The Rise Of Victimhood Culture

The Rise of Victimhood Culture offers a framework for understanding recent moral conflicts at U.S. universities, which have bled into society at large. These are not the familiar clashes between liberals and conservatives or the religious and the secular: instead, they are clashes between a new moral culture—victimhood culture—and a more traditional culture of dignity. Even as students increasingly demand trigger warnings and “safe spaces,” many young people are quick to police the words and deeds of others, who in turn claim that political correctness has run amok. Interestingly, members of both camps often consider themselves victims of the other. In tracking the rise of victimhood culture, Bradley Campbell and Jason Manning help to decode an often dizzying cultural milieu, from campus riots over conservative speakers and debates around free speech to the election of Donald Trump.

Now a National Bestseller! The New York Times bestselling author of Woke Inc. makes the case that the essence of true American identity is to pursue excellence unapologetically and reject victimhood culture. Hardship is now equated with victimhood. Outward displays of vulnerability in defeat are celebrated over winning unabashedly. The pursuit of excellence and exceptionalism are at the heart of American identity, and the disappearance of these ideals in our country leaves a deep moral and cultural vacuum in its wake. But the solution isn't to simply complain about it. It's to revive a new cultural movement in America that puts excellence first again. Leaders have called Ramaswamy "the most compelling conservative voice in the country" and "one of the towering intellects in America," and this book reveals why: he spares neither left nor right in this scathing indictment of the victimhood culture at the heart of America's national decline. Following the success of his instant bestseller Woke Inc., Ramaswamy explains in his new book that we're a nation of victims now. It's one of the few things we still have left in common--across black victims, white victims, liberal victims, and conservative victims. Victims of each other, and ultimately, of ourselves. This fearless, provocative book is for readers who dare to look in the mirror and question their most sacred assumptions about who we are and how we got here. Intricately tracing history from the fall of Rome to the rise of America, weaving Western philosophy with Eastern theology in ways that moved Jefferson and Adams centuries ago, this book describes the rise and the fall of the American experiment itself--and hopefully its reincarnation.

Gender ideology. The “anti-racism” craze. The #MeToo movement. Sanctuary cities. These are among the building blocks of our new “woke” world, which, during the last few years, seemed to explode out of nowhere. But it didn’t emerge from nowhere. It originated on the campuses of some of our most respected colleges and universities. Over the past several decades, more and more faculty members at those institutions have exchanged humanism for radicalism. Rejecting the search for truth, they’ve become purveyors of ideology. They’re no longer teachers, but propagandists; once devoted to the spread of knowledge, they now focus on power dynamics, seeing oppression everywhere and viewing everyone around them through the lens of group identity. Among the most egregious consequences of this intellectual transformation has been the increasing prominence and power of disciplines called “identity studies”⎯among them Women’s Studies, Black Studies, Queer Studies, and even more recently, Fat Studies and Whiteness Studies. In The Victims’ Revolution, Bruce Bawer gives us the first true history of this phenomenon. He takes us on a tour of the campuses, classrooms, and conferences where we see and hear professors proudly pushing these new orthodoxies. On every page, we can observe the origins of the virus that, in the past decade, has escaped from the ivory tower and infected the whole Western world.

The Victim Cult tackles the worldwide grievance culture and from ancient Rome to the White House today and on to campuses where some think themselves victims of "micro-aggressions." The book also looks at how corrosive victim thinking fuels movements as diverse as violent Antifa anarchists, Black Lives Matter protesters, and Donald Trump's "Capitol Hill" demonstrators.

The post-war Federal Republic of Germany faced the task of addressing the plight of the victims of state socialism under the Soviet occupation of eastern Germany and in the German Democratic Republic, many of whom fled to the west. These victims were not passive objects of the West German state’s policy, but organized themselves into associations that fought for recognition of their contribution to the fight against communism. After German unification, the task of commemorating and compensating these victims continued under entirely new political circumstances, yet also in the context of global trends in memory politics and transitional justice that give priority to addressing the fate of victims of non-democratic regimes. Constructions of Victimhood: Remembering the Victims of State Socialism in Germany draws on the constructivist systems theory of Niklas Luhmann to analyze the role of victims organizations, the political system, and historians and heritage professionals in the struggle over the memory of suffering under state socialism, from the Cold War to the present day. The book argues that the identity and social role of victims has undergone a process of constant renegotiation in this period, offering an innovative theoretical framework for understanding how restorative measures are formulated to address the situation of victims. As such, it offers not only insights into a neglected aspect of post-war German history, but also contributes to the ongoing academic debate about the role of victims in process of transitional justice and the politics of memory.

From its origins in academic discourse in the 1970s to our collective imagination today, the concept of “rape culture” has resonated in a variety of spheres, including television, gaming, comic book culture, and college campuses. Beyond Blurred Lines traces ways that sexual violence is collectively processed, mediated, negotiated, and contested by exploring public reactions to high-profile incidents and rape narratives in popular culture. The concept of rape culture was initially embraced in popular media – mass media, social media, and popular culture – and contributed to a social understanding of sexual violence that mirrored feminist concerns about the persistence of rape myths and victim-blaming. However, it was later challenged by skeptics who framed the concept as a moral panic. Nickie D. Phillips documents how the conversation shifted from substantiating claims of a rape culture toward growing scrutiny of the prevalence of sexual assault on college campuses. This, in turn, renewed attention toward false allegations, and away from how college enforcement policies fail victims to how they endanger accused young men. Ultimately, she successfully lends insight into how the debates around rape culture, including microaggressions, gendered harassment and so-called political correctness, inform our collective imaginations and shape our attitudes toward criminal justice and policy responses to sexual violence.

Demonstrates how the campaign against "victim politics" and the "victim mentality" has profoundly altered Americans' understanding of victimhood, and investigates the consequences of this change in politics, law, culture, and the "war against terror."

Examining nine landmark battles from ancient to modern times--from Salamis, where outnumbered Greeks devastated the slave army of Xerxes, to Cortes’s conquest of Mexico to the Tet offensive--Victor Davis Hanson explains why the armies of the West have been the most lethal and effective of any fighting forces in the world. Looking beyond popular explanations such as geography or superior technology, Hanson argues that it is in fact Western culture and values–the tradition of dissent, the value placed on inventiveness and adaptation, the concept of citizenship–which have consistently produced superior arms and soldiers. Offering riveting battle narratives and a balanced perspective that avoids simple triumphalism, Carnage and Culture demonstrates how armies cannot be separated from the cultures that produce them and explains why an army produced by a free culture will always have the advantage.