Haunted Homeland

Trapped miners from cave-ins long ago still calling for help. Ghostly women lurking in the shadows of city streets. Spectral holy men and outlaws from America's Spanish past making appearances in our modern age. They are all citizens of Haunted America, and this is HAUNTED HOMELAND. From a haunted castle in the wilds of Alaska to phantom clergymen in the Southwest and mysterious bouncing lights on the East Coast, this latest volume covers the places, the people, and the things that belong to the earthbound realm of the fantastic. Michael Norman has gathered together spectral events of all kinds--apparitions of the famous like Mary Surratt, Mary Todd Lincoln, and Mad Anthony Wayne; haunted crime scenes in Chicago and along the Indiana byways; as well as banshees, poltergeists, and even a ghost named George who has become an accepted resident in a house in North Carolina. Some of these tales date back to America's early days, such as the screaming woman of Marblehead, Massachusetts, while others rise from more contemporary sources, like noted mystery writer Mary Robert Rhinehart's encounter with ghost at a house on Long Island. A ghostly Supreme Court Justice, a specter known as The Texan, an abandoned Canadian bride reminiscent of Dickens's Miss Haversham, and many others make an appearance in this latest chronicle of the Haunted American landscape. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Wisconsin's leading authority on the paranormal presents strange stories from around the state.

Among our country's treasures are its colleges and universities, meccas of culture and higher learning--and paranormal activity. Haunted Colleges and Universities, a collection of stories of ghosts, mysteries, and paranormal happenings at colleges and universities, will leave readers delightfully frightened.

Grab a cozy blanket, light a few flickering candles, and enjoy the unnerving tales of Haunted Wisconsin. Gathered from personal interviews with credible eyewitnesses, on-site explorations, historical archives, newspaper reports, and other sources, these scores of reports date from Wisconsin’s early settlement days to recent inexplicable events. You’ll read about Wisconsin’s most famous haunted house, Summerwind; three Milwaukee men who encountered the beautiful ghost of National Avenue; a phantom basketball player; a spectral horse that signaled death in the pioneer era of the Wisconsin Dells; a poltergeist in St. Croix County who attracted a crowd of more than three hundred spectators; the Ridgeway Ghost who haunts the driftless valleys of southwestern Wisconsin; a swinging railroad lantern held by unseen hands; the Ghost Island of the Chippewa Flowage; and many others. Are ghosts real? That’s for you to decide! Now available in a Third Edition with updates and several new accounts, Haunted Wisconsin remains a favorite collection of unexplained midwestern tales, enjoyed by readers of all ages.

From the phantom pig at the Minnesota State Fair to the ghostly gangsters of the Wabasha Street Caves, St. Paul bristles with haunted history. Let the spectral usher of the Mounds Theatre show you to your seat as Chad Lewis reveals why the bits of St. Paul's past that insist on intruding on the present deserve to have their stories told. By the time the lights come back on, you will be convinced that sometimes the strangest things have happened in the dorm room upstairs...or the table next to you at your favorite restaurant...or even in your own backyard.

Focusing on African diaspora groups that have been virtually ignored in discussions of Canadian multiculturalism, the authors explore the re-creation of communities in exile and the myths of 'homeland' and 'return.'

This volume brings together new studies and interdisciplinary research on the changing mediascapes in South Asia. Focusing on India, Pakistan, and Bangladesh, it explores the transformations in the sphere of cinema, television, performing arts, visual cultures, cyber space and digital media, beyond the traumas of the partitions of 1947 and 1971. Through wide-ranging essays on soft power, performance, film, and television; art and visual culture; and cyber space, social media, and digital texts, the book bridges the gap in the study of the postcolonial and post-Partition developments to reimagine South Asia through a critical understanding of popular culture and media. The volume includes scholars and practitioners from the subcontinent to foster dialogue across the borders, and presents diverse and in-depth studies on film, media and representation in the region. This book will be useful to scholars and researchers of media and film studies, postcolonial studies, visual cultures, political studies, partition history, cultural studies, mass media, popular culture, history, sociology and South Asian studies, as well as to media practitioners, journalists, writers, and activists.

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