Guitar Basics Workouts Fun Pieces Activities Scale Trials And Arpeggios For Individual And Group Learning With Cd Audio

Guitar Basics Workouts offers aspiring players a fun and accessible way to learn their scales and arpeggios. Following the step-by-step approach and clear layout of the Guitar Basics method, this book introduces major and minor scales and arpeggios through an assortment of simple pieces, activities, warm-ups, and technical tips. The book comes with a fantastic CD containing backing tracks for many of the pieces and is ideal for individual or group learning purposes, with chords/accompaniments provided for teachers or fellow players.

This collection of studies and pieces in notation and tablature presents several major, minor, and pentatonic scales, speed studies, and etudes to build your speed and dexterity on the guitar fretboard. The C, A, G, F, and D fingerings are presented as a way to cover the full range of the guitar neck in any key. Transition exercises help you shift from one position to another within a key and modes are presented with exercises in various positions and ideas on how to apply them. Diminished scales, melodic minor scales, and two Bach inventions round out the study. Mastery of these exercises will lead to greater fluency throughout the entire fingerboard. The available online audio demonstrates all the exercises.

Teach yourself how to play guitar with our easy classical guitar lessons for beginners. ***Comes with online access to free guitar videos and audio for all examples. See and hear how each one is played by a teacher, then play along with the backing band. Also includes music score animation for easy music learning.*** "Best teacher on paper! I’ve always wanted to learn how to play a guitar. It amazes me how I was able to learn so fast." - Joe McDougal, Leominster MA Progressive Beginner Classical Guitar contains all you need to know to start learning to be a great classical guitar player - in one easy-to-follow, lesson-by-lesson classical guitar tutorial. Suitable for all ages and all types of classical guitars. No prior knowledge of how to read music or playing the guitar is required to teach yourself to learn to play guitar from this book. Teach yourself: • How to play basic guitar chords for beginners, guitar notes for beginners, arpeggios and classical guitar scales • All the left hand and right hand fundamental techniques of classical guitar playing • Practical guitar theory for learning how to read classical guitar music for beginners to play solo or in an ensemble • How to tune a guitar • Classical guitar tips and classical guitar tricks that every player should know when learning guitar • Shortcuts for how to learn guitar fast by getting the most from guitar practice sessions Contains everything you need to know to learn to play the guitar today. Features include: • Progressive step-by-step easy guitar lessons written by a professional classical guitar teacher • Easy-to-read classical guitar music • Photos and diagrams • 70+ classical guitar exercises and popular easy classical guitar songs for beginners including music by Tarrega, Giuliani, Sor, Aguado, Carulli and Carcassi Beginner guitar lessons have never been this easy for anyone who wants to learn how to play the guitar, fast. LearnToPlayMusic.com's classical guitar lessons for beginners are used by students and guitar teachers worldwide to learn how to play guitar. For over 30 years, our team of professional authors, composers and musicians have crafted guitar lesson books that are a cut above the rest. We offer a huge selection of music instruction books that cover many different instruments and styles in print, eBook and app formats. Awarded the 'Quality Excellence Design' (QED) seal of approval for eBook innovation, LearnToPlayMusic.com continues to set the standard for quality music education resources.

A technique building regimen built around jazz chords and scale shapes. the basic chord is shown, followed by the appropriate arpeggio and scale. In addition, an "ear stretching" etude is presented for each chord and scale shape.

Contains forty pieces designed to teach accidentals and key signatures, arpeggios and plucked chords, high notes, and two-part music.

This is the first in a two-volume collection of easy, short tunes and exercises for the young classical guitarist. Each chapter treats a separate basic mechanism ofthe right hand. The first section begins with simple touch exercises on one string, which contain small musical ideas with teacher accompaniment. Later pieces are designed to be played as solos with optional teacher accompaniment. These pieces are a great introduction to note-reading for the young player. Text written in English, Spanish, French and German. Includes access to onlineaudio.

(Guitar Educational). Guitar Workout is an intensive, comprehensive program that will increase your speed, agility, and creativity. This is the ultimate workout for any guitarist who wants to accelerate and articulate their speed picking! Train like a professional while gaining a greater understanding of the diatonic major scale, scale harmony, and the picking technique needed to play super-fast licks and riffs with melodic intelligence and creativity. Internationally renowned guitarist John Heussenstamm leads you through rigorous single-note warm-up exercises, speed drills, fingering patterns, sweeps, arpeggios, and melody construction.

This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique andthe exhaustive tables of melodic and rhythmic possibilities.It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation.Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing twosimultaneous tempos. The book concludes with a study of polyrhythm, playingone rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to beinclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else?s. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma,method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.