Haiku Ancient Futures

Haiku inspired by Venice, the Aldeburgh Sensory Gardens as well as a virtual visit to Japan, past and future

The Low-Carbon Good Life is about how to reverse and repair four interlocking crises arising from modern material consumption: the climate crisis, growing inequality, biodiversity loss and food-related ill-health. Across the world today and throughout history, good lives are characterised by healthy food, connections to nature, being active, togetherness, personal growth, a spiritual framework and sustainable consumption. A low-carbon good life offers opportunities to live in ways that will bring greater happiness and contentment. Slower ways of living await. A global target of no more than one tonne of carbon per person would allow the poorest to consume more and everyone to find our models of low-carbon good lives. But dropping old habits is hard, and large-scale impacts will need fresh forms of public engagement and citizen action. Local to national governments need to act; equally, they need pushing by the power and collective action of citizens. Innovative and engaging and written in a style that combines storytelling with scientific evidence, this book will be of great interest to students and scholars of climate change, sustainability, environmental economics and sustainable consumption, as well as non-specialist readers concerned about the climate crisis.

In Garden Haiku: Raising Your Child with Ancient Wisdom, author Lily Wang gives parents spiritual guidelines for raising happy, respectful, and resourceful children. The simplicity and wisdom in these character-building principles have been extolled since ancient times but tend to get lost in today’s world. While Garden Haiku addresses parents and writes about young children, it is meant for everyone to enjoy. The themes and values are universal: we all grow from childhood to adulthood, and we are all our own best parents. We need to be nurturing and assuring people who believe in ourselves and support our dreams. Wang revives golden virtues with original poetic lucidity to bring Zen to parenting: Patience is to Have no expectations But greater acceptance Children can devil or angel be— Put your hands on their backs The touch of their wings Wang equates parents with gardeners whose sole purpose is to nurture tender buds into full bloom. While we have our children’s futures in our hands, they also have ours in theirs. A modern Zen classic, Garden Haiku is every caregiver’s poetic manual on the art of parenting. “Highly recommended!” —Midwest Book Review “Just right for parents.” —Kirkus Book Reviews “Distills magic into three-line poems celebrating life.” —ForeWord Magazine

The new novel from the master storyteller is his best in years. Brilliantly McEwan, richly entertaining, a moving love story and a mystery--yet for all its gripping plotline one of the most morally layered novels written for our times, as it carries us into a provocatively real alternative history and the profound challenges of Artificial Intelligence. Set in 1980s London, the story revolves around Charlie: young and reckless, and in love with his upstairs neighbour, the enchanting Miranda whose hidden, murky past hangs between them. He has spent his inheritance on the acquisition of one of twenty-five highly developed new robotic humans--named Adam or Eve, each one beautiful, strong and clever--developed by Alan Turing after his success on the legendary WW2 Enigma codebreaking machine. As London is consumed by the huge protests over England and Argentina's Falklands War and Margaret Thatcher's jingoistic ambitions, Charlie courts Miranda, and his Adam finds himself, inevitably, central to their affair. Great novelist that he is, McEwan pulls us into the question of what it means to love, what makes us human in our fast-changing times, what might follow if a machine understands too well the human heart, and how precarious a construct is the world we live in and think we know.

A journey through the uncomputable remains of computer history Narrating some lesser known episodes from the deep history of digital machines, Alexander R. Galloway explains the technology that drives the world today, and the fascinating people who brought these machines to life. With an eye to both the computable and the uncomputable, Galloway shows how computation emerges or fails to emerge, how the digital thrives but also atrophies, how networks interconnect while also fray and fall apart. By re-building obsolete technology using today's software, the past comes to light in new ways, from intricate algebraic patterns woven on a hand loom, to striking artificial-life simulations, to war games and back boxes. A description of the past, this book is also an assessment of all that remains uncomputable as we continue to live in the aftermath of the long digital age.

A poetics appropriate to the digital era that connects digital poetry to traditional poetry's concerns with being. This book offers a decoder for some of the new forms of poetry enabled by digital technology. Examining many of the strange technological vectors converging on language, it proposes a poetics appropriate to the digital era while connecting digital poetry to traditional poetry's concerns with being (a.k.a. ontological implications). Digital poetry, in this context, is not simply a descendent of the book. Digital poems are not necessarily “poems” or written by “poets”; they are found in ads, conceptual art, interactive displays, performative projects, games, or apps. Poetic tools include algorithms, browsers, social media, and data. Code blossoms into poetic objects and poetic proto-organisms. Introducing the terms TAVs (Textual-Audio-Visuals) and TAVITS (Textual-Audio-Visual-Interactive), Aesthetic Animism theorizes a relation between scientific method and literary analysis; considers the temporal implications of animation software; and links software studies to creative writing. Above all it introduces many examples of digital poetry within a playful yet considered flexible taxonomy. In the future imagined here, digital poets program, sculpt, and nourish immense immersive interfaces of semi-autonomous word ecosystems. Poetry, enhanced by code and animated by sensors, reengages themes active at the origin of poetry: animism, agency, consciousness. Digital poetry will be perceived as living, because it is living.