High Speed Photography

Imagine having everything you wanted to know about high-speed photography in one place. The photography industry is in a constant state of change. Innovation, ingenuity, and the indoctrination of people of all ages into new digital, social media platforms has turned the industry on its head and provided new and interesting challenges for photographers. If you want to get a step ahead, you need to do something unique, something creative. One option is to learn high-speed photography that could take your career to a whole new level. Mastering High-Speed Photography is the quintessential guide to understanding all the nuances of high-speed photography and executing them so well, you’ll propel your career and your art form to new heights. In this book, you are going to learn about different kinds of high-speed photography, what equipment you need, how to create setup, camera and other equipment settings with complete workflow. Forget mediocrity. Give up the notion of “someday”. Take charge of your career, move forward, and embrace this facet of the business, sharpen your skills, or add something new to your repertoire. Pick up your copy today!

The development of new technologies in the fields of photonics, digital systems and computers has resulted in many exciting innovations in high speed photography (HSP) and its commercial, industrial and military applications. This book forms a definitive work on the subject and was written to fill a hitherto uncovered gap in the available literature on this topic. Compiled by a leading team of international experts and written with the cooperation of the Association for High Speed Photography (AHSP) under the Editorship of Sidney F. Ray, this is the most authoritative work on the subject to date. The book forms an introduction to high speed photography, principally for those who wish to investigate its almost limitless potential as a tool for instrumentation, measurement and analysis in both research and development work. It will also interest those who are mainly concerned with standard photographic and digital imaging procedures but need to know more about high speed recording. As a university textbook it is ideally suited to those undertaking postgraduate research, as well as to undergraduates on courses that include film production, biomedical imaging, scientific photography and applied imaging. The material in the book follows progressively from an introduction to and development of HSP, to details of illumination and image capture systems, data extraction and necessary image processing in experimental procedures. Both major and specialist applications of HSP are detailed, including ballistics, the natural world, detonics, the properties of materials and aircraft engineering, combustion processes, motor vehicle safety and holography. A large number of diagrams and photographs illustrate and supplement the text while tables of data provide easy access to numerical information. Will appeal to newcomers as well as professionals in the topic Endorsed by the Association for High Speed Photography Major topics covered in one independent source

- Impressive images with breathtaking colour effects - Various drop shapes, colour explosions and ballistic shootings - Detailed information on required equipment and the assembly of the sets High-speed photography captures moments which the human eye barely perceives. Fractions of seconds, in which a water drop strikes or a light bulb explodes. Daniel Nimmervoll shows in this updated and expanded edition how you can freeze these dynamic moments with the help of your camera and produce proper artwork. First, he reveals how you can take water drop photos with the simplest means and without equipment. Then, he goes into detail with professional equipment and explains which preparations are necessary for various shootings. He deals with topics such as lighting, control units, solenoid valves, different drop liquids, the shutter delay of the camera and gives an insight into his workflow of image editing as well as reproducibility of the drop shapes. This new edition has also been expanded to cover the topics Water Wigs, special nozzles with a plastic-based 3D printing process as well as special UV flashes with fluorescent colours. The setups and settings, but above all timings, become trickier with each shooting, but the recording technique leaves plenty of room for experiments which lead to spectacular results. Let your creativity run wild! Various drop shapes, colour explosions, Aqua Splashes and ballistics shootings, this book offers you a complete coverage of high speed photography. Includes: - Basic principles - Equipment: Camera and lens, controllers, solenoid valves and nozzles, water basin, DIY wood structure - Lighting: Flashes, light shapers, colours gels - Drop liquids: Water, guar gum, Nutilis Clear, glycerine, milk and many more - Setups and drop shapes: Reflections, 3-valve technique, Double Pillars, Jelly Fish, Crowns, Fountains ... - Reproducibility - Nozzles out of the 3D printer - UV flashes with fluorescent colours - Water Wigs - qua Splash - Ballistics shooting - Image editing - Excursus: High-speed video camera

The combination of color schlieren with high speed flash techniques has proved to be a valuable tool for investigating high speed transient events. Fully two dimensional refractive index information can be ob tained. The resolution on 35 mm film was sharp enough to allow 50 cm by 75 cm color enlargements. REFERENCES 1. Barnes, N.F., Jour. of the SMPTE, Oct. 1953, Vol. 61,487-511. 2. Cords, P.R., S.P.I.E. Jour., February-March 1968, Vol. 6. 3. North, R.J., NPL/Aero/266, 1954. 4. Settles, G.S., Image Technology, June-July 1972. 5. Smith, L.L., and J.R. Waddell, 9th Congress of Righ Speed Photogra phy, Denver, Colo., August 1970, Paper 86. 6. Stong, C.L., and G.S. Settles, Scientific American, May 1971, Vol. 225, No.5. 7. Stong, C.L., and Vandiver, J.K., Scientific American, August 1974, Vol. 231, No.2. ,105 DISCUSSION MY' R J North, (UK): Pould the author care to comment on possible ambiguities of interpretation due to the omnidirectional sensitivity of the colour filter system used? I notice that in two of his pic tures density gradients in directions at right angles are shown by the same colour transitions. MY' J Kim Vandiver: The photographs presented were not composed to yield accurate determination of the direction of density gradients.

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