Hemingway The Red Cross And The Great War

Ernest Hemingway s enlistment with the American Red Cross during World War I was one of the most formative experiences of his life, and it provided much of the source material for A Farewell to Arms and his writings about Italy and the Great War. As significant as it was, Hemingway s service has never been sufficiently understood. By looking at previously unexamined documents, including the letters and diary of Hemingway s commanding officer, Robert W. Bates, official reports of the ambulance and canteen services, and section newspapers published by volunteers, author Steven Florczyk provides crucial insights into Hemingway s service. The book opens by sharing tales of the volunteer ambulance units from the Western Front, which also led to the involvement of the American Red Cross in Italy. This was where Hemingway came to know many of the experienced drivers from France. In the spring of 1918 the young writer enlisted, serving first with an ambulance unit in Schio and then as a canteen worker at the Piave River until he was wounded. After the war when the volunteer outfits disbanded, Hemingway returned home where he took up his plan to earn a living as a writer. Hemingway s Red Cross experience was a major influence on his development as a writer and a thinker. Through the power of words, Hemingway s journalism, short stories, and novels exposed the falsehoods of World War I propaganda. His involvement with the Red Cross led to some of the finest American literature on the Great War.

Ernest Hemingway's enlistment with the American Red Cross during World War I was one of the most formative experiences of his life. As significant as it was, Hemingway's service has never been sufficiently understood. By looking at previously unexamined documents, including the letters and diary of Hemingway's commanding officer, official reports of the ambulance and canteen services and section newspapers published by volunteers, Florczyk provides crucial insight into Hemingway's service.

Ernest Hemingway witnessed many of the seminal conflicts of the twentieth century—from his post as a Red Cross ambulance driver during World War I to his nearly twenty-five years as a war correspondent for The Toronto Star—and he recorded them with matchless power. This landmark volume brings together Hemingway’s most important and timeless writings about the nature of human combat. Passages from his beloved World War I novel, A Farewell to Arms, and For Whom the Bell Tolls, about the Spanish Civil War, offer an unparalleled portrayal of the physical and psychological impact of war and its aftermath. Selections from Across the River and into the Trees vividly evoke an emotionally scarred career soldier in the twilight of life as he reflects on the nature of war. Classic short stories, such as “In Another Country” and “The Butterfly and the Tank,” stand alongside excerpts from Hemingway’s first book of short stories, In Our Time, and his only full-length play, The Fifth Column. With captivating selections from Hemingway’s journalism—from his coverage of the Greco-Turkish War of 1919–22 to a legendary early interview with Mussolini to his jolting eyewitness account of the Allied invasion of Normandy on June 6, 1944—Hemingway on War collects the author’s most penetrating chronicles of perseverance and defeat, courage and fear, and love and loss in the midst of modern warfare.

A vigorous reappraisal of American literature inspired by the First World War. American World War I literature has long been interpreted as an alienated outcry against modern warfare and government propaganda. This prevailing reading ignores the US army’s unprecedented attempt during World War I to assign men—except, notoriously, African Americans—to positions and ranks based on merit. And it misses the fact that the culture granted masculinity only to combatants, while the noncombatant majority of doughboys experienced a different alienation: that of shame. Drawing on military archives, current research by social-military historians, and his own readings of thirteen major writers, Keith Gandal seeks to put American literature written after the Great War in its proper context—as a response to the shocks of war and meritocracy. The supposedly antiwar texts of noncombatant Lost Generation authors Dos Passos, Hemingway, Fitzgerald, Cummings, and Faulkner addressed—often in coded ways—the noncombatant failure to measure up. Gandal also examines combat-soldier writers William March, Thomas Boyd, Laurence Stallings, and Hervey Allen. Their works are considered straight-forward antiwar narratives, but they are in addition shaped by experiences of meritocratic recognition, especially meaningful for socially disadvantaged men. Gandal furthermore contextualizes the sole World War I novel by an African American veteran, Victor Daly, revealing a complex experience of both army discrimination and empowerment among the French. Finally, Gandal explores three women writers—Katherine Anne Porter, Willa Cather, and Ellen La Motte—who saw the war create frontline opportunities for women while allowing them to be arbiters of masculinity at home. Ultimately, War Isn’t the Only Hell shows how American World War I literature registered the profound ways in which new military practices and a foreign war unsettled traditional American hierarchies of class, ethnicity, gender, and even race.

The early 20th-century world experienced a growth in international cooperation. Yet the dominant historical view of the period has long been one of national, military, and social divisions rather than connections. International Cooperation in the Early Twentieth Century revises this historical consensus by providing a more focused and detailed analysis of the many ways in which people interacted with each other across borders in the early decades of the 20th century. It devotes particular attention to private and non-governmental actors. Daniel Gorman focuses on international cooperation, international social movements, various forms of cultural internationalism, imperial and anti-imperial internationalism, and the growth of cosmopolitan ideas. The book incorporates a non-Western focus alongside the transatlantic core of early 20th-century internationalism. It interweaves analyses of international anti-colonial networks, ideas emanating from non-Western sites of influence such as Japan, China and Turkey, the emergence of networks of international indigenous peoples in resistance to a state-centric international system, and diaspora and transnational ethno-cultural-religious identity networks.

This is a study of the ways various kinds of injury and trauma affected Ernest Hemingway’s life and writing, from the First World War through his suicide in 1961. Linda Wagner-Martin has written or edited more than sixty books including Ernest Hemingway, A Literary Life. She is Frank Borden Hanes Professor Emerita at the University of North Carolina-Chapel Hill and a winner of the Jay B. Hubbell Medal for Lifetime Achievement.

Die Geschichte des Amerikanischen Roten Kreuzes im Ersten Weltkrieg. Die Arbeit in den USA: die Organisation des Jugendverbandes, um die Arbeit trotz Krieg weiter aufrecht zu erhalten, die Hospitäler für verwundete Soldaten mit den jeweiligen Behandlungsschwerpunkten. Die Arbeit des Amerikanischen Roten Kreuzes an der Kriegsfront und in verschiedenen Europäischen Ländern.

Including rare documentary photographs, this epic, real-life love story offers a unique account of an event that shaped the life and work of one of the century's most charismatic and important authors and serves as an invaluable companion to the major motion picture it inspired. Original. Movie tie-in.