Heartsick For Country

The stories in this anthology speak of the love between Aboriginal peoples and their countries. They are personal accounts that share knowledge, insight and emotion, each speaking of a deep connection to country and of feeling heartsick because of the harm that is being inflicted on country even today, through the logging of old growth forests, ...

"A collection of personal stories by Aboriginal writers that share knowledge, insight, and emotion about the love between Aboriginal peoples and their countries"--Provided by publisher.

The stories in this anthology speak of the love between Aboriginal peoples and their countries. They are personal accounts that share knowledge, insight and emotion, each speaking of a deep connection to country and of feeling heartsick because of the harm that is being inflicted on country even today, through the logging of old growth forests, converting millions of acres of land to salt fields, destruction of ancient rock art and significant Aboriginal sacred sites, and a record of species extinction that is the worst in the world.

This volume of Studies in Law, Politics, and Society contains a sampling of work from some of the most promising junior scholars in the next generation of the law and society community. Nominated by their advisors or mentors, their work explores some of the newest areas of law and society research as well as brings fresh insight to bear on enduring

Over the past thirty years the Australian travel experience has been ‘Aboriginalized’. Aboriginality has been appropriated to furnish the Australian nation with a unique and identifiable tourist brand. This is deeply ironic given the realities of life for many Aboriginal people in Australian society. On the one hand, Aboriginality in the form of artworks, literature, performances, landscapes, sport, and famous individuals is celebrated for the way it blends exoticism, mysticism, multiculturalism, nationalism, and reconciliation. On the other hand, in the media, cinema, and travel writing, Aboriginality in the form of the lived experiences of Aboriginal people has been exploited in the service of moral panic, patronized in the name of white benevolence, or simply ignored. For many travel writers, this irony - the clash between different regimes of valuing Aboriginality - is one of the great challenges to travelling in Australia. Travel Writing from Black Australia examines the ambivalence of contemporary travelers’ engagements with Aboriginality. Concentrating on a period marked by the rise of discourses on Aboriginality championing indigenous empowerment, self-determination, and reconciliation, the author analyses how travel to Black Australia has become, for many travelers, a means of discovering ‘new’—and potentially transformative—styles of interracial engagement.

Heartsick unpacks the destruction of love by following the true stories of three lives altered by a major heartbreak. I wrote this book for the person who doesn’t want to be told that this too shall pass. Not yet. Who wants to sit with it. And see it for what it is. Who wants to know they’re not alone. That their pain is at once unique and universal. Belonging to them and everyone. When we’re thrown into the chaos of heartsickness, we focus so much on the end. The fact we are now unloved seems so much more important than the reality that we once were. This book was born in the hours I’ve waited for men to message me back and who never did... In the years full of almost-relationships, I thought, “I cannot handle another rejection,” and then found myself turned down by someone I wasn’t even sure I liked. I wrote this book because I know what it is to feel fundamentally unlovable. I knew when I was looking for Ana, Patrick, and Claire that their stories had to be true, because within them would be nuances I’d never noticed before and realities I couldn’t have invented. I didn’t want to be limited by what I happened to know about love and loss. I wanted to learn from people as I wrote, injecting wisdom from different places and genders and ages into this book. Weaving together these three true stories, Jessie Stephens captures the painful but wholeheartedly universal experience of heartbreak. Deeply relatable, addictive to the very last page, and powerfully human, Heartsick reminds us that emotional pain can make us as it breaks us and that storytelling has the ultimate healing power. In the solitude that reading a book demands, one is forced to reflect on one’s own life. After all, every time we explore others, we’re mostly just exploring ourselves. These are their stories—Ana’s and Patrick’s and Claire’s. But it is also my story and our story. I trust within it you will find echoes of yourself.

Examining contested notions of indigeneity, and the positioning of the Indigenous subject before and beyond the law, this book focuses upon the animation of indigeneities within textual imaginaries, both literary and juridical. Engaging the philosophy of Jacques Derrida and Walter Benjamin, as well as other continental philosophy and critical legal theory, the book uniquely addresses the troubled juxtaposition of law and justice in the context of Indigenous legal claims and literary expressions, discourses of rights and recognition, postcolonialism and resistance in settler nation states, and the mutually constitutive relation between law and literature. Ultimately, the book suggests no less than a literary revolution, and the reassertion of Indigenous Law. To date, the oppressive specificity with which Indigenous peoples have been defined in international and domestic law has not been subject to the scrutiny undertaken in this book. As an interdisciplinary engagement with a variety of scholarly approaches, this book will appeal to a broad variety of legal and humanist scholars concerned with the intersections between Indigenous peoples and law, including those engaged in critical legal studies and legal philosophy, sociolegal studies, human rights and native title law.

Notes on the Contributors -- Index