Hints And Allegations

The true story of the defender of the Chicago 7 Alternately vilified as a publicity-seeking egoist and lauded as a rambunctious, fearless advocate, William Kunstler consistently embodied both of these qualities. Kunstler's unrelenting, radical critique of American racism and the legal system took shape as a result of his efforts to enlist the federal judicial system to support the civil rights movement. In the late 60s and the 70s, Kunstler, refocusing his attention on the Black Power and anti-war movement, garnered considerable public attention as defender of the Chicago Seven, and went on to represent such controversial figures as Leonard Peltier, the American Indian Movement leader charged with killing an FBI agent, and Jack Ruby, the killer of Lee Harvey Oswald. Later, Kunstler briefly represented Colin Ferguson, the Long Island Railroad mass murderer, outraging fans and detractors alike with his invocation of the infamous "black rage" defense. Defending those most loathed by mainstream, conventional America, William Kunstler delighted in taking on fiercely political cases, usually representing society's outcasts and pariahs free of charge and often achieving remarkable courtroom results in seemingly hopeless cases. Though Kunstler never gave up his revolutionary underpinnings, he gradually turned from defending clients whose political beliefs he personally supported to taking on apolitical clients, falling back on the broad rationale that his was a general struggle against an oppressive government. What ideological and tactical motives explain Kunstler's obsessive craving for media attention, his rhetorical flourishes in the courtroom and his instinctive and relentless drive for action? How did Kunstler migrate from a comfortable middle-class background to a life as a staunchly rebellious figure in social and legal history? David Langum's portrait gives depth to the already notorious breadth of William Kunstler's life.

In Pentecostalism, Postmodernism, and Reformed Epistemology, Yoon Shin critically builds on James K. A. Smith’s postmodern Pentecostal epistemology with the aid of Reformed epistemology. It takes the reader through an interdisciplinary journey that exposits and illumines the relationship among Pentecostal spirituality, continental and analytic philosophy, postliberalism, moral psychology, and philosophy of emotion. This work clarifies misunderstandings of Smith, in Smith, and between continental and analytic epistemology, constructively and coherently synthesizing the sources through interdisciplinary analysis and thereby demonstrating the value of mashup philosophy. The resulting epistemology strengthens the mostly descriptive epistemology of Smith with the warrant criteria of Alvin Plantinga.

"ROUTE STEP - Semper Facetious" is a rollicking recollection of service related memories and the fellow Marines, friends and family that helped make them famous. ROUTE STEP marches across decades, from the recruiting office that began my Marine Corps journey, to fun-filled shipboard and shorebased adventures alike. ROUTE STEP intoduces a wonderful cast of characters that left an indelible smile in my mind and heart. It is a tongue-and-cheek tribute to my comrades, a lavishly embellished record of days gone by. ROUTE STEP introduces the likes of John Robichaux, Al Garcia, Todd Baker, Elden Zirkle, Claudia Novick, and Crystal Myslinski to name but a few. They are not famous people, not in the Hollywood sense of the term, but they are wonderful people, fun people, people that you ought to meet. Finally, ROUTE STEP marches into retirement where it pays tribute to my wife's inability to hold her liquor. It examines professional wrestling and relationships with associates. It looks at foul fowl hairdos, considers man's bestfriends, and bemoans the onslaught of my golden years. ROUTE STEP, March!

DIVDIVThe definitive work on the murder of Dallas patrolman J. D. Tippit—killed forty-five minutes after President Kennedy—and its far-reaching implications for the JFK assassination and aftermath/divDIV Although considered the Rosetta stone of the case against Lee Harvey Oswald, the murder of Dallas police officer J. D. Tippit—killed less than an hour after the assassination of President Kennedy—has proven to be one of the most misunderstood, largely ignored, and often twisted aspects of the Kennedy assassination. For five decades, a community of doubters has contorted official accounts of the shooting to exonerate Oswald. There have been many questions raised about Tippit’s death over the past fifty years, but few real attempts to find the answers./divDIV /divDIVDid Oswald murder Tippit? Was Tippit a part of the plot to murder President Kennedy? What really happened on Tenth Street?/divDIV /divDIVIn With Malice, Dale K. Myers brings thirty-five years of research to this second-by-second account of the murder of Officer Tippit and the frantic manhunt that ended in the arrest of Lee Harvey Oswald. Filling a major void in Kennedy assassination literature, it weaves firsthand accounts, newly released documents, and previously unpublished photographs into a detailed tapestry of facts that lifts the veil on the mystery surrounding this pivotal moment in American history./div/div

From champion jockey A.P. McCoy comes a tense and utterly gripping racing thriller. Duncan Claymore could have it all. He's one of the country's up and coming young jockeys and this season his sights are set on getting right to the top, but his demons threaten to overwhelm him. Duncan was taught everything he knows by his father, Charlie, a former trainer whose career and reputation were destroyed when a series of bitter rivalries got out of hand. It ruined him and Charlie hasn't been able to set foot on a racecourse since. Now, with his father's health rapidly declining, Duncan is desperate to beat the best and at the same time take down the men responsible for Charlie's ruin. But can he do both or must he choose between his family and his future?

Like most things William Kunstler does, the poems in this collection rattle the foundations of venerable American institutions, in this case our poetry canon and our entrenched notion that institutionalized racism is a thing of the past. His blending of high seriousness of purpose with lightheartedness of tone appears effortless and masterful. This is not ivory tower stuff. It is experience lived as fully as possible and only then recast in lyric form. Kunstler knew most of the people he writes about. A good number of those who live on in these pages had him as their only defender, some ke kept out of prison, others from the electric chair. In many ways, this book is Kunstler's true autobiography. Reading the sonnet and accompanying prose paragraph on Dr. Martin Luther Kings, Jr., for example, we learn all we need to know about the bond between Kunstler and the younger clergyman, and the seven years they worked together. And from the sonnet and commentary on Morton Stavis we grasp how deeply Kunstler feels the calling of his profession, by his anguish at the loss of his attorney friend who had for many years defended him in the courts.

Jane Austen's creative process has been largely unexamined. This book explores her development as a writer: what she adapted from tradition for her needs; what she learned novel to novel; how she used that learning in future works; and how her ultimate mastery of fiction changed the course of English literature. Jane Austen overcame the limitations of early fiction by pivoting from superficial adventures to the psychological studies that have defined the novel since. Her creativity and technique grew as she wrestled with pragmatic writing issues. This evaluation of Austen's creative process brings into focus the strengths and weaknesses of her six novels. Each is examined in its use of major fictional techniques--description, scene-building, point of view, and psychological development--to reveal unique literary attributes. The result is a revealing analysis of how world-class fiction is built from the ground up.