Hollywood S War With Poland 1939 1945

During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. They often portrayed the combatants in very simple terms: Americans and their allies were heroes, and everyone else was a villain. Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Poland, however, was represented in a negative light in numerous movies. In Hollywood's War with Poland, 1939-1945, M. B. B. Biskupski draws on a close study of prewar and wartime films such as To Be or Not to Be (1942), In Our Time (1944), and None Shall Escape (1944). He researched memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors to explore the negative portrayal of Poland during World War II. Biskupski also examines the political climate that influenced Hollywood films.

The conventional narrative of the Second World War is well known: after six years of brutal fighting on land, sea and in the air, the Allied Powers prevailed and the Nazi regime was defeated. But as in so many things, the truth is somewhat different. Bringing a fresh eye to bear on a story we think we know, Norman Davies.Davies forces us to look again at those six years and to discard the usual narrative of Allied good versus Nazi evil, reminding us that the war in Europe was dominated by two evil monsters - Hitler and Stalin - whose fight for supremacy consumed the best people in Germany and in the USSR . The outcome of the war was at best ambiguous, the victory of the West was only partial, its moral reputation severely tarnished and, for the greater part of the continent of Europe, ‘liberation’ was only the beginning of more than fifty years of totalitarian oppression. ‘Davies writes with real knowledge and passion.’ Michael Burleigh, Evening Standard ‘Punchy and compelling' Noel Malcolm, Sunday Telegraph

This book is an engaging explanation of the complicated history of Poland, one of the least well-known countries in Europe. Poland, which has one of the strongest economies in the European Union, has faced significant turmoil throughout the years. Encapsulating centuries of development, this book distills Poland's historical evolution into patterns, including those that have developed since the first edition was published nearly 20 years ago. The book begins with an overview of contemporary Poland, providing both basic information about the geography, culture, and current political climate of the country while tying these to major contemporary issues. This introduction is followed by chapters discussing Poland's long history, starting with the 10th century. The second half of the book presents a history of Poland in the 20th and 21st centuries, covering the major issues affecting the country and offering possible interpretations of them. This updated and revised edition accounts for recent events in Poland and examines the effects of the Polish diaspora globally.

This volume includes historiographical surveys of American foreign relations since 1941 by some of the country's leading historians. Some of the essays offer sweeping overviews of the major trends in the field of foreign/international relations history. Others survey the literature on US relations with particular regions of the world or on the foreign policies of presidential administrations. The result is a comprehensive assessment of the historical literature on US foreign policy that highlights recent developments in the field.

One of the world's leading historians re-examines World War II and its outcome A clear-eyed reappraisal of World War II that offers new insight by reevaluating well-established facts and pointing out lesser-known ones, No Simple Victory asks readers to reconsider what they know about the war, and how that knowledge might be biased or incorrect. Norman Davies poses simple questions that have unexpected answers: Can you name the five biggest battles of the war? What were the main political ideologies that were contending for supremacy? The answers to these questions will surprise even those who feel that they are experts on the subject. Davies has established himself as a preeminent scholar of World War II. No Simple Victory is an invaluable contribution to twentieth-century history and an illuminating portrait of a conflict that continues to provoke debate.

War Movies and Economics: Lessons from Hollywood’s Adaptations of Military Conflict applies ongoing research in the relatively new genre of economics in popular media to Hollywood’s war movies. Whether inadvertently or purposefully, these movies provide numerous examples of how economic principles often play an important role in military conflict. The authors of the chapters included in this edited collection work to illustrate economics lessons portrayed in adaptations such as Band of Brothers, Conspiracy, The Dirty Dozen, Dunkirk, Memphis Belle, Saving Private Ryan, Schindler’s List, Spartacus, Stalag 17, and Valkyrie. Aspects of these stories show how key economic principles of scarcity, limited resources, and incentives play important roles in military conflict. The movies also provide an avenue for discussion of the economics of public goods provision, the modern economic theory of bureaucracy, and various game-theoretic concepts such as strategic moves and commitment devices. Where applicable, lessons from closely related fields such as management are also provided. This book is ideal reading for students of economics looking for an approachable route to understanding basic principles of economics and game theory. It is also accessible to amateur and professional historians, and any reader interested in popular culture as it relates to television, movies, and military history.

Rethinking Poles and Jews focuses on the role of Holocaust-related material in perpetuating anti-Polish images and describes organizational efforts to combat them. Without minimizing contemporary Polish anti-Semitism, it also presents more positive material on contemporary Polish-American organizations and Jewish life in Poland.

In The Death of the Grown-Up, Diana West diagnosed the demise of Western civilization by looking at its chief symptom: our inability to become adults who render judgments of right and wrong. In American Betrayal, West digs deeper to discover the root of this malaise and uncovers a body of lies that Americans have been led to regard as the near-sacred history of World War II and its Cold War aftermath. Part real-life thriller, part national tragedy, American Betrayal lights up the massive, Moscow-directed penetration of America's most hallowed halls of power, revealing not just the familiar struggle between Communism and the Free World, but the hidden war between those wishing to conceal the truth and those trying to expose the increasingly official web of lies. American Betrayal is America's lost history, a chronicle that pits Franklin Delano Roosevelt, Harry Truman, Dwight David Eisenhower, and other American icons who shielded overlapping Communist conspiracies against the investigators, politicians, defectors, and others (including Senator Joseph McCarthy) who tried to tell the American people the truth. American Betrayal shatters the approved histories of an era that begins with FDR's first inauguration, when "happy days" are supposed to be here again, and ends when we "win" the Cold War. It is here, amid the rubble, where Diana West focuses on the World War II--Cold War deal with the devil in which America surrendered her principles in exchange for a series of Big Lies whose preservation soon became the basis of our leaders' own self-preservation. It was this moral surrender to deception and self-deception, West argues, that sent us down the long road to moral relativism, "political correctness," and other cultural ills that have left us unable to ask the hard questions: Does our silence on the crimes of Communism explain our silence on the totalitarianism of Islam? Is Uncle Sam once again betraying America? In American Betrayal, Diana West shakes the historical record to bring down a new understanding of our past, our present, and how we have become a nation unable to know truth from lies.