Hitchcock And The Cold War

"The eight essays collected in this volume make the case that Hitchcock's spy films of the 1950s and 1960s are among his most important achievements because they contain his most salient political views and fully reveal the complexity of his moral compass"--

Historians of the Cold War, argues William Hitchcock, have too often overlooked the part that European nations played in shaping the post-World War II international system. In particular, France, a country beset by economic difficulties and political instability in the aftermath of the war, has been given short shrift. With this book, Hitchcock restores France to the narrative of Cold War history and illuminates its central role in the reconstruction of Europe. Drawing on a wide array of evidence from French, American, and British archives, he shows that France constructed a coherent national strategy for domestic and international recovery and pursued that strategy with tenacity and effectiveness in the first postwar decade. This once-occupied nation played a vital part in the occupation and administration of Germany, framed the key institutions of the "new" Europe, helped forge the NATO alliance, and engineered an astonishing economic recovery. In the process, France successfully contested American leadership in Europe and used its position as a key Cold War ally to extract concessions from Washington on a wide range of economic and security issues.

In this Companion, leading film scholars and critics of American culture and imagination trace Hitchcock's interplay with the Hollywood studio system, the Cold War, and new forms of sexuality, gender, and desire over his thirty-year American career.

In the Name of National Security exposes the ways in which the films of Alfred Hitchcock, in conjunction with liberal intellectuals and political figures of the 1950s, fostered homophobia so as to politicize issues of gender in the United States. As Corber shows, throughout the 1950s a cast of mind known as the Cold War consensus prevailed in the United States. Promoted by Cold War liberals--that is, liberals who wanted to perserve the legacies of the New Deal but also wished to separate liberalism from a Communist-dominated cultural politics--this consensus was grounded in the perceived threat that Communists, lesbians, and homosexuals posed to national security. Through an analysis of the films of Alfred Hitchcock, combined with new research on the historical context in which these films were produced, Corber shows how Cold War liberals tried to contain the increasing heterogeneity of American society by linking questions of gender and sexual identity directly to issues of national security, a strategic move that the films of Hitchcock both legitimated and at times undermined. Drawing on psychoanalytic and Marxist theory, Corber looks at such films as Rear Window, Strangers on a Train, and Psycho to show how Hitchcock manipulated viewers' attachments and identifications to foster and reinforce the relationship between homophobia and national security issues. A revisionary account of Hitchcock's major works, In the Name of National Security is also of great interest for what it reveals about the construction of political "reality" in American history.

From the ashes of World War II to the conflict over Iraq, William Hitchcock examines the miraculous transformation of Europe from a deeply fractured land to a continent striving for stability, tolerance, democracy, and prosperity. Exploring the role of Cold War politics in Europe’s peace settlement and the half century that followed, Hitchcock reveals how leaders such as Charles de Gaulle, Willy Brandt, and Margaret Thatcher balanced their nations’ interests against the demands of the reigning superpowers, leading to great strides in economic and political unity. He re-creates Europeans’ struggles with their troubling legacy of racial, ethnic, and national antagonism, and shows that while divisions persist, Europe stands on the threshold of changes that may profoundly shape the future of world affairs.

The New York Times–bestselling biography: a “complete and powerful assessment” of Dwight D. Eisenhower’s presidency (Booklist, starred review). Drawing on newly declassified documents and thousands of pages of unpublished material, The Age of Eisenhower tells the story of a masterful president guiding the nation through the great crises of the 1950s, from McCarthyism and the Korean War through civil rights turmoil and Cold War conflicts. This is a portrait of a skilled leader who, despite his conservative inclinations, found a middle path through the bitter partisanship of his era. At home, Eisenhower affirmed the central elements of the New Deal, such as Social Security; fought the demagoguery of Senator Joseph McCarthy; and advanced the agenda of civil rights for African-Americans. Abroad, he ended the Korean War and avoided a new quagmire in Vietnam. Yet he also charted a significant expansion of America’s missile technology and deployed a vast array of covert operations around the world to confront the challenge of communism. As he left office, he cautioned Americans to remain alert to the dangers of a powerful military-industrial complex that could threaten their liberties. Today, presidential historians rank Eisenhower fifth on the list of great presidents, and William Hitchcock’s “rich narrative” shows us why Ike’s stock has risen so high. He was a gifted leader, a decent man of humble origins who used his powers to advance the welfare of all Americans (The Wall Street Journal).

Alfred Hitchcock is arguably the most famous director to have ever made a film. Almost single-handedly he turned the suspense thriller into one of the most popular film genres of all time, while his Psycho updated the horror film and inspired two generations of directors to imitate and adapt this most Hitchcockian of movies. Yet while much scholarly and popular attention has focused on the director's oeuvre, until now there has been no extensive study of how Alfred Hitchcock's films and methods have affected and transformed the history of the film medium. In this book, thirteen original essays by leading film scholars reveal the richness and variety of Alfred Hitchcock's legacy as they trace his shaping influence on particular films, filmmakers, genres, and even on film criticism. Some essays concentrate on films that imitate Hitchcock in diverse ways, including the movies of Brian de Palma and thrillers such as True Lies, The Silence of the Lambs, and Dead Again. Other essays look at genres that have been influenced by Hitchcock's work, including the 1970s paranoid thriller, the Italian giallo film, and the post-Psycho horror film. The remaining essays investigate developments within film culture and academic film study, including the enthusiasm of French New Wave filmmakers for Hitchcock's work, his influence on the filmic representation of violence in the post-studio Hollywood era, and the ways in which his films have become central texts for film theorists.