History On Trial

In 1993, Deborah E. Lipstadt, a professor of Jewish Studies at Emory University, published the first comprehensive history of the Holocaust denial movement. In this critically acclaimed account, Lipstadt called David Irving –– a prolific, respected, and well–known writer on World War II who had, over the years, made controversial statements about Hitler and the Jews –– one of the most dangerous spokespersons of the denial movement. A year later, when Irving sued Deborah Lipstadt and her publisher, Penguin UK, for libel in a London courtroom, the media spotlight fell on Deborah Lipstadt and, by extension, on the historiography of the Holocaust. Five years later, when David Irving lost his case after an intense ten–week trial, Lipstadt's resounding victory was proclaimed on front pages of newspapers worldwide. The implications of the trial, however, were far from over. History on Trial is Deborah Lipstadt's personal, riveting chronicle of the legal battle with Irving, in which she went from a relatively quiet existence as a professor at an American university to being a defendant in a sensational libel case. This blow–by–blow account reveals how Lipstadt raised $1.5 million for her defense, which included a first–rate team of solicitors, historians, and experts, among them Anthony Julius, a literary scholar who is better known as the late Princess Diana's divorce lawyer. Lipstadt describes how in forced silence she endured Irving's relentless provocations, including his claims that more people died in Senator Kennedy's car at Chappaquiddick than in the gas chambers at Auschwitz, that survivors tattooed numbers on their arms to make money, and that nonwhite people are a different "species." She also reveals how her lawyers gained access to Irving's personal papers, which exposed his association with neo–Nazi extremists in Germany, former Ku Klux Klan leader David Duke, and the National Alliance, which wants to transform America into an "Aryan society." In the course of the trial, Lipstadt's legal team stripped away Irving's mask of respectability through exposing the prejudice, extremism, and distortion of history that defined his work, even his once highly regarded account of the Dresden bombing. Part history, part edge–of–your–seat courtroom drama, History on Trial goes beyond the historiography of World War II and the Holocaust to reveal the intricate way in which extremism and deliberate historical distortions gain widespread legitimacy and help generate hatred. An inspiring personal story of perseverance and unexpected limelight, here is the definitive account of the trial that tested the standards for historical and judicial truths, a trial that the Daily Telegraph of London proclaimed did "for the new century what the Nuremberg tribunals or the Eichmann trial did for earlier generations."

An incisive overview of the current debate over the teaching of history in American schools examines the setting of controversial standards for history education, the integration of multiculturalism and minorities into the curriculum, and ways to make history more relevant to students. Reprint.

In her acclaimed 1993 book Denying the Holocaust, Deborah Lipstadt called putative WWII historian David Irving "one of the most dangerous spokespersons for Holocaust denial." A prolific author of books on Nazi Germany who has claimed that more people died in Ted Kennedy's car at Chappaquiddick than in the gas chambers at Auschwitz, Irving responded by filing a libel lawsuit in the United Kingdom -- where the burden of proof lies on the defendant, not on the plaintiff. At stake were not only the reputations of two historians but the record of history itself.

Now a major motion picture starring Rachel Weisz, Timothy Spall and Tom Wilkinson. “A compelling book: memoir and courtroom drama, a work of historical and legal import. ” -- Jewish Week Deborah Lipstadt, author of the groundbreaking Denying the Holocaust, chronicles her six-year legal battle with controversial British World War II historian David Irving that culminated in a sensational 2000 trial in London In her acclaimed 1993 book Denying the Holocaust, Deborah Lipstadt called putative World War II historian David Irving “one of the most dangerous spokespersons for Holocaust denial”, a conclusion that she reached by examining his cunning manipulations of evidence, partisanship to Hitler, persistent exoneration of the Third Reich, and his confirmed celebrity among swelling ranks of anti-Semitic organizations internationally. In 1994, Irving filed a libel lawsuit, not in the U.S. courtroom—where the onus of proof lies on the plaintiff, but in the UK—where the onus of proof lies on the defendant. At stake were not only the reputations of two historians, but the record of history itself. The four-month trial took place in London in 2000 and drew international attention. With the help of a first-rate team of solicitors and historians and the support of her UK publisher, Penguin, Lipstadt won, her victory proclaimed on the front page of major newspapers around the world. Part history, part real life courtroom drama, Denial is Lipstadt’s riveting, blow-by-blow account of the trial that tested the standards of historical and judicial truths and resulted in a formal denunciation of the infamous Holocaust denier. Originally published as History on Trial.

In many western countries, judicial decisions are based on “black letter law” – text-based, well-established law. Within this tradition, testimony based on what witnesses have heard from others, known as hearsay, cannot be considered as legitimate evidence. This interdiction, however, presents significant difficulties for Aboriginal plaintiffs who rely on oral rather than written accounts for knowledge transmission. This important book breaks new ground by asking how oral histories might be incorporated into the existing court system. Through compelling analysis of Aboriginal, legal, and anthropological concepts of fact and evidence, Oral History on Trial traces the long trajectory of oral history from community to court, and offers a sophisticated critique of the Crown’s use of Aboriginal materials in key cases. A bold intervention in legal and anthropological scholarship, this book is a timely consideration of an urgent issue facing Indigenous communities worldwide and the courts hearing their cases.

The account of a trial in which the very meaning of the Holocaust was put on the stand. D. D. Guttenplan's The Holocaust on Trial is a bristling courtroom drama where the meaning of history is questioned. The plaintiff is British author David Irving, one of the world's preeminent military historians whose works are considered essential World War II scholarship and whose biographies of leading Nazi figures have been bestsellers. Irving refuses to admit to Hitler's responsibility in the extermination of European Jewry, replying that the Holocaust as we know it never happened. The defendant is Deborah Lipstadt, who blew the whistle on Irving, calling him "one of the most dangerous spokespersons for Holocaust denial." Irving sued for libel, and under English law, it was up to Lipstadt to prove the truth of her writings, and the falseness of Irving's views.

When the Allies decided to try German war criminals at the end of World War II they were attempting not only to punish the guilty but also to create a record of what had happened in Europe. This ground-breaking new study shows how Britain and the United States went about inscribing thehistory of Nazi Germany and the effect their trial and occupation policies had on both long and short term 'memory' in Germany and Britain. Donald Bloxham here examines the actions and trials of German soldiers and policemen, the use of legal evidence, the refractory functions of the courtroom, andAllied political and cultural preconceptions of both 'Germanism' and of German criminality. His evidence shows conclusively that the trials were a failure: the greatest of all 'crimes against humanity' - the 'final solution of the Jewish question' - was largely written out of history in thepost-war era and the trials failed to transmit the breadth of German criminality. Finally, with reference to the historiography of the Holocaust, Genocide on Trial illuminates the function of the trials in perpetuating misleading generalizations about the course of the Holocaust and the nature ofNazism.