits on the authority of a state, and in particular the authority of a democratic state, to ascribe guilt through positive law to those accused of crime. Actus reus and mens rea are necessary conditions, among others, for the legitimacy, as distinct from the justice, of state punishment. The actus reus requirement disables a democratic state from using its authority, on the one hand, to ascribe guilt to those who didn't realize they were committing a crime, provided they lacked the capacity to realize they were committing a crime; and on the other, to ascribe guilt to those who realized they were committing a crime, but who lacked the capacity to conform their conduct to the requirements of law. The mens rea requirement disables a democratic state from using its authority, on the one hand, to ascribe guilt to those who didn't realize they were committing a crime, provided their ignorance manifested no lack of law-abiding concern for the law and its ends, and on the other, to ascribe guilt to those who realized they were committing a crime, but whose failure to conform to the law nonetheless manifested no lack of law-abiding concern for the law and its ends"--

A"hilarious and heartbreaking" (Jo Piazza) and unflinchingly honest memoir about one young woman's terrible and life-changing decisions while hoping--and sometimes failing--to find herself, in the style of Never Have I Ever and Adulting. Join Dana Schwartz on a journey revisiting all of the awful choices she made in her early twenties through the internet's favorite method of self-knowledge: the quiz. Part-memoir, part-VERY long personality test, Choose Your Own Disaster is a manifesto about the millennial experience and modern feminism and how the easy advice of "you can be anything you want!" is actually pretty fucking difficult when there are so many possible versions of yourself it seems like you could be. Dana has no idea who she is, but at least she knows she's a Carrie, a Ravenclaw, a Raphael, a Belle, a former emo kid, a Twitter addict, and a millennial just trying her best. This long-form personality quiz manages to combine humor with unflinching honesty as one young woman tries to find herself amid the many, many choices that your twenties have to offer.

Sixteen-year-old Cassie Jo Stoddard agreed to house sit for relatives on the weekend of September 22, 2006. It was something the teenager had done before…but this time something went terribly wrong. When the family returned home at the end of the weekend they found Cassie lying on their living room floor brutally stabbed to death. Detectives focused on two of Cassie’s classmates who had briefly visited her on the night that she was murdered: Torey Adamcik and Brian Draper. Initially both boys denied any knowledge of the crime, but after two separate interrogations, Brian Draper told detectives a chilling story of murder straight out of a horror movie. The two boys were immediately arrested, and a shocking videotape was discovered that seemed to depict the two teens not only planning the cold-blooded murder, but celebrating it. Community outrage was strong and immediate. The public demanded justice. But was the video actually what it appeared to be: a cold-blooded documentary that detailed the plotting of Cassie’s murder; or something else entirely? Could anyone uncover the truth in time and convince a jury that sometimes things aren't always what they appear to be? The Guilty Innocent is narrated by Shannon Adamcik, mother of Torey, one of the accused boys. It takes readers behind the scenes of a trial where prosecutors cared more about public opinion than truth, defense attorneys, who had never argued a murder case, were in over their heads, and a young boy’s life hung in the balance. The United States is the only country in the world that will charge a juvenile as an adult and sentence them to life without parole. As the mother of one such child, I know exactly what happens when a juvenile is placed in adult court where they cannot defend themselves. They are immediately cut off from all human contact, locked in isolation, and railroaded through a justice system they simply cannot comprehend. Consequently, many of these juveniles are sentenced too much longer and harsher terms than their adult counterparts. I've personally lived through this, and I was compelled to write about it. I began for the simple reason that I had lived through this horrendous ordeal and I ached for someone to confide in. But reliving the most painful part of my life was extraordinarily difficult. Ultimately the only reason that I was able to persevere was my deep belief that the story was important and needed to be told. That is still true. This is a true story and no one can tell it better than the people who lived it. A crime reporter can look at the details of a case, but they cannot tell you how it feels to live through it. I can and I did. I used the pre-trial and trial transcripts, copies of the police reports, the autopsy and DNA reports, and DVD recordings of all of the evidence in the case. I've done copious research. But more importantly, I take readers step-by-step through what it feels like when your 16-year-old son is accused of first-degree murder; all the odds are stacked against him; and his defense is in the hands of attorneys you can’t fully trust to come through for you.