Gumshoes

The enormous explosion of crime fiction over the last decade means that more people are looking for a good mystery than ever before. This dictionary of fictional detectives helps readers learn about the series in which their favorite detectives are featured. Included are alphabetically arranged entries on roughly 150 fictional detectives, which provide information about the works in which the detective appears, the locales in which the detective operates, the detective's investigative methods, and other important information. Helpful bibliographical citations direct the reader to other interesting works. The volume closes with a selected, general bibliography; various appendices; and an extensive index. The enormous explosion of crime fiction over the last decade means that more people are looking for a good mystery than ever before. Many of the most popular mystery books appear in series, and these series feature carefully developed detectives.

GUMSHOES is about a detective agency run by two middle school kids who are top tier detectives and genius level scientists. It's basically CSI for kids! In the first book of the series, the Gumshoes join forces with one of their classmates to unravel the mystery of her father's kidnapping. Through a combination of good investigating, hard science, and blind dumb luck, the trio inch their way closer and closer to the truth. But will it be enough to track down her father before something happens to him?

Popular fiction, with its capacity for diversion, can mask important cultural observations within a framework that is often overlooked in the academic world. Works thought to be merely "escapist" can often be more seriously mined for revelations regarding the worlds they portray, especially those of the disenfranchised. As detective fiction has slowly earned critical respect, more authors from minority groups have chosen it as their medium. Chicana/o authors, previously reluctant to write in an underestimated genre that might further marginalize them, have only entered the world of detective fiction in the past two decades. In this book, the first comprehensive study of Chicano/a detective fiction, Ralph E. Rodriguez examines the recent contributions to the genre by writers such as Rudolfo Anaya, Lucha Corpi, Rolando Hinojosa, Michael Nava, and Manuel Ramos. Their works reveal the struggles of Chicanas/os with feminism, homosexuality, familia, masculinity, mysticism, the nationalist subject, and U.S.-Mexico border relations. He maintains that their novels register crucial new discourses of identity, politics, and cultural citizenship that cannot be understood apart from the historical instability following the demise of the nationalist politics of the Chicana/o movement of the 1960s and 1970s. In contrast to that time, when Chicanas/os sought a unified Chicano identity in order to effect social change, the 1980s, 1990s, and 2000s have seen a disengagement from these nationalist politics and a new trend toward a heterogeneous sense of self. The detective novel and its traditional focus on questions of knowledge and identity turned out to be the perfect medium in which to examine this new self.

The hard-boiled style of detective fiction emerged in America in the years after the First World War. In the late 1940s, following the Depression, the New Deal, and the Second World War, a new generation of young writers revisited the conventions governing the fictional private eye, and began to move him (the tough detective was still always male) and his world in new directions. This book examines the work of the four most important writers of this second generation of hard-boiled fiction. It offers the first substantial literary analysis of the Max Thursday novels of Wade Miller and the Carney Wilde novels of Bart Spicer, and it develops new perspectives on the well-known Mike Hammer novels of Mickey Spillane and the Lew Archer novels of Ross Macdonald. A particular focus is upon the theme of the detective's status as a loner who succeeds in discovering truth and achieving justice because he works outside organized social structures.

August is an undermotivated chinchilla shifter in a dead-end job until he inherits money and opens a detective agency in Sam's building.

The Sixties were a time of great cultural upheaval, when long-established social norms were challenged and everything changed: from music to fashion to social mores. And the Leave It to Beaver households in Middle America didn’t know what to make of it all. In the midst of this, private eyes tried to understand and bridge the generational divide while providing their clients with legal and extra-legal detecting services. From old-school private eyes with their flat-tops, off-the-rack suits, and well-worn brogues to the new breed of private eyes with their shoulder-length hair, bell-bottoms, and hemp sandals, the shamuses in More Groovy Gumshoes—a follow-up to the far-out original Groovy Gumshoes—take readers on another rollicking romp through the Sixties. Contributors include: Michael Chandos, Wil A. Emerson, Jeff Esterholm, John M. Floyd, Nils Gilbertson, Wendy Harrison, Dave H. Hendrickson, gay toltl kinman, Lynn Maples, Jarrett Mazza, John McFetridge, Robert Petyo, Graham Powell, Bev Vincent, Joseph S. Walker, and Stacy Woodson.

The Sixties were a time of great cultural upheaval, when long-established social norms were challenged and everything changed: from music to fashion to social mores. And the Leave It to Beaver households in Middle America didn’t know what to make of it all. In the midst of this, private eyes tried to understand and bridge the generational divide while providing their clients with legal and extra-legal detecting services. From old-school private eyes with their flat-tops, off-the-rack suits, and well-worn brogues to the new breed of private eyes with their shoulder-length hair, bell-bottoms, and hemp sandals, the shamuses in Groovy Gumshoes take readers on a rollicking romp through the Sixties. With stories by Jack Bates, C.W. Blackwell, Michael Bracken, N.M. Cedeño, Hugh Lessig, Steve Liskow, Adam Meyer, Tom Milani, Neil S. Plakcy, Stephen D. Rogers, Mark Thielman, Grant Tracey, Mark Troy, Andrew Welsh-Huggins, and Robb White.

Alex Hubbard will be going to jail for not paying alimony and his children will be heading for a foster home, unless he can get his sons away from their mentally ill and suicidal mother by taking custody of them. But to do that, he needs a woman! Where can he find a wife and stepmother who can teach his boys proper values? His only choice is someone he heartily dislikes. He really has no choice, so wedding bells ring for Alex and Shaina. She is thrilled with the challenge of making the ill-mannered boys into gentlemen, but how will she deal with being a wife to Alex? This being the 1950s, Alex?s two sons wanted someone like the mother on ?Leave It to Beaver,? but they get Shaina instead, a woman with proper grammar and manners who loves a challenge. She sets out to either break the boys or turn them into gentlemen. Shaina doesn?t do it with love, but with a haughty self-righteousness that repels the men in the Hubbard family.Lessons ends up teaching everyone a thing or two, and also reflects on the serious issues that can arise between children and their stepparents.