Hand Me Down Dream Essay

In this eBook exclusive essay, Pulitzer Prize–winning sports journalist George Dohrmann follows a father and son separated by prison bars—but bonded by their pursuit of basketball glory. The dream of playing big-time basketball never came true for Bruce Nelson, so he passed it on to his son Roberto. His every waking moment as a father was devoted to securing Roberto a Division I scholarship. Oftentimes he worried that his son’s lack of competitive fire might put that dream in jeopardy—when in fact it was Bruce’s own actions that would do so. When Bruce is forced to monitor Roberto’s progress from behind penitentiary walls, his influence recedes—and so too does Roberto’s commitment to the aspirations they once shared. In a story that combines deep insight into family relationships with the deft storytelling that distinguished his award-winning Play Their Hearts Out, George Dohrmann follows Roberto as he addresses his life’s most difficult decisions in the absence of his best friend and most constant companion. In doing so, Dohrmann sheds new light on the larger story of basketball dreams and the pressures they place on young athletes. Includes an excerpt from George Dohrmann’s Play Their Hearts Out, winner of the PEN/ESPN Award for Literary Sportswriting and the Award for Excellence in the Coverage of Youth Sports. Praise for Play Their Hearts Out “Often heartbreaking, always riveting.”—The New York Times Book Review “Tremendous.”—The Plain Dealer “Indispensable.”—The Wall Street Journal “A tour de force of reporting, filled with deft storytelling and vivid character studies.”—The Washington Post “One of the finest sports books of all time.”—Harper’s Magazine “Amazing stuff . . . the Friday Night Lights of youth basketball.”—Leigh Montville, author of The Big Bam “A landmark achievement in basketball journalism.”—Kirkus Reviews (starred review) NAMED ONE OF THE BEST SPORTS BOOKS OF THE YEAR BY THE LOS ANGELES TIMES • THE CHRISTIAN SCIENCE MONITOR • KIRKUS REVIEWS

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

Of Mice and Men is a novella written by John Steinbeck and first ublished in 1937. It chronicles the experiences of George Milton and Lennie Small, two displaced migrant ranch workers, who move from place to place in California in search of new job opportunities during the Great Depression in the United States. Steinbeck based the novella on his own experiences working alongside migrant farm workers as a teenager in the 1910s (before the arrival of the Okies that he would describe in The Grapes of Wrath). The title is taken from Robert Burns' poem "To a Mouse", which reads: "The best laid schemes o' mice an' men / Gang aft agley". (The best laid schemes of mice and men / Often go awry.) While it is a book taught in many schools, Of Mice and Men has been a frequent target of censors for vulgarity, and what some consider offensive and racist language; consequently, it appears on the American Library Association's list of the Most Challenged Books of the 21st Century.

Author of The Hobbit, JRR Tolkien, talked of ‘desiring dragons’; that he would prefer ‘a wilderness of dragons’ to the bleak territory of the unimaginative critic. The genre of Fantasy (including Science Fiction and its various sub-genres in TV, film & computer games) has never been more popular. This book seeks to examine why this might be and why so many are tempted to write Fantasy fiction. Tolkien suggested how 'consolation' is an important criteria of the Fairy Tale: we look at how writing Fantasy can be consoling in itself, as well as a portal to Fantastic Realms for the reader. Along the way famous dragons of myth, legend and fiction will be encountered - from Grendel to Smaug. The riddles of dragons will be tackled and their hoard unlocked. ,

What is hidden in the taste of a madeleine - or in snatches of Bob Dylan songs, operatic arias, and the remembered sting of a rattan cane? An exploration of memory, Going Down for Air artfully combines two very different yet connected texts. A Memoir is richly evocative not only of times past, but also of a very English, imperial, queerly masculine subjectivity, caught on the cusp of the extinction of the world in and of which it made sense. Derek Sayer's allusive writing succeeds as few have done before in capturing the leaps and bounds of memory itself. Rich in its detail, unstinting in its honesty, this beautifully written memoir is a considerable literary achievement. The memoir is complemented by Sayer's provocative theoretical essay on memory and social identity. Drawing on linguistic and psychoanalytic theory, photographic images, and literary texts, In Search of a Subject argues that it is memory above all that maintains the imagined identities upon which society rests. Going Down for Air is a bold and strikingly successful literary and sociological experiment, which makes a major contribution to understanding how our memories work - and gives them social meaning far beyond

In Death in the Classroom, Jeffrey Berman writes about Love and Loss, the course that he designed and taught two years after his wife's death, in which he explored with his students the literature of bereavement. Berman, building on his previous courses that emphasized self-disclosing writing, shows how his students wrote about their own experiences with love and loss, how their writing affected classmates and teacher alike, and how writing about death can lead to educational and psychological breakthroughs. In an age in which eighty percent of Americans die not in their homes but in institutions, and in which, consequently, the living are separated from the dying, Death in the Classroom reveals how reading, writing, and speaking about death can play a vital role in a student's education.

The beloved New York Times bestselling author reflects on home, family, friendships and writing in this deeply personal collection of essays. "The elegance of Patchett’s prose is seductive and inviting: with Patchett as a guide, readers will really get to grips with the power of struggles, failures, and triumphs alike." —Publisher's Weekly “Any story that starts will also end.” As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth in these wise essays that afford a fresh and intimate look into her mind and heart. At the center of These Precious Days is the title essay, a surprising and moving meditation on an unexpected friendship that explores “what it means to be seen, to find someone with whom you can be your best and most complete self.” When Patchett chose an early galley of actor and producer Tom Hanks’ short story collection to read one night before bed, she had no idea that this single choice would be life changing. It would introduce her to a remarkable woman—Tom’s brilliant assistant Sooki—with whom she would form a profound bond that held monumental consequences for them both. A literary alchemist, Patchett plumbs the depths of her experiences to create gold: engaging and moving pieces that are both self-portrait and landscape, each vibrant with emotion and rich in insight. Turning her writer’s eye on her own experiences, she transforms the private into the universal, providing us all a way to look at our own worlds anew, and reminds how fleeting and enigmatic life can be. From the enchantments of Kate DiCamillo’s children’s books (author of The Beatryce Prophecy) to youthful memories of Paris; the cherished life gifts given by her three fathers to the unexpected influence of Charles Schultz’s Snoopy; the expansive vision of Eudora Welty to the importance of knitting, Patchett connects life and art as she illuminates what matters most. Infused with the author’s grace, wit, and warmth, the pieces in These Precious Days resonate deep in the soul, leaving an indelible mark—and demonstrate why Ann Patchett is one of the most celebrated writers of our time.

Given that slaveholders prohibited the creation of African-style performing objects, is there a traceable connection between traditional African puppets, masks, and performing objects and contemporary African American puppetry? This study approaches the question by looking at the whole performance complex surrounding African performing objects and examines the material culture of object performance. Object Performance in the Black Atlantic argues that since human beings can attribute private, personal meanings to objects obtained for personal use such as dolls, vessels, and quilts, the lines of material culture continuity between African and African American object performance run through objects that performed in ritual rather than theatrical capacity. Split into three parts, this book starts by outlining the spaces where the African American object performance complex persisted through the period of slavery. Part Two traces how African Americans began to reclaim object performance in the era of Jim Crow segregation and Part Three details how increased educational and economic opportunities along with new media technologies enabled African Americans to use performing objects as a powerful mode of resistance to the objectification of Black bodies. This is an essential study for any students of puppetry and material performance, and particularly those concerned with African American performance and performance in North America more broadly.