Holding Fast To An Image Of The Past

Davidson discusses how Marxism can retain a sense of historical tradition without becoming fossilized.

Walter Benjamin is often viewed as a cultural critic who produced a vast array of brilliant and idiosyncratic pieces of writing with little more to unify them than the feeling that they all bear the stamp of his "unclassifiable" genius. Eli Friedlander argues that Walter Benjamin's corpus of writings must be recognized as a unique configuration of philosophy with an overarching coherence and a deep-seated commitment to engage the philosophical tradition. Friedlander finds in Benjamin's early works initial formulations of the different dimensions of his philosophical thinking. He leads through them to Benjamin's views on the dialectical image, the nature of language, the relation of beauty and truth, embodiment, dream and historical awakening, myth and history, as well as the afterlife and realization of meaning. Those notions are articulated both in themselves and in relation to central figures of the philosophical tradition. They are further viewed as leading to and coming together in The Arcades Project. Friedlander takes that incomplete work to be the central theater where these earlier philosophical preoccupations were to be played out. Benjamin envisaged in it the possibility of the highest order of thought taking the form of writing whose contents are the concrete time-bound particularities of human experience. Addressing the question of the possibility of such a presentation of philosophical truth provides the guiding thread for constellating the disparate moments of Benjamin's writings.

Traces the development of the ideology of modern Scottish nationalism from the 1960s to the independence referendum in 2014.

The Sense of Semblance is the first book to incorporate contemporary analytic philosophy in interpretations of art and architecture, literature, and film about the Holocaust. The book's principal aim is to move beyond the familiar debates surrounding postmodernism by demonstrating the usefulness of alternative theories of meaning and understanding from the Anglophone analytic tradition. The book takes as its starting point the claim that Holocaust artworks must fulfill at least two specific yet potentially reciprocally countervailing desiderata: they must meet aesthetic criteria (lest they be, say, merely historical documents) and they must meet historical criteria (they must accurately represent the Holocaust, lest they be merely artworks). I locate this problematic within the tradition of philosophical aesthetics, as a version of the conflict between aesthetic autonomy and aesthetic heteronomy, and claim that Theodor W. Adorno's "dialectic of aesthetic semblance" describes the normative demand that a successful artwork maintain a dynamic tension between these dual desiderata. While working within a framework inspired by Adorno, the book further claims that certain concepts and lines of reasoning from contemporary philosophy best explicate how individual artworks fulfill these dual desiderata, including the causal theory of names, the philosophy of tacit knowledge, analytic philosophy of quotation, Sartre's theory of the imaginary, work in the epistemology of testimony, and Walter Benjamin's theory of dialectical images. Individual chapters provide close readings of lyric poetry by Paul Celan (including a critique of Derridean deconstruction), Holocaust memorials in Berlin, texts by the Austrian quotational artist Heimrad Bäcker, Claude Lanzmann's film Shoah and Art Spiegelman's graphic novel Maus. The result is a set of interpretations of Holocaust artworks that, in their precision, specificity and clarity, inaugurate a dialogue between contemporary analytic philosophy and contemporary art.

“At once a captivating life story made up of a rich history, and a beautiful reflection on loves lost. Tender, moving, and highly readable.” —Torre DeRoche Author of Love with a Chance of Drowning “This book is one part “Hero’s Journey” and two parts love story; an alchemy of high adventure and keen insights that will take your breath away and expand your capacity to love. Empowering, entertaining, and most of all inspiring. I thoroughly enjoyed it and I know you will too.” —Brian Luke Seaward Author of Stand Like Mountain, Flow Like Water HOLDING FAST: A Memoir of Sailing, Love, and Loss is Susan’s story of leaving everything behind to follow her husband’s lifelong dream of sailing away. Blond, blue-eyed, irreverent John bursts into Susan’s life in her twenties with a dream of sailing off. Susan dreams of settling down and doesn’t want to go. A three-year voyage with their young daughter to the Caribbean profoundly changes their lives. A gripping adventure story and an inspirational memoir of finding our power in the unlikeliest of places.

Daniel Bensaïd: From the Actuality of Revolution to the Melancholic Wager is the first systematic full-length study of Bensaïd’s renovation of Marxism. Bensaïd, a student leader during the May '68 revolt and founder of the Ligue communiste révolutionnaire, was an exemplar of a creative and open liberatory Marxism, leaving a vast oeuvre for a new generation of Marxists to explore. Much of Bensaïd’s writing remains untranslated into English, and Roso’s volume offers a comprehensive critical overview.

This collection of 365 Our Daily Bread devotions will strengthen men to hold fast to God amid the challenges and uncertainties of today's world. With the title taken from Hebrews 10:23, “Let us hold fast the confession of our hope without wavering,” this hardcover giftbook is a follow-up to the men’s devotional Stand Strong. Each reading offers Scripture, a relevant modern-day example, and key faith-building insight in less than 5 minutes.

Furthermore, confessions and creeds serve to help assure that the doctrinal faith that we articulate today has not subtly changed over time, subject to the warping influence of secular society. Creeds stand as ancient landmarks denoting the "location" of believers' hearts in history. Noting where one deviates from an ancient creed gives a person a distinct idea about where his or her own theological convictions stand in relation to other believers throughout history. Perhaps this also helps us to discover what direction we are moving. Are we moving closer to Christ? To God's Word? To the heart of God Himself? Or are we moving further away? The confession that I will be recommending to you in this volume is the standard-bearing creed in the Presbyterian or Reformed branch of Christianity. Influenced heavily by the thinking of Reformation theologian John Calvin (1509-1564), the Westminster Confession (1647) is a confessional exemplar of Reformed theology.2 The Westminster Confession of Faith is the premiere example of theological intellectualism absorbed in the beauty of the sovereignty of God. The Westminster Confession, and Calvin before it for that matter, were both completely committed to the theological concept that God is sovereign over the entire universe. Therefore, as you study this Confession you will undoubtedly encounter the Living God as ruler of the cosmos, the world, the events of your life, and hopefully your heart.