Heathen Days 1890 1936

With a style that combined biting sarcasm with the "language of the free lunch counter," Henry Louis Mencken shook politics and politicians for nearly half a century. Now, fifty years after Mencken’s death, the Johns Hopkins University Press announces The Buncombe Collection, newly packaged editions of nine Mencken classics: Happy Days, Heathen Days, Newspaper Days, Prejudices, Treatise on the Gods, On Politics, Thirty-Five Years of Newspaper Work, Minority Report, and A Second Mencken Chrestomathy. With a style that combined biting sarcasm with the "language of the free lunch counter," Henry Louis Mencken shook politics and politicians for nearly half a century. Now, fifty years after Mencken’s death, the Johns Hopkins University Press announces The Buncombe Collection, newly packaged editions of nine Mencken classics: Happy Days, Heathen Days, Newspaper Days, Prejudices, Treatise on the Gods, On Politics, Thirty-Five Years of Newspaper Work, Minority Report, and A Second Mencken Chrestomathy. In the third volume of his autobiography, H. L. Mencken covers a range of subjects, from Hoggie Unglebower, the best dog trainer in Christendom, to his visit to the Holy Land, where he looked for the ruins of Gomorrah.

In the third volume of his autobiography, H. L. Mencken looks back on his life and declares it "very busy and excessively pleasant." He imparts the impressive education he received from Hoggie Unglebower, the best dog trainer in Christendom, and the survival techniques he employed at Baltimore Polytechnic, where he learned to protect his fingers from power tools and his character from the influence of algebra. Mencken also describes the club boxing matches he attended, watching as the combatants in this gentleman's sport genteelly broke both bones and the law. And he recounts his voyage across the Atlantic that he, unlike Columbus, paid for himself. In Naples, he admired the garbage that seemed to have accumulated since Roman times. In Tunis, he searched for the ruins of Carthage. In the Holy Land, he looked for the ruins of Gomorrah, the Hollywood of antiquity, in hopes of finding evidence that the city's unparalleled reputation for wickedness was simply exaggerated.

The period covered is that of his professional nonage—from his entry into journalism as a reporter for the Baltimore Morning Herald in 1899 to 1906. It was not all Baltimore, however, for he went into brief exile when the fire of 1904 destroyed the plant and forced the paper to print in Philadelphia for five weeks. During those roaring years the young journalist did little, if anything, to bring uplift to his city, nor did he become an influential figure in the councils of state or nation. But he did gain a rare knowledge of his community in all its more colorful and uproarious aspects; and he has set them down here in his own inimitable way. It is not the great events of civic life that draw his attention, not the respectable—and dull—doings of respectable citizens. Rather it is the caperings of the judiciary on their days off, the mysterious and melancholy ways of the commercial artists who haunted the newspaper offices of the period, the peccadilloes and generosities of cops and cabbies, of madams and Baltimore’s omnipresent Afro-Americans that make up the bulk of this highly personal memoir. As such it brings to livid life the whole of an American city of sixty years ago. It is a book to read and savor, not only for its constant delightful humor, but for its fine picture of the salad days of American journalism as well.

A towering figure on the American cultural landscape, H.L. Mencken stands out as one of our most influential stylists and fearless iconoclasts--the twentieth century's greatest newspaper journalist, a famous wit, and a constant figure of controversy. Marion Elizabeth Rodgers has written the definitive biography of Mencken, the finest book ever published about this giant of American letters. Rodgers illuminates both the public and the private man, covering the many love affairs, his happy marriage at the age of 50 to Sara Haardt, and his complicated but stimulating friendship with the famed theater critic George Jean Nathan. Rodgers vividly recreates Mencken's era: the glittering tapestry of turn-of-the-century America, the roaring twenties, depressed thirties, and the home front during World War II. But the heart of the book is Mencken. When few dared to shatter complacencies, Mencken fought for civil liberties and free speech, playing a prominent role in the Scope's Monkey Trial, battling against press censorship, and exposing pious frauds and empty uplift. The champion of our tongue in The American Language, Mencken also played a pivotal role in defining American letters through The Smart Set and The American Mercury, magazines that introduced such writers as James Joyce, F. Scott Fitzgerald, and Langston Hughes. Drawing on research in more than sixty archives including private collections in the United States and in Germany, previously unseen, on exclusive interviews with Mencken's friends, and on his love letters and FBI files, here is the full portrait of one of America's most colorful and influential men. This biography, the best ever on the sage of Baltimore, is exhaustive but never exhausting, and offers readers more than moderate intelligence and an awfully good time. --Martin Nolan, Boston Globe