Henri De Rothschild 1872 1947

Dr Henri de Rothschild was a fifth generation Rothschild and perhaps the most famous of the Paris Rothschilds of the fin-de-siècle period. A 'sleeping partner' of the bank and the non-drinking owner of Mouton-Rothschild, Henri spent much of his life building medical institutions and promoting scientific medicine, including the promotion of Ehrlich's Salvarsan to cure syphilis and the use of radium to cure cancer. His hospital in a working class area of northern Paris boasted the latest in medical advances. Henri was particularly influential in developing the new science of infant feeding, while his broader concerns with infant health led to his playing a prominent role in the development of the specialty of pediatrics. This biography of Henri de Rothschild focuses on his medical achievements and that of his close family in France. Henri, his wife Mathilde and his mother Thérèse all had busy medical careers during World War I. The book also gives an account of both women's experiences of the war. Along with his explicitly scientific medical concerns, Henri was also a prolific playwright and, under the pseudonym André Pascal, wrote several plays about doctors. This book situates the plays, and particularly the themes of charlatanism, women doctors and medical ethics, in their contemporary context of the social and medical life of Paris. A fascinating and vividly written study of a somewhat neglected figure in the history of the illustrious Rothschild family, this book will make a valuable addition to the libraries of scholars in the history of medicine and those studying child health and welfare, the portrayal of doctors in literature, and more broadly the social and cultural life of early-twentieth century Paris.

Max Beerbohm, the foremost caricaturist of his day, was hailed by The Times in 1913 as the greatest of English comic artists, by Bernard Berenson as the English Goya, and by Edmund Wilson as the greatest...portrayer of personalities - in the history of art.

Jean-Martin Charcot, the iconic 19th century French scientist, is still regarded today as the most famous and celebrated neurologist in the world. Despite the development of strong independent schools of thought in the USA, UK and Germany, his ‘Salpêtrière’ school has become symbolic of the early development and rise of neurological practice and research. This book presents a fresh look at the origins of nervous system medicine, and at the fate of Charcot’s school and pupils. Special emphasis is placed upon the parallels and interactions between developments in neurology and mental medicine, clearly demonstrating that Charcot is not only the father of clinical neurology, but also wielded enormous influence upon the field we would come to know as psychiatry.Providing new insights into the life and work of Charcot and his pupils, this book will make fascinating reading for neurologists, psychiatrists, physicians and historians.

This volume catalogues more than 400 decorative objects in the Robert Lehman Collection at The Metropolitan Museum of Art, including painted enamels, snuffboxes, porcelain, pottery, ceramics, jewellery, furniture, cast metal, and textiles from throughout Europe and Asia, with the majority dating from the late seventh century to the 20th century.

This beautiful book features masterpieces of sculpture in the collection of the Metropolitan Museum dating from the Renaissance through the nineteenth century. Celebrated works by the great European sculptors - including Luca and Andrea della Robbia, Juan Mart©Ưnez Monta©ł©♭s, Gianlorenzo Bernini, Jean-Antoine Houdon, Bertel Thorvaldsen, Antoine-Louis Barye, Jean-Baptiste Carpeaux, Edgar Degas, and Auguste Rodin- are joined by striking new additions to the collection, notably Franz Xaver Messerschmidt's remarkable bust of a troubled and introspective man. The ninety-two selected examples are diverse in media (marble, bronze, wood, terracotta, and ivory) and size - ranging from a tiny oil lamp fantastically conceived and decorated by the Renaissance bronze sculptor Riccio to Antonio Canova's eight-foot-high Perseus with the Head of Medusa, executed in the heroic Neoclassical style. Incorporating information from the latest scholarly research and recent conservation studies, sculpture specialist Ian Wardropper discusses the history and significance of the highlighted works, each of which is reproduced with glorious new photography.