Hand Drawn Jokes For Smart Attractive People

A collection from the award-winning cartoonist for the New Yorker features his funniest work from the past 15 years, as well as brand-new cartoons and sketches, visual riffs and illustrated one-liners.

An NPR Best Book of 2015 Finally, a book that’s not for everyone! From award-winning New Yorker cartoonist Matthew Diffee—editor of The Rejection Collection and the “de facto leader of a young generation of cartoonists”(The Wall Street Journal)—a hilarious mix of cartoons, visual riffs, and illustrated one liners that will appeal to anyone who is beautiful and intelligent. For almost fifteen years, Matthew Diffee’s uniquely funny single-panel cartoons have gussied up the pages of The New Yorker, winning him countless fans, big shot friends, and a pile of hilarious material he’s never used. Yet shockingly, a small sector of the population is not enamored with his work. Diffee has met some of these people and reports that they are, without exception, dumb and ugly, whereas the people who enjoy his work are just the opposite. In fact, the smarter and more attractive people are, the more they tend to appreciate Diffee’s humor. This book is for them. This collection contains Diffee’s funniest drawings and writings from the past decade as well as all-new cartoons and sketches organized into categories that will appeal to smart attractive people in all walks of life, based on profession and circumstance: smart attractive Medical Professionals, sharp and good-looking Old People; beautiful geniuses in Prison; brainy handsome Lumberjacks; and more. Are you an alluring well-read utensil user? Well, there’s a chapter just for you! If you’re a fan of Demetri Martin and Jack Handey, or if you happen to be George Clooney or Natalie Portman, Hand Drawn Jokes for Smart Attractive People will leave you laughing your smart attractive ass off.

Each week about fifty New Yorker cartoonists submit ten ideas, yielding five hundred cartoons for no more than twenty spots in the magazine. Arguably the most brilliant single-panel-gag cartoonists in the world create a bunch of cartoons every week that never see the light of day. These rejects were piling up in the dusty corners of studios all over the country. Sam Gross, who has been contributing since 1962, has more than 12,000 rejected cartoons. (Seriously. He's been numbering every single cartoon he's ever submitted to The New Yorker since the very beginning.) Enter editor Matthew Diffee. He tapped his fellow cartoonists, asking them to rescue these hilarious lost gems. From the artists' stacks of all-time favorite rejects, Diffee handpicked the standouts -- the cream of the crap -- and created The Rejection Collection, a place where good ideas go when they die. Too risqué, silly, or weird for The New Yorker, the cartoons in this book offer something no other collection has: They have never been seen in print until now. With a foreword by New Yorker cartoon editor Robert Mankoff that explains the sound judgment, respectability, and scruples not found anywhere in these pages, and handwritten questionnaires that introduce the quirky character of each artist, The Rejection Collection will appeal to fans of The New Yorker...and to anyone with a slightly sick sense of humor.

The best of the worst: these cartoons rejected by The New Yorker were deemed too dumb, too weird, or too naughty—but not for lack of laughs! Every week, hundreds and hundreds of cartoons pour into The New Yorker. Most are rejected. Doesn’t matter how big a deal the cartoonist is, either. Roz Chast, David Sipress, Kim Warp, Sam gross, Ed Steed, Emily Flake, Navied Mahdavian, or Mary Lawton—if the work in question is too weird, too naughty, too juvenile, or too dark, it’s out. Luckily for us, Matthew Diffee has been bravely sifting through the circular file to rescue the best of the worst. Here are 297 cartoons in a revised second edition featuring more than 50 new cartoons—even better, even worse! The cartoon set-ups may be familiar—a couple in bed, a few people stranded on a desert island, a doctor and patient in an examining room—but the joke are anything but, with twists so unexpected, you can’t help but laugh out loud.

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.

It’s the best of the worst: 293 of the funniest cartoons rejected by The New Yorker but luckily for us, now in paperback and available to enjoy. The Rejection Collection brings together some of The New Yorker’s brightest talents—Roz Chast, Gahan Wilson, Sam Gross, Jack Zeigler, David Sipress, and more—and reveals their other side. Their dark side. Their juvenile side. Their sick side. Their naughty side. Their outrageous side. And what a treat. Ventriloquist dummy cartoons. Operating room cartoons. Bring your daughter to work day cartoons (the stripper, the prison guard on death row). Lots of couples in bed, quite a few coffins, wise-cracking animals—an obsessive’s plumbing of the weird, the scary, the off-the-wall, and done so without restraint. Every week The New Yorker receives 500 cartoon submissions, and rejects a great majority—mostly, of course, for not being funny enough. There’s no question why these were rejected, and it’s not for lack of laughs. One can almost hear Eustace Tilley sniffing, We are not amused.

Named one of Vulture’s Top 10 Best Books of 2020! Leftist firebrand Fredrik deBoer exposes the lie at the heart of our educational system and demands top-to-bottom reform. Everyone agrees that education is the key to creating a more just and equal world, and that our schools are broken and failing. Proposed reforms variously target incompetent teachers, corrupt union practices, or outdated curricula, but no one acknowledges a scientifically-proven fact that we all understand intuitively: Academic potential varies between individuals, and cannot be dramatically improved. In The Cult of Smart, educator and outspoken leftist Fredrik deBoer exposes this omission as the central flaw of our entire society, which has created and perpetuated an unjust class structure based on intellectual ability. Since cognitive talent varies from person to person, our education system can never create equal opportunity for all. Instead, it teaches our children that hierarchy and competition are natural, and that human value should be based on intelligence. These ideas are counter to everything that the left believes, but until they acknowledge the existence of individual cognitive differences, progressives remain complicit in keeping the status quo in place. This passionate, voice-driven manifesto demands that we embrace a new goal for education: equality of outcomes. We must create a world that has a place for everyone, not just the academically talented. But we’ll never achieve this dream until the Cult of Smart is destroyed.

A New York Times Bestseller From the beloved New Yorker cartoonist comes a collection of paintings and stories from some of the world’s most cherished bookstores. This collection of 75 evocative paintings and colorful anecdotes invites you into the heart and soul of every community: the local bookshop, each with its own quirks, charms, and legendary stories. The book features an incredible roster of great bookstores from across the globe and stories from writers, thinkers and artists of our time, including David Bowie, Tom Wolfe, Jonathan Lethem, Roz Chast, Deepak Chopra, Bob Odenkirk, Philip Glass, Jonathan Ames, Terry Gross, Mark Maron, Neil Gaiman, Ann Patchett, Chris Ware, Molly Crabapple, Amitav Ghosh, Alice Munro, Dave Eggers, and many more. Page by page, Eckstein perfectly captures our lifelong love affair with books, bookstores, and book-sellers that is at once heartfelt, bittersweet, and cheerfully confessional.