Hbo S Original Voices

This book constitutes the first major exploration of HBO's current programming, examined in the context of the transformation of American television and global society. With studies of well-known shows such as Game of Thrones, Girls, Insecure, Looking, Silicon Valley, The Comeback, The Leftovers, True Detective and Veep and Vinyl, the authors examine the trends in current programming, including the rise of queer characters, era-defining comedy, reinvented fantasy series, and the content’s new awareness of gender, sexuality and family dysfunction. Interdisciplinary and international in scope, HBO’s New and Original Voices explores the sociocultural and political role and impact that HBO's current programmes have held and the ways in which it has translated and reinterpreted social discourses into its own televisual language. A significant intervention in television studies, media studies and cultural studies, this book illuminates the emergence of a new era of culturally relevant television that fans, students, and researchers will find lively, accessible and fascinating.

This book constitutes the first major exploration of HBO's current programming, examined in the context of the transformation of American television and global society. Bringing together an international group of media and cultural studies scholars to offer an in-depth look at issues of race, class, gender, sexuality and power behind HBO's new and original voices, shows such as Game of Thrones, Girls, Insecure, Looking, Silicon Valley, The Comeback, The Leftovers, True Detective and Veep and Vinyl are examined. A significant intervention in television studies, media studies and cultural studies, this book illuminates the emergence of a new era of culturally relevant television that fans, students, and researchers will find lively, accessible and fascinating.

A phenomenal account, newly updated, of how twelve innovative television dramas transformed the medium and the culture at large, featuring Sepinwall’s take on the finales of Mad Men and Breaking Bad. In The Revolution Was Televised, celebrated TV critic Alan Sepinwall chronicles the remarkable transformation of the small screen over the past fifteen years. Focusing on twelve innovative television dramas that changed the medium and the culture at large forever, including The Sopranos, Oz, The Wire, Deadwood, The Shield, Lost, Buffy the Vampire Slayer, 24, Battlestar Galactica, Friday Night Lights, Mad Men, and Breaking Bad, Sepinwall weaves his trademark incisive criticism with highly entertaining reporting about the real-life characters and conflicts behind the scenes. Drawing on interviews with writers David Chase, David Simon, David Milch, Joel Surnow and Howard Gordon, Damon Lindelof and Carlton Cuse, and Vince Gilligan, among others, along with the network executives responsible for green-lighting these groundbreaking shows, The Revolution Was Televised is the story of a new golden age in TV, one that’s as rich with drama and thrills as the very shows themselves.

This book analyses the HBO program Treme from multiple perspectives and argues that the series’ depictions of music, culture, cuisine, and identity are innovative and represent unique televisual storytelling strategies. The location, themes, and characters create a compelling story arc, and highlight the city's culture and cuisine, jazz musicians and musical performances, and Mardi Gras Indians. The program challenges initial reporting of Hurricane Katrina and in doing so rewrites the disaster myth coverage through which the city has been framed. Recommended for scholars of communication, media studies, music studies, and cultural studies.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 The Japanese Footbridge by Claude Monet is a famous painting, but Gustave Caillebotte’s paintings are exquisite and less known. The reason Caillebotte is less known is because he is in the impressionist exhibit with Monet, who is more famous. #2 Gustave Caillebotte was a French painter who was born into a wealthy family. He was friends with many of the most controversial young artists of his time, including Monet and Degas. He died at the age of 45 in 1894. His will stipulated that all paintings hang at the Musée du Luxembourg in Paris. #3 The artworks were finally hung in 1897, at a new wing in the Musée du Luxembourg. The public flooded the museum to see art they’d previously savaged or simply ignored. The seven core impressionist painters were the only ones who shared this characteristic. #4 The fact that Caillebotte’s bequest shaped the impressionist canon spoke to something deep and universal about media, entertainment, and popularity. People prefer paintings that they’ve seen before.

This carefully crafted ebook is formatted for your eReader with a functional and detailed table of contents. The sixth season of the fantasy drama television series Game of Thrones premiered on HBO on April 24, 2016, and concluded on June 26, 2016. It consists of ten episodes, each of approximately 50–60 minutes, largely of original content not found in George R. R. Martin's A Song of Ice and Fire series. Some material is adapted from the upcoming sixth novel The Winds of Winter and the fourth and fifth novels, A Feast for Crows and A Dance with Dragons. The series was adapted for television by David Benioff and D. B. Weiss. HBO ordered the season on April 8, 2014, together with the fifth season, which began filming in July 2015 primarily in Northern Ireland, Spain, Croatia, Iceland and Canada. Each episode cost over $10 million. This book has been derived from Wikipedia: it contains the entire text of the title Wikipedia article + the entire text of all the 593 related (linked) Wikipedia articles to the title article. This book does not contain illustrations. e-Pedia (an imprint of e-artnow) charges for the convenience service of formatting these e-books for your eReader. We donate a part of our net income after taxes to the Wikimedia Foundation from the sales of all books based on Wikipedia content.

In 2008, the broadcast networks, cable channels and syndication produced nearly 1,100 new and continuing entertainment programs—the most original productions in one year since the medium first took hold in 1948. This reference book covers all the first run entertainment programs broadcast over the airwaves and on cable from January 1 through December 31, 2008, including series, specials, miniseries, made-for-television movies, pilot films, Internet series and specialized series (those broadcast on gay and lesbian channels). Alphabetically arranged entries provide storylines, performer/character casts, production credits, day/month/year broadcast dates, type, length, network(s), and review excerpts.