The Year In Television 2008

In 2008, the broadcast networks, cable channels and syndication produced nearly 1,100 new and continuing entertainment programs—the most original productions in one year since the medium first took hold in 1948. This reference book covers all the first run entertainment programs broadcast over the airwaves and on cable from January 1 through December 31, 2008, including series, specials, miniseries, made-for-television movies, pilot films, Internet series and specialized series (those broadcast on gay and lesbian channels). Alphabetically arranged entries provide storylines, performer/character casts, production credits, day/month/year broadcast dates, type, length, network(s), and review excerpts.

This reference work is a chronicle of all the first run entertainment programs broadcast from January 1 to December 31, 2009. Included are series, TV movies, aired pilots, specials, miniseries and Internet series. Alphabetically arranged entries provide casts, storylines, production credits, networks, broadcast dates, and excerpts from newspaper reviews. New to this volume is a listing of the highlights of the year and coverage of all the unaired pilots produced for the 2008–2009 season.

The early years of television relied in part on successful narratives of another medium, as studios adapted radio programs like Boston Blackie and Defense Attorney to the small screen. Many shows were adapted more than once, like the radio program Blondie, which inspired six television adaptations and 28 theatrical films. These are but a few of the 1,164 programs covered in this volume. Each program entry contains a detailed story line, years of broadcast, performer and character casts and principal production credits where possible. Two appendices ("Almost a Transition" and "Television to Radio") and a performer's index conclude the book. This first-of-its-kind encyclopedia covers many little-known programs that have rarely been discussed in print (e.g., Real George, based on Me and Janie; Volume One, based on Quiet, Please; and Galaxy, based on X Minus One). Covered programs include The Great Gildersleeve, Howdy Doody, My Friend Irma, My Little Margie, Space Patrol and Vic and Sade.

British Broadcasting Corporation Television Licence Fee Trust Statement for the year ending 31 March 2011

In today's knowledge-driven world, innovation and innovation systems have become key policy issues. However, the extent of knowledge that is available on these concepts in less developed countries is still relatively low. Much of what we know about innovation theory and systems has come from the developed countries and reflects their world view. This apparent knowledge deficit has major implications for less developed countries. Innovation Systems and Capabilities in Developing Regions adds to the growing body of knowledge on developing countries. The theoretical and empirical case studies presented here advance the notion that, while developing countries may not engage in frontier research, a critical knowledge base upon which these countries compete for global markets is emerging. There is evidence that state and non-state actors are increasingly emphasising policies that sit within the framework of national innovation systems. This book illuminates this shift in policy competence at national levels. The contributions in this volume highlight the need for thorough understanding of the role of diffusion-based innovation linked to technology transfer and acquisition. They also provide empirical evidence on the drivers, dynamics and impact of such innovation in developing economies and the constraints that apply. Contributors also document the application of the innovation system approach in developing countries as well as the build-up and diffusion of technological capabilities within innovation systems. Academics, higher level students, policy makers and practitioners involved with innovation and the economics of technical change, particularly in developing countries, will find this a valuable book.

HUGH JACKMAN is a true Hollywood juggernaut. The magnetic Australian has joined countrymen Mel Gibson and Russell Crowe as an international superstar and is loved by fans worldwide for his varied career in film and theatre.When a young Jackman turned down a role in Neighbours to study at Perth's prestigious WAAPA, his gamble would pay off hand-somely. After a string of successful musicals, Jackman's Hollywood break came after being cast as Wolverine in 2000, catapulting him to heavyweight stardom. He has since reprised the role in box office hits The Last Stand, Origins and The Wolverine.Premium offers including 2006 animation Happy Feet, Baz Lurhmann's epic Australia â€" and even a rumoured shortlist spot for James Bond â€" soon followed. With a 2013 Academy Award nomination for his tour de force performance as Jean Valjean in the epic Les Miserables, and a star turn as Wolverine in X-Men: Days of Future Past on the horizon, Hugh is set to dominate the silver screen for the foreseeable future.Acclaimed actor, Sexiest Man Alive winner, all-action hero and devoted family man, Hugh Jackman has it all, and his stock just keeps on rising. In this fantastic biography, Anthony Bunko traces the amazing story of a true showbiz star and modern-day matinee idol.