Heavenly Intrigue

Heavenly Intrigue is the fascinating, true account of the seventeenth-century collaboration between Johannes Kepler and Tycho Brahe that revolutionized our understanding of the universe–and ended in murder.One of history’s greatest geniuses, Kepler laid the foundations of modern physics with his revolutionary laws of planetary motion. But his beautiful mind was beset by demons. Born into poverty and abuse, half-blinded by smallpox, he festered with rage, resentment, and a longing for worldly fame. Brahe, his mentor, was a flamboyant aristocrat who had spent forty years mapping the heavens with unprecedented accuracy–but he refused to share his data with Kepler. With Brahe’s untimely death in Prague in 1601, rumors flew across Europe that he had been murdered. But it took twentieth-century forensics to uncover the poison in his remains, and the detective work of Joshua and Anne-Lee Gilder to identify the prime suspect–the ambitious, envy-ridden Kepler himself. A fast-paced, true-life account that reads like a thriller, Heavenly Intrigue is a remarkable feat of historical re-creation.

Heavenly Intrigue is the fascinating, true account of the seventeenth-century collaboration between Johannes Kepler and Tycho Brahe that revolutionized our understanding of the universe–and ended in murder.One of history’s greatest geniuses, Kepler laid the foundations of modern physics with his revolutionary laws of planetary motion. But his beautiful mind was beset by demons. Born into poverty and abuse, half-blinded by smallpox, he festered with rage, resentment, and a longing for worldly fame. Brahe, his mentor, was a flamboyant aristocrat who had spent forty years mapping the heavens with unprecedented accuracy–but he refused to share his data with Kepler. With Brahe’s untimely death in Prague in 1601, rumors flew across Europe that he had been murdered. But it took twentieth-century forensics to uncover the poison in his remains, and the detective work of Joshua and Anne-Lee Gilder to identify the prime suspect–the ambitious, envy-ridden Kepler himself. A fast-paced, true-life account that reads like a thriller, Heavenly Intrigue is a remarkable feat of historical re-creation.

Jeremy Brown offers the first major study of the Jewish reception of the Copernican revolution, examining four hundred years of Jewish writings on the Copernican model. Brown shows the ways in which Jews ignored, rejected, or accepted the Copernican model, and the theological and societal underpinnings of their choices.

The author discusses the study of religion, including its history, gods and pantheons, demons and monsters, and morality and power.

The Scientific Revolution of the seventeenth century has often been called a decisive turning point in human history. It represents, for good or ill, the birth of modern science and modern ways of viewing the world. In What Galileo Saw, Lawrence Lipking offers a new perspective on how to understand what happened then, arguing that artistic imagination and creativity as much as rational thought played a critical role in creating new visions of science and in shaping stories about eye-opening discoveries in cosmology, natural history, engineering, and the life sciences.When Galileo saw the face of the Moon and the moons of Jupiter, Lipking writes, he had to picture a cosmos that could account for them. Kepler thought his geometry could open a window into the mind of God. Francis Bacon's natural history envisioned an order of things that would replace the illusions of language with solid evidence and transform notions of life and death. Descartes designed a hypothetical "Book of Nature" to explain how everything in the universe was constructed. Thomas Browne reconceived the boundaries of truth and error. Robert Hooke, like Leonardo, was both researcher and artist; his schemes illuminate the microscopic and the macrocosmic. And when Isaac Newton imagined nature as a coherent and comprehensive mathematical system, he redefined the goals of science and the meaning of genius.What Galileo Saw bridges the divide between science and art; it brings together Galileo and Milton, Bacon and Shakespeare. Lipking enters the minds and the workshops where the Scientific Revolution was fashioned, drawing on art, literature, and the history of science to reimagine how perceptions about the world and human life could change so drastically, and change forever.

Johannes Kepler was just twenty-three years old when he became a teacher of mathematics and astronomy at the university in Graz, Austria, in 1594. For the next thirty-five years, his intensive research based on the theories of Nicolaus Copernicus resulted in astonishing new ideas on the physics of the solar system. Most important was his realization that the planets move in elliptical orbits. Kepler�s laws greatly influenced the later findings of Sir Isaac Newton and other famous scientists. Kepler is considered one of the most important thinkers of the Scientific Revolution.

Tropes and the Literary-Scientific Revolution: Forms of Proof argues that the rise of mechanical science in the seventeenth century had a profound impact on both language and literature. To the extent that new ideas about things were accompanied by new attitudes toward words, what we commonly regard as the “scientific revolution” inevitably bore literary dimensions as well. Literary tropes and forms underwent tremendous reassessment in the seventeenth century, and early modern science was shaped just as powerfully by contest over the place of literary figures, from personification and metaphor to anamorphosis and allegory. In their rejection of teleological explanations of natural motion, for instance, early modern philosophers often disputed the value of personification, a figural projection of interiority onto what was becoming increasingly a mechanical world. And allegory—a dominant mode of literature from the late Middle Ages until well into the Renaissance—became “the vice of those times,” as Thomas Rymer described it in 1674. This book shows that its acute devaluation was possible only in conjunction with a distinctively modern physics. Analyzing writings by Sidney, Shakespeare, Bacon, Jonson, Brahe, Kepler, Galileo, Hobbes, Descartes, and more, it asserts that the scientific revolution was a literary phenomenon, just as the literary revolution was also a scientific one.

This ebook is a selective guide designed to help scholars and students of Islamic studies find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated related. This ebook is a static version of an article from Oxford Bibliographies Online: Renaissance and Reformation, a dynamic, continuously updated, online resource designed to provide authoritative guidance through scholarship and other materials relevant to the study of European history and culture between the 14th and 17th centuries. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.oxfordbibliographies.com.