Hebrew Wordplay And Septuagint Translation Technique In The Fourth Book Of The Psalter

"This volume examines numerous Hebrew wordplays not identified and discussed in previous research, and the technique of the Septuagint translators, by offering another criterion of evaluation - essentially, their concern about the style of translating Hebrew into Greek. Elizabeth Backfish's study analyzes seventy-four wordplays employed by the Hebrew poets of Psalms 90-106, and how the Septuagint renders Hebrew wordplay in Greek. Backfish estimates that the Septuagint translators were able to render 31% of the Hebrew semantic and phonetic wordplays (twenty-four total), most of which required some sort of transformation, or change, to the text in order to function in Greek. After providing a thorough summary of research methods on wordplay, definitions and research methodology, Backfish summarizes all examples of wordplay within the Fourth Psalter, and concludes with examples of the wordplay's replication, similar rendition or textual variation in the Septuagint. Emphasising the creativity and ingenuity of the Septuagint translators' work in passages that commentators often too quickly identify as the results of scribal error or a variant Vorlage from the Masoretic text, Backfish shows how the aptitude and flexibility displayed in the translation technique also contributes to conversations in modern translation studies."--Bloomsbury Publishing.

This volume examines numerous Hebrew wordplays not identified and discussed in previous research, and the technique of the Septuagint translators, by offering another criterion of evaluation – essentially, their concern about the style of translating Hebrew into Greek. Elizabeth Backfish's study analyzes seventy-four wordplays employed by the Hebrew poets of Psalms 90-106, and how the Septuagint renders Hebrew wordplay in Greek. Backfish estimates that the Septuagint translators were able to render 31% of the Hebrew semantic and phonetic wordplays (twenty-four total), most of which required some sort of transformation, or change, to the text in order to function in Greek. After providing a thorough summary of research methods on wordplay, definitions and research methodology, Backfish summarizes all examples of wordplay within the Fourth Psalter, and concludes with examples of the wordplay's replication, similar rendition or textual variation in the Septuagint. Emphasising the creativity and ingenuity of the Septuagint translators' work in passages that commentators often too quickly identify as the results of scribal error or a variant Vorlage from the Masoretic text, Backfish shows how the aptitude and flexibility displayed in the translation technique also contributes to conversations in modern translation studies.

Students and scholars now widely recognize the importance of the Septuagint to the history of the Greek language, the textual development of the Bible, and to Jewish and Christian religious life in both the ancient and modern worlds. This handbook is designed for those who wish to engage the Septuagint in their research, yet have been unsure where to turn for guidance or concise, up-to-date discussion. The contributors break down the barriers involved in the technical debates and sub-specialties as far as possible, equipping readers with the tools and knowledge necessary to conduct their own research. Each chapter is written by a leading Septuagint scholar and focuses upon a major area of research in the discipline, providing an overview of the topic, key debates and views, a survey or demonstration of the methods involved, and pointers towards ongoing research questions. By exploring origins, language, text, reception, theology, translation, and commentary, with a final summary of the literature, this handbook encourages active engagement with the most important issues in the field and provides an essential resource for specialists and non-specialists alike.

While some describe the Greek Psalter as a “slavish” or “interlinear” translation with “dreadfully poor poetry,” how would its original audience have described it? Positioning the translation within the developing corpus of Jewish-Greek literature, Jones analyzes the Psalter’s style based on the textual models and literary strategies available to its translator. She demonstrates that the translator both respects the integrity of his source and displays a sensitivity to his translation’s performative aspects. By adopting recognizable and acceptable Jewish-Greek literary conventions, the translator ultimately creates a text that can function independently and be read aloud or performed in the Jewish-Greek community.

This volume of the new DSI series is the most comprehensive investigation of Hebrew and Greek translation equivalents in Ps 42-43 in the Psalter and in the Septuagint as a whole currently available. This detailed study does not only include the translation equivalents in the Septuagint, the semantic meanings of the Hebrew and Greek words are also discussed and parallels in the LXX as well as in the Hebrew Bible are included. A systematic investigation of the translator's method must be carried out before one can use the manuscripts in a proper way. Accordingly, the extensive translation-technical emphasis and the discussion of text-critical matters make it possible to present a more accurate Old Greek text and this book may thus contribute to a new critical edition of the Greek Psalter. The book is also in some respects in itself a text-critical study, since all variants in Rahlfs' edition of the Septuagint Psalms, with the addition of Papyrus Bodmer XXIV (Rahlfs 2110), as well as Hebrew variants, are referred to and studied. This includes suggestions and evaluations of the Hebrew Vorlage behind the Septuagint text. It is also a commentary on the Hebrew and the Greek texts of Ps 42-43. Like other commentaries, it describes the position of the psalm, it presents the unity and form of the psalm, its structure and its relation to the close context. As a commentary on both the Hebrew Bible and the Septuagint, it gives an overall interpretation of the psalm in Hebrew and in Greek separately. The book can be read by the specialist in Septuagint studies as well as all scholars interested in translation, textual criticism, and in the book of Psalms, not least its use of metaphors and the reflection of temple theology.

The Septuagint is the term commonly used to refer to the corpus of early Greek versions of Hebrew Scriptures. The collection is of immense importance in the history of both Judaism and Christianity. The renderings of individual books attest to the religious interests of the substantial Jewish population of Egypt during the Hellenistic and Roman periods, and to the development of the Greek language in its Koine phase. The narrative ascribing the Septuagint's origins to the work of seventy translators in Alexandria attained legendary status among both Jews and Christians. The Septuagint was the version of Scripture most familiar to the writers of the New Testament, and became the authoritative Old Testament of the Greek and Latin Churches. In the early centuries of Christianity it was itself translated into several other languages, and it has had a continuing influence on the style and content of biblical translations. The Oxford Handbook of the Septuagint features contributions from leading experts in the field considering the history and manuscript transmission of the version, and the study of translation technique and textual criticism. The collection provides surveys of previous and current research on individual books of the Septuagint corpus, on alternative Jewish Greek versions, the Christian 'daughter' translations, and reception in early Jewish and Christian writers. The Handbook also includes several conversations with related fields of interest such as New Testament studies, liturgy, and art history.

In Style and Context of Old Greek Job, Marieke Dhont presents a fresh approach to understanding the linguistic and stylistic diversity in the Septuagint corpus, utilizing Polysystem Theory, which has been developed within the field of modern literary studies.