Guru Granth Sahib Its Language And Grammar

This textbook gives an overview of the languages of the Guru Granth Sahib, the Gurmukhi script, its pronunciation, and grammar. Since grammar serves as an important tool for producing meaningful interpretations of Gurbani, this textbook seeks to introduce a basic approach for accessing the linguistics of the Guru Granth Sahib.

The eclectic mix of personal essays, poems and scholarly articles and the teachings of Guru Nanak that form this volume have come from contributors of not only the Sikh community in India, Pakistan and the diaspora, but also from people belonging to other faiths who have been touched by the mystique of the faith of Baba Nanak. By placing the personal records alongside with the scholarly insights into His teachings, what we have understood is that there is a Nanak for each one of us – a Nanak within each one of us – and it is this Nanak which abides in our consciousness and whom we need to seek out and discover. This book is, therefore, meant both for the initiated as well as the uninitiated. The lay readers will get a glimpse into the richness of thought and experience that an acquaintance with Guru Nanak brings with it. For the scholarly, the insights by the contributors who have dedicated their lives to an understanding of Sikhi will help in opening newer vistas of the Gurbani. The plurality of views expressed mirrors the free thinking and the respect for human beings and the upholding of human dignity that Nanakji propagated, practiced and stood for.

There has been a lack of understanding of the term ‘Ghar’ used extensively and prominently in Sri Guru Granth Sahib. It is now, as a result of the path-breaking research by Dr Charan Kamal Singh, that the term ‘Ghar’ has been presented the way it has never been done so far. It is for the first time that ‘Ghar’ has been related to each and every sentence of Gurbani. And all types of ‘Ghar’ of ‘sabads’ as well as ‘chhants’ have been established. In addition to the term Ghar, the ambiguity surrounding the term ‘Rahao’ has also been cleared authentically for the first time. This all-inclusive book contains all the technicalities of ‘Ghar’ including numerical and grammatical aspects and presents the facts in a simple, understandable way. The book relates to all those who read Gurbani, who perform Gurbani Kirtan, who listen to Gurbani Kirtan, who do Sehaj Path and who do Nitnem. Thus, this significant book relates with one and all who follow Sri Guru Granth Sahib.

This volume forms a part of the Critical Discourses in South Asia series which deals with schools, movements and discursive practices in major South Asian languages. It offers crucial insights into the making of the Punjabi language and literature, and its critical tradition across a century. The book brings together English translation of major writings of influential figures dealing with literary criticism and theory, aesthetic and performative traditions and re-interpretations of primary concepts and categories in Punjabi. It presents 30 key texts in literary and cultural studies from Punjab from the beginning of development of Punjabi language to its present form, with most of them translated for the first time into English. These seminal essays cover interconnections with socio-historical events in the medieval, colonial and post-independence period in Punjab. They discuss themes such as spiritual and aesthetic visions, poetic and literary forms, modernism, progressivism, feminism, Dalit literature, power structures and social struggles, ideological values, cultural renovations, and humanism. Comprehensive and authoritative, this volume offers an overview of the history of critical thought in Punjabi literature in South Asia. It will be essential for scholars and researchers of Punjabi language and literature, literary criticism, literary theory, comparative literature, Indian literature, cultural studies, art and aesthetics, performance studies, history, sociology, regional studies and South Asian studies. It will also interest the Punjabi-speaking diaspora and those working on the intellectual history of Punjab and conservation of languages and culture.

This collection of essays is an exercise in comparative philosophy of religion that explores the different ways in which humans express the inexpressible. It brings together scholars of over a dozen religious, literary, and artistic traditions, as part of The Comparison Project's 2013-15 lecture and dialogue series on "religion beyond words." Specialist scholars first detailed the grammars of ineffability in nine different religious traditions as well as the adjacent fields of literature, poetry, music, and art. The Comparison Project's directors then compared this diverse set of phenomena, offering explanations for their patterning, and raising philosophical questions of truth and value about religious ineffability in comparative perspective. This book is the inaugural publication of The Comparison Project, an innovative new approach to the philosophy of religion housed at Drake University (Des Moines, Iowa, USA). The Comparison Project organizes a biennial series of scholar lectures, practitioner dialogues, and comparative panels about core, cross-cultural topics in the philosophy of religion. Specialist scholars of religion first explore this topic in their religions of expertise; comparativist philosophers of religion then raise questions of meaning, truth, and value about this topic in comparative perspective. The Comparison Project stands apart from traditional approaches to the philosophy of religion in its commitment to religious inclusivity. It is the future of the philosophy of religion in a diverse, global world.

The Oxford Handbook of Sikh Studies innovatively combines the ways in which scholars from fields as diverse as philosophy, psychology, religious studies, literary studies, history, sociology, anthropology, political science, and economics have integrated the study of Sikhism within a wide range of critical and postcolonial perspectives on the nature of religion, violence, gender, ethno-nationalism, and revisionist historiography. A number of essays within this collection also provide a more practical dimension, written by artists and practitioners of the tradition. The Handbook is divided into eight thematic sections that explore different 'expressions' of Sikhism. Historical, literary, ideological, institutional, and artistic expressions are considered in turn, followed by discussion of Sikhs in the Diaspora, and of caste and gender in the Panth. Each section begins with an essay by a prominent scholar in the field, providing an overview of the topic. Further essays provide detail and further treat the fluid, multivocal nature of both the Sikh past and the present. The Handbook concludes with a section considering future directions in Sikh Studies.

Sri Guru Arjan Dev Jee (1563 - 1605) was the fifth Sikh Guru and was pivotal in institutionalising the fledging faith. He constructed the most important Gurdwara for the Sikhs in Harmander Sahib, also commonly referred to as the Golden Temple of Amritsar. He authored many hymns and made the first collection of Sikh scripture in the Sri Aadh Granth Sahib. He was the first martyr of the Sikhs, he was tortured to death in the most inhumane manner, as he would not heed to the tyranny of the Mughal Empire. He was humble, poetic, peaceful and inspirational.