Hiding Baby Moses

A baby boy is hidden in a basket floating on the Nile. A fearful mother sings a song of protection. And a brave big sister seeks a chance to save her brother. Meet the family of baby Moses in this lyrical retelling, and see how God's faithfulness can be revealed through one small person who takes a big risk for someone she loves.

Retells for beginning readers the events surrounding the birth of Moses.

Retells for beginning readers the events surrounding the birth of Moses.

The story of a tiny baby’s epic journey—and the surprising help he gets along the way—in a touching, transcendent picture book. In the time of the pharaohs, a loving mother saves her son by tucking him into a basket and setting him afloat on the wide, wild Nile River. Over one long night, the creatures of the Nile—Curious Ibis, Mama Hippo, Mighty Crocodile—watch over Moses, nudge him on his way, and keep him safe through catching reeds and a raging storm. As morning breaks, the river delivers the baby safe and sound into an unexpected safe haven—the welcoming arms of the pharaoh’s daughter. With a poetic text and sumptuous watercolors, Caryn Yacowitz and Julie Downing introduce the youngest readers to Moses and the Exodus story and weave a warm, reassuring tale of love and comfort. Ideal for Passover and year-round, this universal story invites little ones of any faith to experience a thrilling journey in perfect, protected safety.

Collection of 18 bible stories with emphasis on helping children learn to read.

Illus. in full color. "In this very simple retelling of the Old Testament story, baby Moses is hidden in the river and later found and raised by the pharaoh's daughter. Lush watercolors provide the backdrop for a large-print text with only a few difficult words. A good addition to the series, offering new readers the satisfaction of mastering a Bible story on their own."--Booklist.

Hanna Tervanotko first analyzes the treatment and development of Miriam as a literary character in ancient Jewish texts, taking into account all the references to this figure preserved in ancient Jewish literature from the exilic period to the early second century C.E.: Exodus 15:20-21; Deuteronomy 24:8-9; Numbers 12:1-15; 20:1; 26:59; 1 Chronicles 5:29; Micah 6:4, the Septuagint, the Dead Sea Scrolls (4Q365 6 II, 1-7; 4Q377 2 I, 9; 4Q543 1 I, 6 = 4Q545 1 I, 5; 4Q546 12, 4; 4Q547 4 I, 10; 4Q549 2, 8), Jubilees 47:4; Ezekiel the Tragedian 18; Demetrius Chronographer frag. 3; texts by Philo of Alexandria: De vita contemplativa 87; Legum allegoriae 1.76; 2.66-67; 3.103; De agricultura 80-81; Liber antiquitatum biblicarum 9:10; 20:8, and finally texts by Josephus: Antiquitates judaicae 2.221; 3.54; 3.105; 4.78. These texts demonstrate that the picture of Miriam preserved in the ancient Jewish texts is richer than the Hebrew Bible suggests. The results provide a contradictory image of Miriam. On the one hand she becomes a tool of Levitical politics, whereas on the other she continues to enjoy a freer role. People continued to interpret earlier literary traditions in light of new situations, and interpretations varied in different contexts. Second, in light of poststructuralist literary studies that treat texts as reflections of specific social situations, Tervanotko argues that the treatment of Miriam in ancient Jewish literature reflects mostly a reality in which women had little space as active agents. Despite the general tendency to allow women only little room, the references to Miriam suggest that at least some prominent women may have enjoyed occasional freedom.

Seven-year-old Miriam places her baby brother's basket in the Nile River, watches the Pharoah's daughter draw him out and name him Moses, and ponders a vision of other water parting. Includes note on the biblical story on which this is based.