Heartbeats Of A Tankman

'Heartbeats of a Tankman' is a poignant tribute to a soldier's journey, celebrating the indomitable human spirit, through the enduring power of poetry to touch the soul. Navigating themes spanning 'Saga of Family Heritage, Bravehearts and Battles, Tryst with Love and Destiny to Humans for Humanity'. The collection encapsulates a soldier's life, soul, heart, and emotions. Each poem is thoughtfully accompanied by the author's personal experiences/emotions, a glimpse into the poem's essence, and a Hindi couplet encapsulating the sentiments within. This collection serves as a testament to valour, love, destiny, and the resilient heartbeat of a Tankman's soul.

‘Heartbeats of a Tankman’ is a poignant tribute to a soldier’s journey, celebrating the indomitable human spirit, through the enduring power of poetry to touch the soul. Navigating themes spanning ‘Saga of Family Heritage, Bravehearts and Battles, Tryst with Love and Destiny to Humans for Humanity’. The collection encapsulates a soldier’s life, soul, heart, and emotions. Each poem is thoughtfully accompanied by the author's personal experiences/emotions, a glimpse into the poem's essence, and a Hindi couplet encapsulating the sentiments within. This collection serves as a testament to valour, love, destiny, and the resilient heartbeat of a Tankman's soul.

With a Little Help is my first serious experiment in self-publishing. I've published many novels, short story collections, books of essays and so on with publishers, and it's all been very good and satisfying and educational and so on, but it seems like it's time to try something new. With a Little Help consists of 12 stories, all reprints except for "Epoch" (commissioned by Mark Shuttleworth).

'Flint . . . creates fascinating, unforgettable characters' Booklist A LONG-LOST DAUGHTER. AN EXPLOSIVE SECRET. A LETHAL CONSPIRACY. Ex-Delta Force soldier Jack Ford is trying to put the past behind him. But when he receives a letter from someone he hasn’t spoken to in thirty years, claiming he has a daughter, he can’t resist investigating for himself. Soon he’s on a plane to China, a country he hasn’t returned to since witnessing the atrocities of the Tiananmen Square massacre. But on his search he stumbles upon a document which both the Chinese and American governments are desperately chasing. Now Jack is trapped in an impossible dilemma: save his daughter or prevent a new world war where thousands will lose their lives.

The past is what happened. History is what we remember and write about that past, the narratives we craft to make sense out of our memories and their sources. But what does it mean to look at the past and to remember that "nothing happened"? Why might we feel as if "nothing is the way it was"? This book transforms these utterly ordinary observations and redefines "Nothing" as something we have known and can remember. "Nothing" has been a catch-all term for everything that is supposedly uninteresting or is just not there. It will take some--possibly considerable--mental adjustment before we can see Nothing as Susan A. Crane does here, with a capital "n." But Nothing has actually been happening all along. As Crane shows in her witty and provocative discussion, Nothing is nothing less than fascinating. When Nothing has changed but we think that it should have, we might call that injustice; when Nothing has happened over a long, slow period of time, we might call that boring. Justice and boredom have histories. So too does being relieved or disappointed when Nothing happens--for instance, when a forecasted end of the world does not occur, and millennial movements have to regroup. By paying attention to how we understand Nothing to be happening in the present, what it means to "know Nothing" or to "do Nothing," we can begin to ask how those experiences will be remembered. Susan A. Crane moves effortlessly between different modes of seeing Nothing, drawing on visual analysis and cultural studies to suggest a new way of thinking about history. By remembering how Nothing happened, or how Nothing is the way it was, or how Nothing has changed, we can recover histories that were there all along.

Many narrative accounts of men in combat during World War II have conveyed the horrors and emotions of warfare. However, not many reveal in such an intimate way the struggle of innocent youth to adapt to the primitive code of “kill or be killed,” to transform from lads into combat soldiers. Another River, Another Town is the story of John P. Irwin, a teenage tank gunner whose idealistic desire to achieve heroism is shattered by the incredibly different view of life the world of combat demands. He comes to the realization that the realm of warfare has almost nothing in common with the civilian life from which he has come. The interminable fighting, dirt, fatigue, and hunger make the war seem endless. In addition to the killing and destruction on the battlefield, Irwin and his crew are caught up in the unbelievable depravity they encounter at Nordhausen Camp, where slave laborers are compelled to work themselves to death manufacturing the infamous V-rockets that have been causing so much destruction in London, and that are expected one day to devastate Washington, D.C. At the end of the war, the sense of victory is, for these men, overshadowed by the intense joy and relief they experience in knowing that the fighting is at last over.

As the First World War roared into its second year, 17-year-old Lawrence Ellis marched into his recruitment office and signed up, eager to fight for King and Country. Underage, as so many were, it wasn't until he had cut his teeth in the Royal Field Artillery that Ellis joined the Corps of Royal Signallers. It was some years after the war, however, that the private began to commit his memories to art and words. A Signaller's War includes a poignant selection of Ellis' images, portraying the conditions, experiences and hopes of the common soldier in the trenches of the Western Front. Often humorous, sometimes horrific, always honest, this collection is a unique insight into the life of a young volunteer who grows from a boy to a man during his service, after witnessing the aftermath of the Somme and action at Cambrai. He was not a trained artist, writer or diarist, yet his work demonstrates a skill and sensitivity that will leave the reader breathless.