Have Repertoire Will Travel

Nonviolence is celebrated and practiced around the world, as a universal 'method for all human conflict.' This Element describes how nonviolence has evolved into a global repertoire, a patterned form of contentious political performance that has spread as an international movement of movements, systematizing and institutionalizing particular forms of protest as best claims-making practice. It explains how the formal organizational efforts of social movement emissaries and favorable and corresponding global models of state and civic participation have enabled the globalization of nonviolence. The Element discusses a historical perspective of this process to illuminate how understanding nonviolence as a contentious performance can explain the repertoire's successes and failures across contexts and over time. The Element underscores the dynamics of contention among global repertoires and suggests future research more closely examines the challenges posed by institutionalization.

This is an account of the life and cultural contribution of one of Canadas most talented conductors. He was known for his limitless enthusiasm and support of Canadian music and young musicians, as well as for his insistence on playing music by Canadian composers.

Young classical singers, particularly recent graduates of music programs, need not only considerable artistic ability but also intelligence and an acute business sense to navigate the world of professional singing. In this book, author Susan Mohini Kane has created a user-friendly guide for these recent graduates. Kane combines the benefits of an instructional manual with those of a self-reflective workbook to provide emerging classical singers with both practical and inspirational advice.

Keys to Academic English presents Academic English and its building blocks in an accessible, easy-to-use format.

Of all the things we do and say, most will never be repeated or reproduced. Once in a while, however, an idea or a practice generates a chain of transmission that covers more distance through space and time than any individual person ever could. What makes such transmission chains possible? For two centuries, the dominant view (from psychology to anthropology) was that humans owe their cultural prosperity to their powers of imitation. In this view, modern cultures exist because the people who carry them are gifted at remembering, storing and reproducing information. How Traditions Live and Die proposes an alternative to this standard view. What makes traditions live is not a general-purpose imitation capacity. Cultural transmission is partial, selective, often unfaithful. Some traditions live on in spite of this, because they tap into widespread and basic cognitive preferences. These attractive traditions spread, not by being better retained or more accurately transferred, but because they are transmitted over and over. This theory is used to shed light on various puzzles of cultural change (from the distribution of bird songs to the staying power of children's rhymes) and to explain the special relation that links the human species to its cultures. Morin combines recent work in cognitive anthropology with new advances in quantitative cultural history, to map and predict the diffusion of traditions. This book is both an introduction and an accessible alternative to contemporary theories of cultural evolution.

A Complete, Solid and Flexible Chess Opening Repertoire for Black & White – with the King’s Fianchetto When experienced chess teacher Emmanuel Neiman learned that some of his pupils hesitated to play in competitions for fear of being crushed in the opening, he wanted to help. Neiman knew that amateurs have little time to seriously study opening theory, so he had to come up with a practical, complete, easy-to-learn and solid opening repertoire that would not outdate rapidly. And that is what he did. Neiman advises amateurs to play (with both colours!) the flexible King’s Fianchetto system, where the Bishop is a defender of the King and at the same time an attacker. No matter what side you are, you use the same basic ideas: as White you are targeting the light squares and as Black the dark squares, while applying roughly the same strategies, plans and tactical motifs. Neiman has teamed up with Samy Shoker, who gained the Grandmaster title by mainly playing the King’s Fianchetto systems (and sometimes beating 2700+ rated players with it!). The result is a complete and practical repertoire which will give club players a sound and flexible middlegame position they can feel at home in. In many lines Neiman and Shoker not only present a solid approach but also a sharp and aggressive alternative. The authors don’t promise you a large advantage every time you play their system, but one thing is certain: after studying this entertaining book you can play the opening confidently and you will be a better all-round player because you have learned many essential middlegame lessons. Even (very) strong players will find the ideas of Neiman and Shoker useful as an easy-to-play occasional weapon.