Historic Virginia Gardens

For more than seventy-five years, The Garden Club of Virginia has undertaken garden research and preservation work at numerous historic sites across the Old Dominion, restoring and creating beautiful landscapes for the education and enjoyment of all, from backyard gardeners to design professionals. Historic Virginia Gardens documents in breathtaking fashion this important contribution to the Commonwealth's botanical and architectural heritage. Picking up where an earlier volume, dedicated to the period from 1930 to 1975, left off, this new book brings the Club's work from the period 1975 to 2007 to life through a graceful and informative text by Margaret Page Bemiss, a host of historical and contemporary drawings, extensive native and heritage plant lists, and 125 splendid new color photographs from the award-winning garden photographer Roger Foley. The gardens highlighted here range in location from the Eastern Shore to Blacksburg, and date from the seventeenth century to the twenty-first. Margaret Bemiss describes not only the preservation of the gardens, but also each place, its builder, and its historic context. Giving the reader a fuller understanding of why each particular garden or landscape was worth restoring or re-creating, Bemiss explains the site's significance, in Virginia's rich history as well as in the history of gardening and landscape design. In addition to Foley's photographs, each narrative is also accompanied by bird's-eye-view drawings and site plans for the gardens, along with working drawings of garden buildings, furniture, fences, and gates. Of particular interest to practicing gardeners and garden historians is the comprehensive list of native and imported plants that were utilized in the gardens. The significance of the projects, from George Washington's Mount Vernon and Gari Melcher's Belmont to the Prestons' frontier home in Blacksburg and Thomas Jefferson's Monticello, make this book of interest not only to gardeners and landscape architects, but also to anyone with an interest in American history. Historic Virginia Gardens is sure to find a treasured place on the library shelf beside its predecessor, which was praised by the Virginian-Pilot as a "book [that] will please any gardener, be it a group restoring grounds around a shrine or a suburbanite pondering whether to plant phlox or periwinkle along the front walk."

On his way to school, a small boy befriends a very large bear who is lost.

Foreign Trends in American Gardens addresses the influence of foreign, designed landscapes on the development of their American counterparts. Including essays from an array of significant scholars in landscape studies, this collection examines topics ranging from the importation of Western and Eastern styles of design and theoretical literature to the adaptation of specific plant types. As the variety of topics and influences discussed demonstrates, the essence of American gardens defies simple definition. Examining the translation, imitation, adaptation, and naturalization of stylistic trends and horticultural specimens into American gardens, the book also dwells on the juxtaposition of the foreign and the native. The volume’s contributors consider the experiences both of immigrants, who contributed through their writing, planting, and design efforts to enhance the character of regional gardens, and of Americans, who traveled abroad and brought back with them a passion for naturalizing exotics for scientific as well as aesthetic reasons. The complexity of American gardens—their combination of the historic and the modern, and of foreign cultures and local values—is also their most distinctive characteristic.

From Jean-Jacques Rousseau to Marcel Proust, from Marguerite Duras to George Sand, from Colette to Patrick Modiano, gardens appear in novels as representations of the real world, but also as reflections of the imagination. In Paper Gardens: A Stroll through French Literature, Évelyne Bloch-Dano contemplates the role of the garden in the work of great prose writers, ruminating on how the garden can variously symbolize a reflection of the soul, a well-earned rest, an improving form of work, a nostalgia for childhood, and the dream of an ideal world. The charming and erudite first section focuses on history and is devoted to types of gardens ranging from the biblical Garden of Eden to English parklands; the second perceptively considers their role in literary works. Concealed within these cultivated wanderings is also an element of autobiography. Lovers of literature and gardening alike will fall in love with this beautifully written meditation.

The restoration of the flower gardens at Monticello in 1941, sponsored by the Garden Club of Virginia, was the result of Edwin Betts's scholarly research and Hazlehurst Perkins's practical gardening skills. Thomas Jefferson's Flower Garden at Monticello presents the evolution of Jefferson's ornamental gardening efforts with an analysis of the flower gardens as they were planned, planted, and ultimately restored. No early American gardens were as well-documented as those at Monticello, which became an experimental station, a botanic garden of new and unusual plants from around the world. Betts and Perkins communicate here the nature and sources of Jefferson's intelligent venture into ornamental gardening. The third edition includes a revised plant list, annotation of the more than 100 species cultivated in the flower garden, and new illustrations.

Using a rich assortment of illustrations and biographical sketches, Peter Martin relates the experiences of colonial gardeners who shaped the natural beauty of Virginia's wilderness into varied displays of elegance. He shows that ornamental gardening was a scientific, aesthetic, and cultural enterprise that thoroughly engaged some of the leading figures of the period, including the British governors at Williamsburg and the great plantation owners George Washington, Thomas Jefferson, William Byrd, and John Custis. In presenting accounts of their gardening efforts, Martin reveals the intricacies of colonial garden design, plant searches, experimentation, and the problems in adapting European landscaping ideas to local climate. These writings also bring to life the social and commercial interaction between Williamsburg and the plantations, together with early American ideas about cultured living. While placing Virginia's gardening in the larger context of the colonial South, Martin tells a very human story of how this art both influenced and reflected the quality of colonial life. As Virginia grew economically and culturally, the garden became a projection of the gardener's personal identity, as exemplified by the endeavors of Washington and Jefferson at Mount Vernon and Monticello. In order to recapture the gardens as they existed in colonial times, Martin brings together paintings, drawings, and the findings of modern archaeological excavations. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.