Hiroshige S Woodblock Prints

Journey along the famed Tokaido Road--an ancient thoroughfare with a modern twist. The Fifty-Three Stations of the Tokaido is the best-known work of the great 19th century Japanese woodblock artist Utagawa Hiroshige. The series of 53 masterful woodblock prints depicts stops along the ancient Tokaido road--which, from the eleventh to the nineteenth century, was the main thoroughfare between Tokyo and Kyoto. Though the road itself is now submerged under Japan's twenty-first-century urban landscape, French artist Philippe Delord set out to see if he could find the original locations, with just a moped, sketchbook, watercolors and a book of Hiroshige's prints. Hiroshige's Japan allows readers to make the journey alongside Delord, venturing from Tokyo and Mount Fuji to mountain passes and rugged coastlines. Inside are all 53 original scenery prints made by Hiroshige, alongside their modern-day equivalent by Delord. A lively commentary about his experiences as he tries to locate each of the 53 scenes (without speaking Japanese!) offers readers an insightful, and often humorous, look into both modern and historical Japan. Part travelogue, part work of art, this book is sure to delight armchair travelers, history buffs, art enthusiasts and Japanophiles alike!

Exquisite depictions of romantically idealized landscapes from woodcut master's superb Fifty-three Stages on the Tokaido. Reproduced from the Collection of the Elvehjem Museum of Art. Includes The Bridge on the Toyo River, The Ferryboat at Rokugo, The Junction of the Pilgrims' Road and Mt. Fuji in the Morning from Hara.

Utagawa Hiroshige (1797-1858) is one of the best known of all Japanese woodblock print designers. He is particularly renowned for his landscape prints, which are among the most frequently reproduced of all Japanese works of art. Hiroshige's landscape prints were hugely successful both in Japan and in the West. Their unusual compositions, humorous depictions of people involved in everyday activities and masterly expression of weather, light and seasons, proved enormously influential on many leading European artists. Aimed at a general audience, this book illustrates and discusses 53 Hiroshige landscape prints in the Ashmolean Museum's collection and explores their historical background. It gives a concise introduction to Hiroshige's life and career within the context of Japan's booming nineteenth-century woodblock print industry and explores the development of the landscape print as a new genre in this period. It also discusses and illustrates the process and techniques of traditional Japanese woodblock print-making. Contents: How to 'read' a Japanese Print, Preface, Utagawa Hiroshige (1797-1858) Woodblock Print Designer, Making a Japanese Woodblock Print, I Views along the Tokaido, II Views of the Provinces, III Views of Edo, IV Views of Mount Fuji, Further Reading.

This volume offers an excellent overview of the accomplished artist who was one of the leading creators of landscape imagery in Japanese printmaking.

Set during the height of World War II, a powerful and unsettling tale about a woodcutter and his wife, who finds a mysterious parcel thrown from a passing train. Once upon a time in an enormous forest lived a woodcutter and his wife. The woodcutter is very poor and a war rages around them, making it difficult for them to put food on the table. Yet every night, his wife prays for a child. A Jewish father rides on a train holding twin babies. His wife no longer has enough milk to feed both children. In hopes of saving them both, he wraps his daughter in a shawl and throws her into the forest. While foraging for food, the wife finds a bundle, a baby girl wrapped in a shawl. Although she knows harboring this baby could lead to her death, she takes the child home. Set against the horrors of the Holocaust and told with a fairytale-like lyricism, The Most Precious of Cargoes is a fable about family and redemption which reminds us that humanity can be found in the most inhumane of places. Translated from the French by Frank Wynne

An exhibition of later woodblock prints by Hiroshige, curated by British artist Julian Opie. There is a correspondence between Opie's work and Hiroshige's - both focus on landscape and figures and flattened compositions. Includes some of Hiroshige's sketchbook drawings.