Gwent Folk Tales

Gwent teems with stories of magic and strange transformations above and below ground. To tell them afresh, storyteller Christine Watkins has searched out of darkness through a maze of mountain mist and salvaged a wisewoman's ironstone from the river. Read on to discover how and why the star-browed ox walked through a dream, what happened when Pegws found herself without Reverend Ridge in Carmel Chapel, and how the owl flew in low over the foxgloves, trying to sense from which direction change might come . . . Gwent Folk Tales brings to life long-told tales and weaves them beautifully with stories told to the author by family members. Wonderfully illustrated and engaging, there is a tale for everyone.

The old kingdom of Gwynedd – the mountains of Eryri (Snowdonia), Ynys (Anglesey) and the Llyˆn Peninsula – may be the most mythic landscape in Britain. The ancient Druids and from it sprang the tales of Blessed Bran who protected the land, wizards who made a Woman of Flowers, and Merlin the dragon whisperer whose prophecy echoes still. The poet Taliesin walked these hills, Welsh bards told stories of Arthur by these hearths and saints made pilgrimages along these paths. From these hidden nooks the Tylwyth Teg (Fair Folk) emerged to tease the people, and through these mountain passes rode Llywelyn the Great and Owain Glyndwˆ r, living lives that would be spun into legend. Storyteller and singer Eric Maddern has gathered these old tales here and breathed fresh life into them.

The Fairy tales that abound in the Principality have much in common with like legends in other countries. This points to a common origin of all such tales. There is a real and unreal, a mythical and a material aspect to Fairy Folk-Lore. The prevalence, the obscurity, and the different versions of the same Fairy tale show that their origin dates from remote antiquity. The supernatural and the natural are strangely blended together in these legends, and this also points to their great age, and intimates that these wild and imaginative Fairy narratives had some historical foundation. If carefully sifted, these legends will yield a fruitful harvest of ancient thoughts and facts connected with the history of a people, which, as a race, is, perhaps, now extinct, but which has, to a certain extent, been merged into a stronger and more robust race, by whom they were conquered, and dispossessed of much of their land. The conquerors of the Fair Tribe have transmitted to us tales of their timid, unwarlike, but truthful predecessors of the soil, and these tales shew that for a time both races were co-inhabitants of the land, and to a certain extent, by stealth, intermarried. Fairy tales, much alike in character, are to be heard in many countries, peopled by branches of the Aryan race, and consequently these stories in outline, were most probably in existence before the separation of the families belonging to that race. It is not improbable that the emigrants would carry with them, into all countries whithersoever they went, their ancestral legends, and they would find no difficulty in supplying these interesting stories with a home in their new country. If this supposition be correct, we must look for the origin of Fairy Mythology in the cradle of the Aryan people, and not in any part of the world inhabited by descendants of that great race.

"Seneca myths and folk tales" by Arthur C. Parker is a collection of folk tales and stories that has fascinated readers for years. The tales in this collection are full of magic, adventure, and action that keep audiences turning pages and unable to put the book down until they've reached the last word.

Gloucestershire's stories go back to the days of Sabrina, spirit of the Severn, and the Nine Hags of Gloucester. Tales tell of sky-ships over Bristol, the silk-caped wraith of Dover's Hill, snow foresters on the Cotswolds, and Cirencester's dark-age drama of snake and nipple. They uncover the tragic secrets of Berkeley Castle and the Gaunts' Chapel, a lonely ghost haunting an ancient inn, and twenty-first-century beasts in the Forest of Dean. From the intrigue and romance of town and abbey to the faery magic of the wild, here are thirty of the county's most enchanting tales, brought imaginatively to life by a dynamic local storyteller.

This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.