Hemingway And Film

A new collection showcasing the best of Ernest Hemingway’s short stories including his well-known classics, as featured in the magnificent three-part, six-hour PBS documentary by Ken Burns and Lynn Novick—introduced by award-winning author Tobias Wolff. Ernest Hemingway, a literary icon and considered one of the greatest American writers of all time, is the subject of a major documentary by award-winning filmmakers Ken Burns and Lynn Novick. This intimate portrait of Hemingway—who brilliantly captured the complexities of the human condition in spare and profound prose, and whose work remains deeply influential in literature and culture—interweaves a close study of biographical events with excerpts from his work. The Hemingway Stories features Hemingway’s most significant short stories in chronological order, so viewers of the film as well as fans old and new can follow the trajectory of his impressive life and career. Hemingway’s beloved classics, such as “The Short and Happy Life of Francis Macomber,” “Up in Michigan,” “Indian Camp,” and “The Snows of Kilimanjaro,” are accompanied by fresh insights from renowned writers around the world—Mario Vargas Llosa, Edna O’Brien, Abraham Verghese, Tim O’Brien, and Mary Karr. Tobias Wolff's introduction adds a new perspective to Hemingway’s work, and Wolff has selected additional stories that demonstrate Hemingway’s talent and range. The power of the Ernest Hemingway’s revolutionary style is perhaps most striking in his short stories, and here readers can encounter the tales that created the legend: stories of men and women in love and in war and on the hunt, stories of a lost generation born into a fractured time. This collection is a perfect introduction for a new generation of Hemingway readers and a vital volume for any fan.

Compares the films with the original fiction and provides details about the casting, production, promotion and the reaction of critics, popular audiences and Hemingway himself. Phillips makes a close comparison between the films and their sources and provides analysis and evaluation of the various and variant adaptations.. Included are interviews with director Henry King and others who worked on Hemingway films.

Laurence compares the films with the original fiction and provides details about the casting, production, and promotion and the reaction of critics, popular audiences and Hemingway himself. He offers a perceptive study of the difference between fiction and film art.

"Featured in Hemingway, a film by Ken Burns and Lynn Novick on PBS."--Cover.

To Have and Have Not is the dramatic, brutal story of Harry Morgan, an honest boat owner who is forced into running contraband between Cuba and Key West as a means of keeping his crumbling family financially afloat. His adventures lead him into the world of the wealthy and dissipated yachtsmen who swarm the region, and involve him in a strange and unlikely love affair. In this harshly realistic, yet oddly tender and wise novel, Hemingway perceptively delineates the personal struggles of both the “haves” and the “have nots” and creates one of the most subtle and moving portraits of a love affair in his oeuvre. In turn funny and tragic, lively and poetic, remarkable in its emotional impact, To Have and Have Not takes literary high adventure to a new level. As the Times Literary Supplement observed, “Hemingway's gift for dialogue, for effective understatement, and for communicating such emotions the tough allow themselves, has never been more conspicuous.”

DigiCat Publishing presents to you this special edition of "A Moveable Feast" by Ernest Hemingway. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A comprehensive guide to all major film adaptations based on the novels of F. Scott Fitzgerald and Ernest Hemingway, this is essential for scholars of American modernism and film studies. The author takes the approach that all visual and printed literature is born from a cycle of celebrity culture, in which authors continually create new works and reconstruct their personal images based on audience reception. The text includes two dozen reviews of individual films, from the silent era to present-day hits, such as Baz Luhrman's The Great Gatsby, as well as critical commentary from leading scholars of both modernist literature and film studies.

The 1920s in Paris are the pivotal years in Hemingway's apprenticeship as a writer, whether sitting in cafés or at the feet of Gertrude Stein. These are the heady times of the Nick Adams short stories, Fitzgerald's The Great Gatsby, and the writing of The Sun Also Rises. These are also the years of Hemingway's first marriage to Hadley Richardson, the birth of his first son, and his discovery of the bullfights at Pamplona.