Histories Of Victimhood

The word and concept of victim bear a heavy weight. To represent oneself or to be represented as a victim is often a first and vital step toward having one's suffering and one's claims to rights socially and legally recognized. Yet to name oneself or be called a victim is a risky claim, and social scientists must struggle to avoid erasing either survivors' experience of suffering or their agency and resourcefulness. Histories of Victimhood engages with this dilemma, asking how one may recognize and acknowledge suffering without essentializing affected communities and individuals. This volume tackles the theoretical and empirical questions surrounding the ways victims and victimhood are constructed, represented, and managed by state and nonstate actors. Geographically broad, the twelve essays in this volume trace histories of victimhood in Colombia, India, South Africa, Guatemala, Angola, Sierra Leone, Turkey, Occupied Palestine, Denmark, and Britain. They examine the implications of victimhood in a wide range of contexts, including violent occupations, displacement, war, reparation projects, refugee assistance, HIV treatment, trauma intervention, social welfare projects, and state formation. In exploring varying forms of hardship and identifying what people do to survive, how they make sense of their own suffering, and how they are frequently either acted upon or ignored by humanitarian agencies and states, Histories of Victimhood encourages us to see victimhood not as a definite and definable category of experience but as a changeable and culturally contingent state. Contributors: Sofie Danneskiold-Samsøe, Pamila Gupta, Ravinder Kaur, Stine Finne Jakobsen, Andrew M. Jefferson, Steffen Jensen, Tobias Kelly, Frédéric Le Marcis, Walter Paniagua, Elizabeth A. Povinelli, Darius Rejali, Henrik Ronsbo, Lotte Buch Segal, Nerina Weiss.

The Rise of Victimhood Culture offers a framework for understanding recent moral conflicts at U.S. universities, which have bled into society at large. These are not the familiar clashes between liberals and conservatives or the religious and the secular: instead, they are clashes between a new moral culture—victimhood culture—and a more traditional culture of dignity. Even as students increasingly demand trigger warnings and “safe spaces,” many young people are quick to police the words and deeds of others, who in turn claim that political correctness has run amok. Interestingly, members of both camps often consider themselves victims of the other. In tracking the rise of victimhood culture, Bradley Campbell and Jason Manning help to decode an often dizzying cultural milieu, from campus riots over conservative speakers and debates around free speech to the election of Donald Trump.

The Victim Cult tackles the worldwide grievance culture and from ancient Rome to the White House today and on to campuses where some think themselves victims of "micro-aggressions." The book also looks at how corrosive victim thinking fuels movements as diverse as violent Antifa anarchists, Black Lives Matter protesters, and Donald Trump's "Capitol Hill" demonstrators.

This book revisits the American canon of novels, memoirs, and films about the war in Vietnam, in order to reassess critically the centrality of the discourse of American victimization in the country’s imagination of the conflict, and to trace the strategies of representation that establish American soldiers and veterans as the most significant victims of the war. By investigating in detail the imagery of the Vietnamese landscape recreated by American authors and directors, the volume explores the proposition that Vietnam has been turned into an American myth, demonstrating that the process resulted in a dehistoricization and mystification of the conflict that obscured its historical and political realities. Against this background, representations of the war’s victims—Vietnamese civilians and American soldiers—are then considered in light of their ideological meanings and uses. Ultimately, the book seeks to demonstrate how, in a relation of power, the question of victimhood can become ideologized, transforming into both a discourse and a strategy of representation—and in doing so, to demythologize something of the "Vietnam" of American cultural narrative.

Mythologies and narratives of victimisation pervade contemporary Croatia, set against a backdrop of militarised notions of masculinity and the political mobilisation of religion and nationhood. Based on fieldwork in rural Dalmatia in the Croatian-Bosnian border region, this book provides a unique account of the politics of ambiguous Europeanness from the perspective of those living at Europe's margins. Tackling unresolved questions about fragmentation, transitoriness, belonging, and boundaries, Narrating Victimhood examines the continuing contestations over truth, history, and memory that have helped shape this region.

Demonstrates how the campaign against "victim politics" and the "victim mentality" has profoundly altered Americans' understanding of victimhood, and investigates the consequences of this change in politics, law, culture, and the "war against terror."

The New York Times bestselling author of Woke Inc. and a 2024 presidential candidate makes the case that the essence of true American identity is to pursue excellence unapologetically and reject victimhood culture. Hardship is now equated with victimhood. Outward displays of vulnerability in defeat are celebrated over winning unabashedly. The pursuit of excellence and exceptionalism are at the heart of American identity, and the disappearance of these ideals in our country leaves a deep moral and cultural vacuum in its wake. But the solution isn’t to simply complain about it. It’s to revive a new cultural movement in America that puts excellence first again. Leaders have called Ramaswamy “the most compelling conservative voice in the country” and “one of the towering intellects in America,” and this book reveals why: he spares neither left nor right in this scathing indictment of the victimhood culture at the heart of America’s national decline. In this national bestseller, Ramaswamy explains that we’re a nation of victims now. It’s one of the few things we still have left in common—across black victims, white victims, liberal victims, and conservative victims. Victims of each other, and ultimately, of ourselves. This fearless, provocative book is for readers who dare to look in the mirror and question their most sacred assumptions about who we are and how we got here. Intricately tracing history from the fall of Rome to the rise of America, weaving Western philosophy with Eastern theology in ways that moved Jefferson and Adams centuries ago, this book describes the rise and the fall of the American experiment itself—and hopefully its reincarnation.