Handbook Of The Collection Of Musical Instruments In The United States National Museum

Excerpt from Handbook of the Collection of Musical Instruments in the United States National Museum The literary material left by Mr. Hawley is extensive and has been of greatest assistance in preparing this handbook. The card index of specimens comprises cards, with detailed information concerning each specimen. Separate card indexes were prepared by him showing the classes of musical instruments with catalogue num bers of specimens, the geographical locations whence the specimens came, the names of collectors or donors, and an index of musical terminology. The largest card index prepared by Mr. Hawley con tains more than cards, representing musical instruments in other museums or mentioned in literature, with descriptions and references. Only type specimens in the National Museum collection are included in this latter index. In addition to exhibited speci mens and card indexes the musical material comprises reference books, old musical publications, photographs, and phonograph rec ords of primitive music, some of the latter made in 1888. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Describes the museum's collection of antique instruments, traces the history of technological developments in their manufacture, and looks at music's changing role in American society.

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Published to celebrate the reopening of The Met's André Mertens Galleries for Musical Instruments after a two-year renovation, this Bulletin tells the story of Mary Elizabeth Adams Brown, whose unparalleled collection formed the department’s foundation. Sally B. Brown, Mary Elizabeth’s great-granddaughter, explores how a mother of six without any musical training acquired over 3,600 musical instruments from around the world in the late nineteenth century. Mary Elizabeth also became an esteemed authority in the field, authoring the first catalogue of a musical instruments collection in the United States. This publication features works of art from her collection, roughly two-thirds of which are from non-European cultures, that attest to her groundbreaking deviation from the Western canon and exceptional ambition as a collector.