Historical Perspectives Of The Operational Art

NOTE: NO FURTHER DISCOUNT FOR THIS PRINT PRODUCT--OVERSTOCK SALE -- Significantly reduced list price while supplies last Historical Perspectives of the Operational Art, a companion volume to Clayton R. Newell's and Michael D. Krause's On Operational Art, captures the doctrinal debate over the evolving concept of operational art-the critical link between strategy and tactics-in the face of the new complexities of warfare and the demands of irregular operations in the twenty-first century. Consisting of fifteen original essays selected and edited by Michael D. Krause in collaboration with R. Cody Phillips, the well-organized anthology presents the collective view of distinguished military historians and scholars that operational art must be adjusted to accommodate the changing circumstances happening around the world, especially when dealing with broad coalitions and alliances in regional environments and at an international level. Related products: The Rise of iWar: Identity, Information, and the Individualization of Modern Warfare can be found here: https://bookstore.gpo.gov/products/sku/008-000-01198-2 Yemen: A Different Political Paradigm in Context can be found here: https://bookstore.gpo.gov/products/sku/008-070-00865-3 A Masterpiece of Counterguerrilla Warfare: BG J. Franklin Bell in the Philippines 1901-1902 is avaialble here: https://bookstore.gpo.gov/products/sku/008-000-01000-5 Operational Culture for the Warfighter: Principles and Applications is available here: https://bookstore.gpo.gov/products/sku/008-000-01061-7

Historical Perspectives of the Operational Art, a companion volume to Clayton R. Newell's and Michael D. Krause's On Operational Art, captures the doctrinal debate over the evolving concept of operational art-the critical link between strategy and tactics-in the face of the new complexities of warfare and the demands of irregular operations in the twenty-first century. Consisting of fifteen original essays selected and edited by Michael D. Krause in collaboration with R. Cody Phillips, the well-organized anthology presents the collective view of distinguished military historians and scholars that operational art must be adjusted to accommodate the changing circumstances happening around the world, especially when dealing with broad coalitions and alliances in regional environments and at an international level. Soldiers and students of military history will gain a new appreciation for the larger scope of warfare by studying the lessons in this thought-provoking work.

First published in limited numbers in 2005 by the United States Army Center of Military History. Contains an anthology of essays by historians and scholars who trace the origin and development of the operational level of warfare, the critical link between strategy and tactics. Includes essays about France, Germany, Russia and the Soviet Union, and the United States. Discusses 19th and 20th century wars mainly.

On Operational Art, a companion volume to Michael D. Krause's and R. Cody Phillips's Historical Perspectives of the Operational Art, captures the doctrinal debate over the concept of operational art. Edited by Clayton R. Newell and Michael D. Krause, the well-organized anthology presents a snapshot of the development of operational art when the Army's attention was focused on Europe and the Soviet Union. Consisting of original essays by distinguished historians and senior military commanders, to include a prominent German officer, the collection has not only a joint and combined flavor but also a tactical and strategic dimension. Reflecting contemporary thoughts on new developments in U.S. military doctrine and covering significant battles and campaigns from the past, On Operational Art is invaluable as a frame of reference for understanding the operational level of war from the insightful commentary on the various aspects of practical application. Those interested in the theory of war will find it useful for studying the evolution of doctrine from theory into practice.

Broadly defined as the grey area between strategy and tactics, operational art spans the theory and practice of planning and conducting campaigns and major operations aimed at accomplishing strategic and operational objectives in a given theatre of operations. An intermediate link between strategy and tactics has always existed, but a distinct concept that encompasses a systematic and deliberate plan of campaign for major operations is a mere two hundred years old. Based on country specific case-studies, this book describes how the concepts that underpin operational art originated, how they received practical expression in various campaigns, and how they developed over time. The point of departure is the campaigns of 'the God of War', Napoleon Bonaparte. The book then proceeds with chapters on the evolution of operational art in Prussia / Germany, the Soviet Union / Russia, the United Kingdom, United States, Israel, and China. The final chapter deals with the future of operational art in irregular warfare. Theory is critical to refining and improving existing methods of applying operational warfare, and its importance cannot be overstated; however, to be useful, theory and its accompanying vocabulary must be combined with a proper examination of historical trends and practical experience. The present volume attempts to achieve that combination. This book is a project of the Oxford Leverhulme Programme on the Changing Character of War.

This work considers the modern antecedants and evolution of the operational art in military thought and practice in both peace and wartime. This theme is developed over time and across military cultures. A comparative framework allows the treatment of the overall theme by examining the concept of the operational art in the context of different nationalities, different military organizations, and different societies. This study situates the current operational art in its historical context.

Master's Thesis from the year 2023 in the subject World History - Early and Ancient History, grade: A+, , language: English, abstract: This research suggests that the Egyptian Pharaohs during the New Kingdom applied operational art. Accordingly, theoreticians and practitioners should date the origins of operational art at least as early as Ancient Egypt. The significance of this study is paramount, as it expands the boundaries of military history by showing that the origins of operational art do not lie exclusively within nineteenth century military conflicts in Europe and America. Additionally, it proves that operational art is a timeless phenomenon and will continue to evolve and withstand the changing conditions of future warfare. Instead of relating operational art to a specific country, military scholars should put the pieces of the operational paradigm together, starting from the early beginning to the modern times. Man’s history in the lands of the Nile extends back to the dawn of humankind and is one of the possible locations where man first crossed the line from indiscriminative violence to organized warfare. However, military historians ignore ancient Egyptians’ contribution to military art and science by relating the origins of operational art to European and American practitioners of the nineteenth century. Did the ancient Egyptian military reached a high level of sophistication, and did it practice operational art as conceived by modern military theorists during the New Kingdom of the Early Bronze Age (1550–1070 B.C.)? This work makes the case that operational art emerged during that period. This study explains how Ancient Egypt’s war machine reached a high level of sophistication through a brief examination of Ancient Egypt warfare. It then examines the Pharaohs’ campaigns in the Asiatic theatre using operational factors and elements as discussed within the current U.S. Army doctrine.