Heroes And Marvels Of The Middle Ages

Heroes and Marvels of the Middle Ages is a history like no other: it is a history of the imagination, presented between two celebrated groups of the period. One group consists of heroes: Charlemagne, El Cid, King Arthur, Orlando, Pope Joan, Melusine, Merlin the Wizard, and also the fox and the unicorn. The other is the miraculous, represented here by three forms of power that dominated medieval society: the cathedral, the castle, and the cloister. Roaming between the boundaries of the natural and the supernatural, between earth and the heavens, the medieval universe is illustrated by a shared iconography, covering a vast geographical span. This imaginative history is also a continuing story, which presents the heroes and marvels of the Middle Ages as the times defined them: venerated, then bequeathed to future centuries where they have continued to live and transform through remembrance of the past, adaptation to the present, and openness to the future.

PEPIN THE SHORT had done a great deal to unite the kingdom; but when he died, he left it to his two sons, and so divided it again. The older son died in a few years; and now the kingdom of the Franks was in the hands of Charlemagne, if he could hold it. First came trouble with the Saxons who lived about the lower Rhine and the Elbe. They and the Franks were both Germans, but the Franks had had much to do with the Romans, and had learned many of their ways. Missionaries, too, had dwelt among them and had taught them Christianity, while the Saxons were still heathen. It was fully thirty years before the Saxons were subdued. During those years, Charlemagne watched them closely. He fought, to be sure, whenever they rebelled, and he made some severe laws and saw to it that these were obeyed. More than this, however, he sent missionaries to them, and he built churches. He carried away many Saxon boys as hostages. These boys were carefully brought up and were taught Christianity. They learned to like the Frankish ways of living, and when they had grown up and were sent home, they urged their friends to yield and become peaceful subjects of the great king; and finally the land of the Saxons became a part of the Frankish kingdom. Charlemagne had only begun the Saxon war, when the Pope asked for help against the Lombards, a tribe of Teutons who had settled in Northern Italy. The king was quite ready to give it, for he, too, had a quarrel with them; and in a year or two their ruler had been shut up in a monastery and Charlemagne had been crowned with the old iron crown of Lombardy. This war had hardly come to an end before the king led his troops into Spain against the Mohammedans. There, too, he was successful; but at Roncesvalles he lost a favourite follower, Count Roland. Roland and the warriors who perished with him were so young and brave that the Franks never wearied of recounting their noble deeds. Later the story was put into a fine poem, called the "Song of Roland," which long afterward men sang as they dashed into battle.

"The different cultures from which the middle ages drew its inspiration are represented: Cu Cuchulainn from the Celtic world, Apollonius of Tyre from Greek romance, Attila the Hun and Theodoric the Ostrogoth from the struggle of the Roman empire against the Barbarians. Each entry gives an outline of the story, how it spread through Europe, its modern retelling and appearances in art, and a selective bibliography."--Jacket.

Few figures have captured Hollywood's and the public's imagination as completely as have medieval heroes. Cast as chivalric knight, warrior princess, "alpha male in tights," or an amalgamation, and as likely to appear in Hong Kong action flicks and spaghetti westerns as films set in the Middle Ages, the medieval hero on film serves many purposes. This collection of essays about the medieval hero on screen, contributed by scholars from a variety of disciplines, draws upon a wide range of movies and medieval texts. The essays are grouped into five sections, each with an introduction by the editors: an exploration of historic authenticity; heroic children and the lessons they convey to young viewers; medieval female heroes; the place of the hero's weapon in pop culture; and teaching the medieval movie in the classroom. Thirty-two film stills illustrate the work, and each essay includes notes, a filmography, and a bibliography. There is a foreword by Jonathan Rosenbaum, and an index is included. Instructors considering this book for use in a course may request an examination copy here.

This one thousand year history of the civilization of western Europe has already been recognized in France as a scholarly contribution of the highest order and as a popular classic. Jacques Le Goff has written a book which will not only be read by generations of students and historians, but which will delight and inform all those interested in the history of medieval Europe. Part one, Historical Evolution , is a narrative account of the entire period, from the barbarian settlement of Roman Europe in the fifth, sixth and seventh centuries to the war-torn crises of Christian Europe in the fourteenth and fifteenth centuries. Part two, Medieval Civilization , is analytical, concerned with the origins of early medieval ideas of culture and religion, the constraints of time and space in a pre-industrial world and the reconstruction of the lives and sensibilities of the people during this long period. Medieval Civilization combines the narrative and descriptive power characteristic of Anglo-Saxon scholarship with the sensitivity and insight of the French historical tradition.

A "lively and engaging" history of the Middle Ages (Dallas Morning News) from the acclaimed historian William Manchester, author of The Last Lion. From tales of chivalrous knights to the barbarity of trial by ordeal, no era has been a greater source of awe, horror, and wonder than the Middle Ages. In handsomely crafted prose, and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth: the dense explosion of energy that spawned some of history's greatest poets, philosophers, painters, adventurers, and reformers, as well as some of its most spectacular villains. "Manchester provides easy access to a fascinating age when our modern mentality was just being born." --Chicago Tribune