Hanging On Our Own Bones

In seven nine-part poems gathered from throughout her illustrious career, Lambda award winner Judy Grahn once again demonstrates her mastery of form. Using lamentations as her uniting medium, these transgressive poems seek to sound an alarm or name the unnamable, all in a movement towards the goal of possible social change.

A transformative spiritual companion and deep dive into disability politics that reimagines disability in the Bible and contemporary culture An essential read that will foster and enrich conversations about disability, spirituality, and social justice “What’s wrong with you?” Scholar, activist, and rabbi Julia Watts Belser is all too familiar with this question. What’s wrong isn’t her wheelchair, though—it’s exclusion, objectification, pity, and disdain. Our attitudes about disability have such deep cultural roots that we almost forget their sources. But open the Bible and disability is everywhere. Moses believes his stutter renders him unable to answer God’s call. Jacob’s encounter with an angel leaves him changed not just spiritually but physically: he gains a limp. For centuries, these stories have been told and retold in ways that treat disability as a metaphor for spiritual incapacity or as a challenge to be overcome. Through fresh and unexpected readings of the Bible, Loving Our Own Bones instead paints a luminous portrait of what it means to be disabled and one of God’s beloved. Belser delves deep into sacred literature, braiding the insights of disabled, feminist, Black, and queer thinkers with her own experiences as a queer disabled Jewish feminist. She talks back to biblical commentators who traffic in disability stigma and shame. What unfolds is a profound gift of disability wisdom, a radical act of spiritual imagination that can guide us all toward a powerful reckoning with each other and with our bodies. Loving Our Own Bones invites readers to claim the power and promise of spiritual dissent, and to nourish their own souls through the revolutionary art of radical self-love.

Douglas Pitt is a man obsessed. Laughed at, mocked, and dismissed at every turn, Pitt has dedicated the best part of an unremarkable academic career attempting to prove the genius of Samuel Highgate Syme (b.1794, Baltimore; soldier, geologist, inventor). Pitt's postulation is simple enough: Syme, through some fault, wrong-doing, conspiracy or mischance, has not been credited with the recognition he deserves for hitting upon a key discovery in the advance of modern science - the theory of continental drift. Lacking the crucial last piece of the puzzle to convince his peers and normalize his family life, Pitt's emotional equilibrium is stabilised in a magical stroke of fortune when he uncovers a contemporary manuscript written by a fledgling German scientist, Friedrich Muller, which recounts a year (1821) in the company of the irrepressible Syme. Switching between these beguiling and colourful narratives, The Syme Papers takes the reader on an odyssey into the heart of Maryland and Virginia in the 1820s by way of London and Texas today. An epic stew of intellectual procrastination, early nineteenth-century picaresque and late twentieth-century angst, it is a novel of genius and failure; of a man who thought he could prove the world was hollow, and in the glorious process of discovery, broke his own heart. Teeming with comic detail and fierce intelligence, The Syme Papers recreates a time when to question the world and the origins of creation was the greatest project a scientist could undertake.

The three of them didn't talk all the time, and seemed to be attracted by the beautiful scenery. The little boy looked at the old man and the little girl beside him. Two pale blue eyes seemed to never be quiet and kept looking around. Finally, the delicate little boy finally broke the silence. The boy said slowly, "Grandpa, tell me a story

In ice hockey, the term body check refers to a specific move to gain control. It is a blow from body to body, a dynamic clash of physical strength, which will determine the course of the game. In this book, too, the body is checked and there is physical confrontation. Not in the hockey ring, but on stage. This book deals with the body in contemporary (performing) arts. The focus is on exploring theoretical avenues and developing new concepts to grasp corporeal images more accurately. This theoretical research is confronted with the voice of artists whose work explicitly deals with the body. In-depth interviews with a.o. Meg Stuart, Wim Vandekeybus, Romeo Castellucci, Jerôme Bel reveal a very broad range of views on the (re)presentation of the body in today’s performing arts. The combination of these two voices –the theoretician’s and the artist’s -shows that research by artists and cultural scientists is perfectly complementary.

Examines the life styles of gay men and women and discusses the role of gay culture in mainstream society.

Presents a collection of oratory including sermons, speeches, courtroom arguments, radio broadcasts, eulogies, and commencement addresses.

"Your illustrated guide to postures, movements, and breathing techniques"--Cover.