Hearts Of Oak

"[Hearts of Oak packs in] the sort of profound and lacerating laughter that Robson's countrymen Douglas Adams and Terry Pratchett perfected." –NPR Hearts of Oak is a delightful science fiction adventure from Eddie Robson, the creator of the acclaimed Welcome to Our Village, Please Invade Carefully. The buildings grow. And the city expands. And the people of the land are starting to behave abnormally. Or perhaps they’ve always behaved that way, and it’s normality that’s at fault. And the king of the land confers with his best friend, who happens to be his closest advisor, who also happens to be a talking cat. But that’s all perfectly natural and not at all weird. Iona, close to retirement, finds that the world she has always known is nothing like she always believed it to be. There are dark forces . . . not dark. There are uncanny forces . . . no, not uncanny. There are forces, anyway, mostly slightly odd ones, and they appear to be acting in mysterious ways. It’s about town planning, it’s about cats and it’s about the nature of reality. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Example in this ebook The poetry relating to American history falls naturally into two classes: that written, so to speak, from the inside, on the spot, and that written from the outside, long afterwards. Of the first class, "The Star-Spangled Banner" is the most famous example, as well as perhaps the best. Even at this distant day, reading it with a knowledge of the circumstances which produced it, it has a power of touching the heart and gripping the imagination which goes far toward proving the genuineness of its art. Of the second class, "Paul Revere's Ride" is probably the most widely known, though Mr. Longfellow's own "Ballad of the French Fleet" is a better poem. It is evident that, in compiling an anthology such as this, different standards must be used in judging these two classes. The first, aside from any quality as poetry which it may have, is of value because of its historical or political interest, because it is an expression and an interpretation of the hour which gave it birth. With it, poetic merit is not the first consideration, which is, perhaps, as well. Yet, however slight their merit as poetry may be, many of the early ballads possess an admirable energy, directness, and aptness of phrase, and there is about them a childlike simplicity impossible of reproduction in this sophisticated age—as where Stephen Tilden, in his epitaph on Braddock, requests the great commanders who have preceded that unfortunate soldier to the grave to "Edge close and give him room." With the retrospective ballad, on the other hand, poetic merit is a sine qua non. It has little value historically, however accurate its facts. It differs from the contemporary ballad in the same way that the "New Canterbury Tales" differ from Froissart; or as the "Idylls of the King" differ from "Le Morte Arthur." It is less authentic, less convincing, less vital. It may have atmosphere, but there is no infallible way of telling whether the atmosphere is right. Unless it is something more, then, than mere metrical history, the modern ballad has little claim to consideration. These are the two principles which the present compiler has had constantly in mind. Yet the second principle has been violated more than once, since, in a collection such as this, one must cut one's coat according to the cloth; or, rather, one must make sure that one is decently covered, though the covering may here and there be somewhat inferior in quality. So it has been necessary, in order to keep the thread of history unbroken, to admit some strands anything but silken; and if the choice has sometimes been of ills, rather than of goods, the compiler can only hope that he chose wisely. The most difficult and trying portion of his task has been, not to get his material together, but to compress it into reasonable limits. Especially in the colonial period was the temptation great to include more early American verse. Peter Folger's "A Looking-Glass for the Times," Benjamin Tompson's "New England's Crisis," Michael Wigglesworth's "God's Controversy with New England," the "Sot-Weed Factor," and many others, which it is recalling an old sorrow to name here, were excluded only after long and bitter debate. No doubt other exclusions will be noticed by nearly every reader of the volume—and it may interest him to know that the material gathered together would have made four such books as this. To be continue in this ebook

This volume is a tribute to the value of one of the world's great private libraries. Thirteen historians have selected texts which together offer an illustration of the remarkable resources preserved by the Lambeth Palace Library for the period from the Reformation to the late twentieth century.