Ghosts And Shadows

The author arrived at the Marine Corps Recruit Depot in San Diego ill-prepared for the training and abuse that awaited him in boot camp. At the time, he would have done anything to escape; only upon reflection years later did he realize that the self-confidence instilled in him by his drill instructors had probably saved his life in Vietnam. A few months after boot camp, Private Ball was shipped out to Vietnam, joining F Company, 2nd Battalion, 3rd Marines, near Khe Sanh. As a grunt, in the vernacular of the Corps, Ball, like the other youths of F Company, did a difficult and deadly job in such places as the A Shau Valley, Leatherneck Square, the DMZ and other obscure but critical I Corps locales. His—their—fear of death mingled with homesickness. Little did they realize that the horrors of the Vietnam War—horrors that while in-country they often claimed did not even exist—would haunt them for the rest of their lives.

Eric Banyon, a Renaissance Faire musician, must help Korendil, a young elven noble, prevent an evil elven lord from conquering California.

New York Times–Bestselling Author: A Key West psychic is unsure whether the man she’s drawn to is a killer . . . There are those who walk among us who are no longer alive, but not yet crossed over. They seek retribution . . . vengeance . . . to warn. Among the living, few intuit their presence. Katie O’Hara is one who can. As she’s drawn deeper and deeper into a gruesome years-old murder, whispered warnings from a spectral friend become more and more insistent. But Katie must uncover the truth: Could David Beckett really be guilty of his ex-fiancée’s murder? Worse—the body count’s rising on the Island of Bones, and the dead seem to be reenacting some macabre tableaux from history. The danger is increasing by the moment—especially as Katie finds herself irresistibly drawn to David, who may be responsible for more than just one killing . . . “An incredible storyteller.” —Los Angeles Daily News

Sophie's world is shattered when disaster bankrupts her family. She's still reeling when she's offered an unexpected solution: Mr. Argenton, a wealthy stranger, has asked for her hand in marriage. Marrying Mr. Argenton will save her family, but it condemns Sophie to a life in Northwood, a vast and unnaturally dark mansion situated hours from civilization. Still, she has no choice but accept the offer and hope the darkness won't swallow her whole. It's a struggle to adjust to her new position as mistress over the desolate house. Mr. Argenton's relatives are cold, and Mr. Argenton himself is keeping secrets. Even worse, the house is more than it seems. Doors slam. Inhuman figures slink through the surrounding forest. A piano plays itself in the middle of the night. Blood drips a macabre warning down the walls. Day by day, Sophie is inevitably pulled towards the terrifying truth at the heart of this gothic mystery: Northwood's ancient halls are haunted, and the man she married―the man she's coming to love―is hiding an unforgiveable truth about his ancestral home...and the spirits that now haunt them both.

ELVES IN L.A.? It would explain a lot, wouldn't it? In fact, half a millennium ago, when the elves were driven from Europe they came to -- where else? Southern California. Happy at first, they fell on hard times after one of their number tried to force the rest to be his vassals. Now it's up to one poor human to save them if he can. A knight in shining armor he's not, but he's their last hope, their

Ida Mae Glick, a critically acclaimed filmmaker, has lived and taught in the small town of Willow Bend, New York for five years without drawing attention to her troubled past. But when she suffers a near fatal heart attack, the result of trying to live on the same meager rations as a group of homeless people she is filming, she winds up in intensive care under the scrutiny of a neurotic psychiatrist who believes she's unstable. To make matters worse, her mother's ghost has appeared at her bedside with old gripes, and her angry, estranged identical twin, Lisa, is heading toward town intent on having her committed. Ida Mae is desperate to escape with her freedom intact, but knows she'll have to get past her psychiatrist first. The only question is, can she? Shadows and Ghosts is Ida Mae's tale of artistic passion, fierce sibling rivalry, failed love affairs, substance abuse, and the magical redemptive power of cinema.

“A haunted, haunting examination of mental illness and murder in a more or less ordinary American city…Mature and thoughtful…A Helter Skelter for our time, though without a hint of sensationalism—unsettling in the extreme but written with confidence and deep empathy” (Kirkus Reviews, starred review). On March 11, 2003, in Brownsville, Texas—one of America’s poorest cities—John Allen Rubio and Angela Camacho murdered their three young children. The apartment building in which the brutal crimes took place was already run down, and in their aftermath a consensus developed in the community that it should be destroyed. In 2008, journalist Laura Tillman covered the story for The Brownsville Herald. The questions it raised haunted her and set her on a six-year inquiry into the larger significance of such acts, ones so difficult to imagine or explain that their perpetrators are often dismissed as monsters alien to humanity. Tillman spoke with the lawyers who tried the case, the family’s neighbors and relatives and teachers, even one of the murderers: John Allen Rubio himself, whom she corresponded with for years and ultimately met in person. Her investigation is “a dogged attempt to understand what happened, a review of the psychological, sociological and spiritual explanations for the crime…a meditation on the death penalty and on the city of Brownsville” Star Tribune (Minneapolis). The result is a brilliant exploration of some of our age’s most important social issues and a beautiful, profound meditation on the truly human forces that drive them. “This thought-provoking…book exemplifies provocative long-form journalism that does not settle for easy answers” (Publishers Weekly, starred review).

Isaacs talks to the veterans unable to forget the war no one wanted to talk about. He explores the class divisions deepened by a conflict in which the privileged avoided service that an earlier generation had embraced as a duty. And he shows how the "Vietnam Syndrome" continues to affect nearly every major U.S. foreign policy decision, from the Persion Gulf to Somalia, Bosnia, and Haiti.