Holy Horror

What, exactly, makes us afraid? Is it monsters, gore, the unknown? Perhaps it's a biblical sense of malice, lurking unnoticed in the corners of horror films. Holy Writ attempts to ward off aliens, ghosts, witches, psychopaths and demons, yet it often becomes a source of evil itself. Looking first at Psycho (1960) and continuing through 2017, this book analyzes the starring and supporting roles of the Good Book in horror films, monster movies and thrillers to discover why it incites such fear. In a culture with high biblical awareness and low biblical literacy, horrific portrayals can greatly influence an audience's canonical beliefs.

Dr. Schneider draws upon a detailed and telling analysis of eleven well-known horror stories: Dracula, Frankenstein, The Phantom of the Opera, The Fall of the House of Usher, The Invisible Man, The Incredible Shrinking Man, Dr. Jekyll and Mr. Hyde, The Birds, Forbidden Planet, Vertigo, and Alien. He finds that a spiritual understanding of life can be attained through horror. Classic horror steers a middle path between fanaticism and despair: the path of wonderment. Horror teaches us that the human personality is paradoxical, that revulsion and disgust are the obverse of excitement and freedom, and that both poles are vital to individual, social, and ecological well-being.

Examines the complexities and contradictions that arise when the monsters in the movies are children. Since the 1950s, children have provided some of horror’s most effective and enduring villains, from dainty psychopath Rhoda Penmark of The Bad Seed (1956) and spectacularly possessed Regan MacNeil of The Exorcist (1973) to psychic ghost-girl Samara of The Ring (2002) and adopted terror Esther of Orphan (2009). Using a variety of critical approaches, including those of cinema studies, cultural studies, gender studies, and psychoanalysis, Bad Seeds and Holy Terrors offers the first full-length study of these child monsters. In doing so, the book highlights horror as a topic of analysis that is especially pertinent socially and politically, exposing the genre as a site of deep ambivalence toward—and even hatred of—children. Dominic Lennard is Associate Lecturer in the Centre for University Pathways and Partnerships at the University of Tasmania, Australia.

Religious Horror and Holy War in Viking Age Francia explores how authorities in western Francia used horror rhetoric to cast Christian soldiers, who robbed the poor and the church, as monsters that devoured human flesh and drank human blood. Adapting modern literary horror approaches to medieval sources, this study reveals how such rhetoric served as a form of spiritual weaponry in the clergy's attempts to correct and condemn wayward military men. This investigation, therefore, unearths long-forgotten Carolingian thought about the dreadful spiritual reality of internal enemies during a time of political division and the Northmens depredations. Yet such horror also informed a new understanding of Christian heroism that developed in relation to the wars fought against the invaders. This vision of heroic soldiers, which included military martyrs, culminated in ideas about holy war against the pagans. Thus Carolingian religious horror and holy war together belonged to a body of ideas about the spiritual, unseen side of the church's cosmic conflict against evil that foreshadowed later medieval Crusading thought.

What, exactly, makes us afraid? Is it monsters, gore, the unknown? Perhaps it's a biblical sense of malice, lurking unnoticed in the corners of horror films. Holy Writ attempts to ward off aliens, ghosts, witches, psychopaths and demons, yet it often becomes a source of evil itself. Looking first at Psycho (1960) and continuing through 2017, this book analyzes the starring and supporting roles of the Good Book in horror films, monster movies and thrillers to discover why it incites such fear. In a culture with high biblical awareness and low biblical literacy, horrific portrayals can greatly influence an audience's canonical beliefs.

Demons! Nightmares with the Bible views demons through two lenses: that of western religion and that of cinema. Sketching out the long fear of demons in western history, including the Bible, Steve A. Wiggins moves on to analyze how popular movies inform our beliefs about demonic forces. Beginning with the idea of possession, he explores the portrayal of demons from ancient Mesopotamia and the biblical world (including in select extra-biblical texts), and then examines the portrayal of demons in popular horror franchises The Conjuring, The Amityville Horror, and Paranormal Activity. In the final chapter, Wiggins looks at movies that followed The Exorcist and offers new perspectives for viewing possession and exorcism. Written in non-technical language, this book is intended for anyone interested in how demons are perceived and how popular culture informs those perceptions.