Herland And Selected Stories

Charlotte Perkins Gilman’s provocative utopian novel Herland, first published in 1915, tells its story through the observations of three male explorers who discover a land inhabited solely by women; the women reproduce through parthenogenesis (asexual reproduction). Initially skeptical, the explorers come to realize that Herland has evolved into an ideal, cooperative, matriarchal society—fertile, peaceful, and clean—by selectively reproducing the women’s best attributes. As the explorers study Herland culture, they also rethink their own. This edition reproduces the text originally published in The Forerunner in 1915, including several passages omitted from other editions. Stories, poetry, and nonfiction writing by Gilman on topics such as birth control, capital punishment, and eugenics provide a rich context for the novel. Materials originally published alongside Herland in 1915, many of which have never before been republished, are also included, as is an excerpt from the sequel, With Her in Ourland.

Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman. The book describes an isolated society composed entirely of women, who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. It was first published in monthly installments as a serial in 1915 in The Forerunner, a magazine edited and written by Gilman between 1909 and 1916, with its sequel, With Her in Ourland beginning immediately thereafter in the January 1916 issue. The book is often considered to be the middle volume in her utopian trilogy; preceded by Moving the Mountain (1911), and followed by, With Her in Ourland (1916). It was not published in book form until 1979.

Herland is a utopian women's fiction novel written by feminist Charlotte Perkins Gilman in 1915. The genre fiction classic Herland describes an isolated society composed entirely of women, who reproduce via parthenogenesis also known as asexual reproduction. The result is an ideal social order: free of war, conflict, and domination. Herland is a classic in literature & fiction and genre fiction, it is also an important feminist work. In addition to writing women's fiction, Charlotte Perkins Gilman was a prominent American feminist, sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer of social reform. In addition to Herland, this anthology volume also includes The Yellow Wallpaper, which is a semi-autobiographical short story also written by Charlotte Perkins Gilman and is considered by many to be her best work.

Charlotte Perkins Gilman’s progressive views on feminism and mental health are powerfully showcased in her two most famous stories. The Yellow Wallpaper skillfully charts one woman's struggle with depression whilst Herland is an entertaining imagining of an all female utopia. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by journalist and author Lucy Mangan. Confined to her attic bedroom and isolated from her newborn baby, the nameless narrator of The Yellow Wallpaper keeps a secret diary in which she records the sprawling and shifting patterns of the room’s lurid yellow wallpaper as she slowly sinks into madness. This chilling story is based on the author’s own experience of depression. In Herland, a trio of men set out to discover an all-female community rumoured to be hidden deep in the jungle. What they find surprises them all; they’re captured by women who, for two thousand years, have lived in a peaceful and prosperous utopia without men.

THE CHARLOTTE PERKINS GILMAN READER is an anthology of fiction by one of America's most important feminist writers. Probably best known as the author of "The Yellow Wallpaper," in which a woman is driven mad by chauvinist psychiatry, Gilman wrote numerous other short stories and novels reflecting her radical socialist and feminist view of turn-of-the-century America. Collected here by noted Gilman scholar Ann J. Lane are eighteen stories and fragments, including a selection from Herland, Gilman's feminist Utopia. The resulting anthology provides a provocative blueprint to Gilman's intellectual and creative production.

‘Moving the Mountain’ (1911) is a novel by American feminist and writer, Charlotte Gilman. It is the first book of her classic utopian feminist trilogy that includes ‘Herland’ (1915) and ‘With Her in Our Land’ (1916). After suffering from memory loss due to an accident during his trip to Tibet at the age of 25, John Robertson is eventually found by his sister Nellie thirty years later. She helps him recover his memory, but on returning home to America, John is shocked to discover that much has changed and women are now emancipated. Can he learn to accept equality of the sexes and that the misogynist views of his youth no longer exist? Readers looking for a utopian twist on Margaret Atwood's ́The Handmaid's Tale ́ will love ́Moving the Mountain ́! Charlotte Perkins Gilman, also known as Charlotte Perkins Stetson (1860-1935), was an American feminist, writer, publisher and advocate for social reform. She wrote novels, short stories, poetry, and nonfiction, and has served as a role model for future generations of feminists. She is best remembered for her semi-autobiographical short story, ‘The Yellow Wallpaper’ (1899), which she wrote after suffering a severe bout of post-childbirth depression. Other notable works include her feminist utopian trilogy, ‘Moving the Mountain’ (1911), ‘Herland’ (1915), and ‘With Her in Our Land’ (1916). Gilman also published a collection of poems addressing women’s issues, called ‘In This Our World’ (1993).

Since well before ratification of the Nineteenth Amendment in 1920 secured their right to vote, women in Oklahoma have sought to change and uplift their communities through political activism. This Land Is Herland brings together the stories of thirteen women activists and explores their varied experiences from the territorial period to the present. Organized chronologically, the essays discuss Progressive reformer Kate Barnard, educator and civil rights leader Clara Luper, and Comanche leader and activist LaDonna Harris, as well as lesser-known individuals such as Cherokee historian and educator Rachel Caroline Eaton, entrepreneur and NAACP organizer California M. Taylor, and Equal Rights Amendment (ERA) champion Wanda Jo Peltier Stapleton. Edited by Sarah Eppler Janda and Patricia Loughlin, the collection connects Oklahoma women’s individual and collective endeavors to the larger themes of intersectionality, suffrage, politics, motherhood, and civil rights in the American West and the United States. The historians explore how race, ethnicity, social class, gender, and political power shaped—and were shaped by—these women’s efforts to improve their local, state, and national communities. Underscoring the diversity of women’s experiences, the editors and contributors provide fresh and engaging perspectives on the western roots of gendered activism in Oklahoma. This volume expands and enhances our understanding of the complexities of western women’s history.