Hip Guitar Lines

The Hip Guitar Lines book is a window and a gateway into learning and applying advanced jazz vocabulary on the guitar. It is intended to be a resource that a jazz guitarist of any level can use to take another step. Each line is laid out clearly with its application and TAB fingering. If you have wanted to know the secret lines that the Master musicians know...if you have been looking for a way to grow your ears and musical vocabulary.... if you have wondered how to take a musical leap....this is your moment. The key to rapid and amazing musical growth is in your hands. Now, go to work and have fun. I wrote this book for you. I am here to help.

The Hip Guitar Lines book is a window and a gateway into learning and applying advanced jazz vocabulary on the guitar. It is intended to be a resource that a jazz guitarist of any level can use to take another step. Each line is laid out clearly with its application and TAB fingering. If you have wanted to know the secret lines that the Master musicians know...if you have been looking for a way to grow your ears and musical vocabulary.... if you have wondered how to take a musical leap....this is your moment. The key to rapid and amazing musical​growth is in your hands. Now, go to work and have fun. I wrote this book for you. I am here to help.

An important addition to the improvising jazz guitarist's library, this thoughtful blend of text and musical examples focuses on the vocabulary of modern jazz and some of the applications of modern harmony. with examples written in standard notation and tablature, Jacobs offers instruction on bebop style phrases, playing fourths, inside-outside playing, pentatonic, whole-tone and symmetrical scales, slash chords, polychords, hip lines, fingerings and much more. the companion CD presents the material in the text played with chord accompaniment.

In Street Knowledge Michael Anthony shares the stories and lessons learned in his career as a top Los Angeles recording studio guitarist. The insights shared into the world of jazz guitar and studio playing will be valuable to any guitarist. Lessons include explorations of rhythm changes, “quoting” while improvising, ear training, reharmonization, warm-ups, original etudes, and frequently asked questions. A must for any guitarist on the journey toward a career in music.

An important addition to the improvising jazz guitarist's library, this thoughtful blend of text and musical examples focuses on the vocabulary of modern jazz and some of the applications of modern harmony. With examples written in standard notation and tablature, Jacobs offers instruction on bebop style phrases, playing fourths, inside-outside playing, pentatonic, whole-tone and symmetrical scales, slash chords, polychords, hip lines, fingerings and much more. The companion CD presents the material in the text played with chord accompaniment.

GUITAR LICK FACTORY - BUILDING GREAT BLUES ROCK & JAZZ LINES

Since the arrival on the jazz scene of the mercurial John Coltrane, more and more jazz guitarists are looking to saxophonists for inspiration in terms of linear soloing concepts. As improvisers, saxophonists and all woodwind players have a certain advantage in that the keys on their instruments are arranged linearly with one or two chromatic pitches associated with each finger. Compared to the sax, the note locations on the guitar fretboard are much less intuitive. It seems a natural process then, for guitarists to gain fluency in improvisation by studying saxophone lines and articulation techniques. Kevin Miller has studied with several stellar teachers including Vic Juris and Rodney Jones. His knowledge of jazz history and the linear and harmonic techniques of non-guitarist giants of jazz like McCoy Tyner and John Coltrane is truly impressive. He is also very adept at transcribing and analyzing the chords and modal scales used in saxophone solos and making them palatable to guitarists in notation and tablature. Miller brings it all to bear in this book, focusing on scales and patterns that venture “outside” of a tune’s harmonic structure for at least part of the time, but usually settle back into the harmonic and rhythmic groove. Not only is the information made accessible through numerous transcriptions of saxophone lines and techniques, Miller provides ways to internalize this material so it can be used “without having to think about it or force it” in spontaneous improvisation.

This book gets straight to the point -- learn jazz by playing jazz, not scales and arpeggios. Contains over 40 lines, licks and phrases. You will learn how to build your own lines, connect lines to create phrases, and use them over chord changes. Written in standard notation and tab.