Harem Years

A firsthand account of the private world of a harem in colonial Cairo—by a groundbreaking Egyptian feminist who helped liberate countless women. In this compelling memoir, Shaarawi recalls her childhood and early adult life in the seclusion of an upper-class Egyptian household, including her marriage at age thirteen. Her subsequent separation from her husband gave her time for an extended formal education, as well as an unexpected taste of independence. Shaarawi’s feminist activism grew, along with her involvement in Egypt’s nationalist struggle, culminating in 1923 when she publicly removed her veil in a Cairo railroad station, a daring act of defiance. In this fascinating account of a true original feminist, readers are offered a glimpse into a world rarely seen by westerners, and insight into a woman who would not be kept as property or a second-class citizen.

A jaw-dropping story of how a girl from the suburbs ends up in a prince's harem, and emerges from the secret Xanadu both richer and wiser At eighteen, Jillian Lauren was an NYU theater school dropout with a tip about an upcoming audition. The "casting director" told her that a rich businessman in Singapore would pay pretty American girls $20,000 if they stayed for two weeks to spice up his parties. Soon, Jillian was on a plane to Borneo, where she would spend the next eighteen months in the harem of Prince Jefri Bolkiah, youngest brother of the Sultan of Brunei, leaving behind her gritty East Village apartment for a palace with rugs laced with gold and trading her band of artist friends for a coterie of backstabbing beauties. More than just a sexy read set in an exotic land, Some Girls is also the story of how a rebellious teen found herself-and the courage to meet her birth mother and eventually adopt a baby boy.

In this rare first-hand account of the private world of a Cairo harem during the years before Egypt declared independence in 1922, Shaarawi recalls her childhood and early adult life in the seclusion of an upper-class Egyptian household, including her marriage at age thirteen. Her subsequent separation from her husband gave her time for an extended formal education, as well as an unexpected taste of independence and a critical understanding of the price of confinement. Shaarawi's feminist activism grew along with her involvement in Egypt's nationalist struggle and culminated in 1923 in a daring act of defiance, when she publicly removed her veil in a Cairo railroad station.

Authors of autobiographies are always engaged in creating a "self" to present to their readers. This process of self-creation raises a number of intriguing questions: why and how does anyone choose to present herself or himself in an autobiography? Do women and men represent themselves in different ways and, if so, why? How do differences in culture affect the writing of autobiography in various parts of the world? This book tackles these questions through a close examination of Arab women's autobiographical writings. Nawar Al-Hassan Golley applies a variety of western critical theories, including Marxism, colonial discourse, feminism, and narrative theory, to the autobiographies of Huda Shaarawi, Fadwa Tuqan, Nawal el-Saadawi, and others to demonstrate what these critical methodologies can reveal about Arab women's writing. At the same time, she also interrogates these theories against the chosen texts to see how adequate or appropriate these models are for analyzing texts from other cultures. This two-fold investigation sheds important new light on how the writers or editors of Arab women's autobiographies have written, documented, presented, and organized their texts.

Follows a fifteen-year-old girl who, after presenting Gaddafi with a bouquet of flowers during a visit to her school, was summoned to his compound where she, along with a number of young women, was violently abused, raped, and degraded.

A fascinating illustrated history of one of the strangest, and cruelest, cultural institutions ever devised. A worldwide best seller, translated into twenty-five languages. “I was born in a konak (old house), which once was the harem of a pasha,” writes Alev Lytle Croutier. “People around me often whispered things about harems; my own grandmother and her sister had been brought up in one.” Drawing on a host of firsthand accounts and memoirs, as well as her own family history, Croutier explores life in the world’s harems, from the Middle Ages to the early twentieth century, focusing on the fabled Seraglio of Topkapi Palace as a paradigm for them all. We enter the slave markets and the lavish boudoirs of the sultanas; we witness the daily routines of the odalisques, and of the eunuchs who guarded the harem. Here, too, we learn of the labyrinthine political scheming among the sultan’s wives, his favorites, and the valide sultana—the sultan’s mother—whose power could eclipse that of the sultan himself. There were the harems of the sultans and the pashas, but there were also “middle-class” harems, the households in which ordinary men and women lived out ordinary—albeit polygamous—lives. Croutier reveals their marital customs, child-rearing practices, and superstitions. Finally, she shows how this Eastern institution invaded the European imagination—in the form of decoration, costume, and art—and how Western ideas, in turn, finally eroded a system that had seemed eternal. Juxtaposing a rich array of illustrations—Western paintings, Turkish and Persian miniatures, family photographs, and even film stills—Croutier demystifies the Western erotic fantasy of “the world behind the veil.” This revised and updated 25th anniversary edition of Harem includes a new introduction by the author, revisiting her subject in light of recent events in Turkey, and the world.

An interdisciplinary collection of essays exploring the harem as it was imagined, represented, and experienced in Middle Eastern and North African societies, and by visitors to those societies.