Guinevere S Gamble

Thirteen-year-old Guinevere learns more about her destiny when she accompanies her aunt and uncle to an important council of Welsh kings and finds that she has a powerful enemy in the High King's sister, Morgan.

The second book in the Chrysalis Queen Quartet, starring the young Guinevere. Much has changed over the last few months in Gwynedd, but Guinevere is still uncertain where her future lies. She recently made the unsettling discovery that she has been guarded all her life by a pagan tribe who believes she is destined to save them—they believe she and the great king will one day wed. But this prophecy is so at odds with her inferior position in the castle as Queen Alyse and King Pellinore’s lowly ward, she can’t believe it’s true. Now more complications arise as Guinevere and her cousin accompany Alyse and Pellinore to a meeting between Welsh kings, presided over by one of the High King Arthur’s knights. While there, Guinevere discovers she has a powerful enemy: King Arthur’s sister, Princess Morgaine. But why would Morgaine hate her? Guinevere is tumbling into her destiny in ways she never imagined, and she may soon have to face the prophecy with new eyes. . . .

Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”

Originally published in hardcover in 2008.

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From King Arthur and Robin Hood, through to video games and jousting-themed restaurants, medieval culture continues to surround us and has retained a strong influence on literature and culture throughout the ages. This fascinating and illuminating guide is written by two of the leading contemporary scholars of medieval literature, and explores: The influence of medieval cultural concepts on literature and film, including key authors such as Shakespeare, Tennyson, and Mark Twain The continued appeal of medieval cultural figures such as Dante, King Arthur, and Robin Hood The influence of the medieval on such varied disciplines such as politics, music, children’s literature, and art. Contemporary efforts to relive the Middle Ages. Medievalisms: Making the Past in the Present surveys the critical field and sets the boundaries for future study, providing an essential background for literary study from the medieval period through to the twenty-first century.