Hero And Anti Hero In The American Football Novel

This book examines the rise and evolution of the football narrative, from 1870 to the present, in order to analyse and define the process by which American men have sought to fashion masculine identity over the last century. The author uses the athletic hero as a representative of a larger number of templates or centers (the religious man, the business tycoon, the family man, the rebel, etc.), many of which have been used by various men to make meaning of their lives.

"...provides a detailed look at America's pastime through the lens of pop culture, [an] A-to-Z inventory of how certain aspects of the game affect and reflect broader society."--from publisher description.

This balanced examination looks at America's pervasive celebrity culture, concentrating on the period from 1950 to the present day. Star Struck: An Encyclopedia of Celebrity Culture is neither a stern critic nor an apologist for celebrity infatuation, a phenomenon that sometimes supplants more weighty matters yet constitutes one of our nation's biggest exports. This encyclopedia covers American celebrity culture from 1950 to 2008, examining its various aspects—and its impact—through 86 entries by 30 expert contributors. Demonstrating that all celebrities are famous, but not all famous people are celebrities, the book cuts across the various entertainment medias and their legions of individual "stars." It looks at sports celebrities and examines the role of celebrity in more serious pursuits and institutions such as the news media, corporations, politics, the arts, medicine, and the law. Also included are entries devoted to such topics as paranoia and celebrity, one-name celebrities, celebrity nicknames, family unit celebrity, sidekick celebrities, and even criminal celebrities.

Brian Bosworth, the Seattle Seahawks defensive linebacker, gives his opinions on many things.

Tempo: A Scarecrow Press Music Series on Rock, Pop, and Culture offers titles that explore rock and popular music through the lens of social and cultural history, revealing the dynamic relationship between musicians, music, and their milieu. Like other major art forms, rock and pop music comment on their cultural, political, and even economic situation, reflecting technological advances, psychological concerns, religious feelings, and artistic trends of the times. Like other major musical artists, Bruce Springsteen’s work has reflected, revealed, and reacted to modern American realities over the course of his forty-year career. Since releasing his first record in 1973, Springsteen has sold more than a hundred million albums worldwide, played thousands of concerts, and won Grammy, Golden Globe, Emmy, and Academy awards. More importantly, however, he is one of the few twentieth-century singer-songwriters to serve as the voice of his generation, a defining artist whose works reflect the values, dreams, and concerns of many Americans. In Bruce Springsteen: American Poet and Prophet,Donald L. Deardorff II explores the works of “The Boss,” defining the exact nature of Springsteen’s cultural influence. With the release of seventeen studio albums, Springsteen’s influence and popularity spans multiple generations. Deardorff classifies and explains Springsteen’s remarkable reception as it evolved from small beginnings in the Jersey shore bars of the 1970s to worldwide fame today. This book thoughtfully considers the trenchant commentary Springsteen’s albums make on the mythology of the American Dream, working-class concerns, the changing character of American masculinity, the relationship between Americans and their government, the importance of social justice, and the evocation of an American spirit. Bruce Springsteen: American Poet and Prophet will appeal to more than just Springsteen fans. It describes Springsteen as an apt critic of his own culture, whose music paints literary portraits that uncover the realities of an American society constantly evolving, while striving toward its own betterment.

A collection of essays on fiction in Britain, with contributions by contemporary novelists and critics such as Martin Amis, Ian McEwan, Hilary Mantel, James Wood, Christopher Hitchens, Michael Wood, and Elaine Showalter.

The Making of Sporting Cultures presents an analysis of western sport by examining how the collective passions and feelings of people have contributed to the making of sport as a ‘way of life’. The popularity of sport is so pronounced in some cases that we speak of certain sports as ‘national pastimes’. Baseball in the United States, soccer in Britain and cricket in the Caribbean are among the relevant examples discussed. Rather than regarding the historical development of sport as the outcome of passive spectator reception, this work is interested in how sporting cultures have been made and developed over time through the active engagement of its enthusiasts. This is to study the history of sport not only ‘from below’, but also ‘from within’, as a means to understanding the ‘deep relationship’ between sport and people within class contexts – the middle class as well as the working class. Contestation over the making of sport along axes of race, gender and class are discussed where relevant. A range of cultural writers and theorists are examined in regard to both how their writing can help us understand the making of sport and as to how sport might be located within an overall cultural context – in different places and times. The book will appeal to students and academics within humanities disciplines such as cultural studies, history and sociology and to those in sport studies programmes interested in the historical, cultural and social aspects of sport. This book was published as a special issue of Sport in Society.

When twelve-year-old Ty's brother Thane is recruited out of college to play for the New York Jets, their Uncle Gus uses Ty to get insider information for his gambling ring, landing Ty and Thane in trouble with the mafia.