Hearing Birds Fly

HEARING BIRDS FLY is Louisa Waugh's passionately written account of her time in a remote Mongolian village. Frustrated by the increasingly bland character of the capital city of Ulan Bator, she yearned for the real Mongolia and got the chance when she was summoned by the village head to go to Tsengel far away in the west, near the Kazakh border. Her story completely transports the reader to feel the glacial cold and to see the wonders of the Seven Kings as they steadily emerge from the horizon. Through her we sense their trials as well as their joys, rivalries and even hostilities, many of which the author shared or knew about. Her time in the village was marked by coming to terms with the harshness of climate and also by how she faced up to new feelings towards the treatment of animals, death, solitude and real loneliness, and the constant struggle to censor her reactions as an outsider. Above all, Louisa Waugh involves us with the locals' lives in such a way that we come to know them and care for their fates.

NEW YORK TIMES BESTSELLER SILVER MEDALIST for the National Outdoor Book Award for Natural History Literature From the bestselling author of H is for Hawk, a brilliant and insightful work about our relationship to the natural world Our world is a fascinating place, teeming not only with natural wonders that defy description, but complex interactions that create layers of meaning. Helen Macdonald is gifted with a special lens that seems to peer right through it all, and she shares her insights--at times startling, nostalgic, weighty, or simply entertaining--in this masterful collection of essays. From reflections on science fiction to the true story of an Iranian refugee's flight to the UK, Macdonald has a truly omnivorous taste when it comes to observations of both the banal and sublime. Peppered throughout are reminisces of her own life, from her strange childhood in an estate owned by the Theosophical Society to watching total eclipses of the sun, visits to Uzbek solar power plants, eccentric English country shows, and desert hunting camps in the Gulf States. These essays move from personal experiences into wider meditations about love and loss and how we build the world around us. Whether more journalistic in tone, or literary--even formally experimental--each piece is generous, lyrical, and speaks to one another. Macdonald creates a strong thematic undertow that quietly takes the reader along piece to piece and sets them down, finally, at a place they've never been before.

What is it like to be a swift, flying at over one hundred kilometres an hour? Or a kiwi, plodding flightlessly among the humid undergrowth in the pitch dark of a New Zealand night? And what is going on inside the head of a nightingale as it sings, and how does its brain improvise?Bird Sense addresses questions like these and many more, by describing the senses of birds that enable them to interpret their environment and to interact with each other. Our affinity for birds is often said to be the result of shared senses - vision and hearing - but how exactly do their senses compare with our own? And what about a birds' sense of taste, or smell, or touch or the ability to detect the earth's magnetic field? Or the extraordinary ability of desert birds to detect rain hundreds of kilometres away - how do they do it?Bird Sense is based on a conviction that we have consistently underestimated what goes on in a bird's head. Our understanding of bird behaviour is simultaneously informed and constrained by the way we watch and study them. By drawing attention to the way these frameworks both facilitate and inhibit discovery, it identifies ways we can escape from them to seek new horizons in bird behaviour.There has never been a popular book about the senses of birds. No one has previously looked at how birds interpret the world or the way the behaviour of birds is shaped by their senses. A lifetime spent studying birds has provided Tim Birkhead with a wealth of observation and an understanding of birds and their behaviour that is firmly grounded in science.

A sun-drenched and irresistible love story from a stunning new talent in YA, perfect for fans of Morgan Matson, John Green, and Rainbow Rowell. "A uniquely dazzling love story - sunshine flows through every electric page, and into your heart." Harriet Reuter Hapgood, author of The Square Root of Summer Linny has been living life in black and white since her sister Grace ran away, and she's scared that Grace might never come back. When Linny witnesses the return to Miami of a cult movie star long presumed dead, she is certain it's a sign. Surely Álvaro Herrera, of all people, can tell her why people come back - and how to bring her sister home? Sebastian has come to Miami seeking his father, a man whose name he's only just learned. An aspiring astrophysicist, he can tell Linny how many galaxies there are, how much plutonium weighs and how likely she is to be struck by a meteorite. But none of the theories he knows are enough to answer his own questions about why his father abandoned him, and why it left him in pieces. As Sebastian and Linny converge around the mystery of Álvaro's disappearance - and return - their planets start to collide. Linny's life is about to become technicolor, but finding the answers to her questions might mean losing everything that matters.

A generic statement is a type of generalization that is made by asserting that a "kind" has a certain property. For example we might hear that marshmallows are sweet. Here, we are talking about the "kind" marshmallow and assert that individual instances of this kind have the property of being sweet. Almost all of our common sense knowledge about the everyday world is put in terms of generic statements. What can make these generic sentences be true even when there are exceptions? A mass term is one that does not "divide its reference;" the word water is a mass term; the word dog is a count term. In a certain vicinity, one can count and identity how many dogs there are, but it doesn't make sense to do that for water--there just is water present. The philosophical literature is rife with examples concerning how a thing can be composed of a mass, such as a statue being composed of clay. Both generic statements and mass terms have led philosophers, linguists, semanticists, and logicians to search for theories to accommodate these phenomena and relationships. The contributors to this interdisciplinary volume study the nature and use of generics and mass terms. Noted researchers in the psychology of language use material from the investigation of human performance and child-language learning to broaden the range of options open for formal semanticists in the construction of their theories, and to give credence to some of their earlier postulations--for instance, concerning different types of predications that are available for true generics and for the role of object recognitions in the development of count vs. mass terms. Relevant data also is described by investigating the ways children learn these sorts of linguistic items: children can learn how to sue generic statements correctly at an early age, and children are adept at individuating objects and distinguishing them from the stuff of which they are made also at an early age.

Five-year-old Dove is ecstatic about everything around her, particularly the forest near her home. In her town, however, nature is outlawed from praise and exploration. She gets sent away for 10 long years when the King finds out she is fascinated by nature. He considers this to be a spell of insanity and a risk to the entire town. Later in this exile, her little sister gets banished to the forest where she finds Dove. They stay together until the King sends for Dove, but she doesn’t know why. A mission is set that Dove and her friends and family struggle to complete. Dove must help the same man who forced her out of her home, hoping her “sickness” would not spread. The children must help him, or their city will fall apart. They must accept the challenge and take a journey they may or may not survive.