Hagar

You are "The God Who Sees Me." Discover a close relationship with God—no matter the pain or suffering in your life. Witness the depths of God’s compassion through the eyes of Hagar, a runaway slave who meets the living God in a desert of despair, where she gives Him the name El Roi, "The God Who Sees Me." A largely forgotten Old Testament character, Hagar is actually one of only a few people who have ever spoken directly with the LORD. Through this seven week study, you will find that when you surrender your life into God’s hands, your trials and triumphs serve a magnificent purpose: to draw you into the arms of the faithful God who sees you.

Reimagining Hagar illustrates that while interpretations of Hagar as Black are not frequent within the entire history of her interpretation, such interpretations are part of strategies to emphasize elements of Hagar's story in order to associate or disassociate her from particular groups. It considers how interpreters engage markers of difference, including gender, ethnicity, status and their intersections in their portrayals of Hagar. Nyasha Junior offers a reception history that examines interpretations of Hagar with a focus on interpretations of Hagar as a Black woman. Reception history within biblical studies considers the use, impact, and influence of biblical texts and looks at a necessarily small number of points within the long history of the transmission of biblical texts. This volume covers a limited selection of interpretations over time that is not intended to be a representative sample of interpretations of Hagar. It is beyond the scope of this book to offer a comprehensive collection of interpretations of Hagar throughout the history of biblical interpretation or in popular culture. Junior argues for the African presence in biblical texts; identifies and responds to White supremacist interpretations; offers cultural-historical interpretation that attends to the history of biblical interpretation within Black communities; and provides ideological criticism that uses the African-American context as a reading strategy. Reimagining Hagar offers a history of interpretation, but also expands beyond interpretation among Black communities to consider how various interpreters have identified Hagar as Black.

Hagar’s Daughter: A Story of Southern Caste Prejudice (1901-1902) is a novel by African American author Pauline Elizabeth Hopkins. Originally published in The Colored American Magazine, America’s first monthly periodical covering African American arts and culture, Hagar’s Daughter: A Story of Southern Caste Prejudice is a groundbreaking novel. Addressing themes of race and slavery through the lens of romance, Hopkins’ novel is thought to be the first detective novel written by an African American author. Set just before the outbreak of the American Civil War, Hagar’s Daughter: A Story of Southern Caste Prejudice takes place on the outskirts of Baltimore where, on neighboring estates, a man and woman fall in love. When Hagar Sargeant returns home after four years of study at a seminary in the North, she meets Ellis Enson, an older gentleman and self-made man who resides at the stately Enson Hall. After a brief courtship, the pair are engaged to be married. As the wedding approaches, Hagar’s mother—who has controlled the family estate since her husband’s death—dies unexpectedly, leaving Hagar the home and its accompanying grounds. Despite this tragic loss, Ellis and Hagar look forward to starting a family together—but when a man from the deep south arrives claiming the young woman was born a slave, their lives are changed forever. Hagar’s Daughter: A Story of Southern Caste Prejudice is a thrilling work of romance and detective fiction from a true pioneer of American literature, a woman whose talent and principles afforded her the vision necessary for illuminating the injustices of life in a nation founded on slavery and genocide. With a beautifully designed cover and professionally typeset manuscript, this edition of Pauline Elizabeth Hopkins’ Hagar’s Daughter: A Story of Southern Caste Prejudice is a classic work of African American literature reimagined for modern readers.

'Hagar's Daughters' is an eloquent plea directed at Christian Black women to use the strengths of their African heritage as a force to heal the divisiveness and sterile domination present in Western society.

THE STORY: The time is Christmas Eve, the place Bridgehaven Farm, a home for emotionally disturbed teenagers. As preparations for the holiday celebration begin, under the guidance of two compassionate and concerned counselors, a young black man cal

The profound ambivalence of the biblical portrayals of Hagar and Ishmael—dispossessed, yet protected; abandoned, yet given promises that rival those of the covenant with Abraham—belies easy characterizations of the Pentateuch’s writers. In particular, John T. Noble argues, conventional characterizations of the Priestly writers’ view of covenant have failed to take into account the significance of these two “non-chosen” figures. Noble carefully examines their roles and depictions in the P and non-P Genesis traditions, comparing them to other “non-chosen” figures and to patterns found in Exodus traditions and the patriarchal promises to Abraham, showing that Ishmael is clearly favored, though not chosen. Indeed, Noble argues, Ishmael must be seen as a key figure in the Priestly material, highlighting the relationship between Noahic and Abrahamic covenants. His ambiguous status calls for reconsideration of the goals and values of the Priestly work, which Noble sketches around themes of covenant, fertility, life, and the future of nations.

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