Her Last Words

A murder. A missing manuscript. An undying love. Thisbe Chisholm wants to be a writer. It's 2007, a time of digital revolution and skyrocketing property prices, but she's an old-fashioned girl. She doesn't even own a mobile phone. She has no stars-in-her-eyes desire for fame, to see her name on the cover of a book, either. She longs only to tell of the stories written on her heart. While her best friends, Penny and Jane, and her darling boyfriend, John, seem set for stellar careers in their chosen fields, Thisbe works nights as a hostess at a glitzy harbourside Sydney club - a job she despises but it's paid the rent for the last three years since university graduation. Just as she completes her novel, though, she is brutally killed at the end of John's street. Who murdered Thisbe? What will become of her novel? From the gritty glamour of Bondi Beach to the cold streets of London, here is a tale of tragedy and literary betrayal, of a publishing industry grappling with change and a great love drowning in guilt-wracked grief. Haunting, whimsical and sharply observed, Her Last Words lays bare the truth that, while some crimes might go unpunished among the privileged, words themselves have a way of enduring - and exacting a justice all their own. Praise for Kim Kelly 'deeply moving...alive, full-hearted and shimmering with hope' - Belinda Castles, Bluebottle 'Kelly is a masterful creator of character and voice.' - Julian Leatherdale, Palace of Tears 'history that makes you think as well as feel' - Wendy James, The Golden Child 'an author who writes with such a striking sense of atmosphere and sublime instinct' - Theresa Smith Writes 'storytelling is clearly encoded in her DNA' - Writerful Books 'It is uplifting to know that there are people who can write like this, with clarity, a bit of devilment and a hint of a smile.' Canberra Times 'marvellous depth and authenticity based on some impressive research, and her characters, plot and fluid prose draw the reader into this world' - Daily Telegraph 'colourful, evocative and energetic' - Sydney Morning Herald 'storytelling that breaks the rules so beautifully' - Jenn J McLeod, A Place to Remember 'Kim Kelly's writing is magnificent' - With Love for Books 'told with wit, warmth and courage' - Kylie Mason, The Newtown Review of Books 'vivid and enthralling' - Lisa Walker, The Girl with the Gold Bikini 'simply superb' - Karen Brooks, The Darkest Shore

'Opens with a terrific hook' IRISH TIMES 'Absolutely absorbing' SAM BLAKE 'A chilling, magical read' PATRICIA GIBNEY 'Breathtakingly paced' S. A. DUNPHY 'Truly gripping' SINEAD CROWLEY THE DEAD WON'T STAY SILENT FOREVER... It's a crisp spring morning when Cass drops her husband, a respected lecturer, to the beach for his medically prescribed swim. While waiting for him, something catches her eye. A young woman runs towards her husband and embraces him - until he holds his hand over her face and she falls down on the stones, dead. In the backseat of the car, their seven-year-old son sits quietly. When her husband returns, he says nothing. Neither does Cass. Afraid to speak up in the immediate aftermath, Cass embarks on a solitary quest to unravel what has taken place. Cass is quickly drawn into a web of lies that pulls her back to the previous autumn, when a beautiful Italian postgraduate student finds herself subsumed by an inescapable desire. It's visceral. It's destiny. But sometimes destiny can kill... Atmospheric, twisty, and propulsive, Her Last Words is an edge-of-your-seat read about obsession and dark secrets coming to light.

An NYRB Classics Original When the pioneering Taiwanese novelist Qiu Miaojin committed suicide in 1995 at age twenty-six, she left behind her unpublished masterpiece, Last Words from Montmartre. Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note. The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.

Regine’s blog about living with Leukemia gained a huge following, and eventually became this book. She writes openly about emotional and physical aspects of her 15-month struggle to recover, and explains how her disease impacts her life. In the course of her illness, Regine has photography exhibits, goes to concerts, enjoys her friends & family, and advocates for registering as a blood and bone marrow donor. She was a typical teenager with an amazing will to live; and the lessons she learned have relevance for all of us. She died at home on December 3, 2009 with her family and cat by her side.

Ten years after her mother's death and Pallavi still hasn't found peace. Were those last words the ramblings of a confused, wandering mind or was there a deeper, hidden meaning to it?

The author of Vendetta: The Kennedys reopens the Marilyn Monroe case, using previously unreleased tapes illuminating the emotional life of the actress, as well as forensic evidence, to reconstruct the last days of Monroe and prove that her "suicide" was actually foul play.

St. Thérèse of Lisieux (1873–1897) spent the final months of her short life in the infirmary of the Carmel of Lisieux, France. Those who attended her—including three of her older sisters by birth—were living in the company of one of God's saints, one prepared for our times. This volume, St. Thérèse of Lisieux: Her Last Conversations, serves as a sequel to St. Thérèse's autobiography, Story of a Soul. It contains the intimate words of her final conversations with her three sisters during the last months of her life, especially those three critical months in the Carmel infirmary from July to September 1897. Fortunately for us, her words were written down without the awareness that eventually a great multitude of friends of St. Thérèse would hunger for her spiritual teaching. 150 years after this great saint and Doctor of the Church was born into the world, the publication of this revised edition enables us to live in her company and enjoy her holy conversations and counsels. When we read her words with faith, her presence is at our side. She speaks to us directly, sharing her human experience: her joys, her sufferings, her love for God, and especially her trust in him amid her painful ordeal. This revised edition of St. Thérèse of Lisieux: Her Last Conversations reflects the extensive 1992 French critical edition of Derniers Entretiens in two volumes. That very complete and scholarly production has been edited here into its essential elements: The entire text of St. Thérèse's words collected by the three main witnesses, Mother Agnes (Pauline), Sister Geneviève (Céline), and Sister Marie of the Sacred Heart (Marie); - The testimony of other witnesses when this does not repeat that of the three main witnesses; - Additional words of St. Thérèse as quoted in letters written during her last three months; - Fully linked comprehensive indexes of key names, topics, and biblical references.

Once upon a time Gabrielle Price wrote and published an extraordinary novel. But twenty years on her literary star has dimmed, her 'work of genius' is all but forgotten, and no further novels have materialized. She now lives an unremarkable life: middle-aged, living alone in the sleepy village she grew up in, and working as a housekeeper for the local vicar. Her lonely existence is dominated by memories of her best friend Madeleine, who died young, in tragic and mysterious circumstances.