Holy Infant Of India

Mystery India, there are many unknown things, perhaps you have heard of "baby water burial", also heard of "child marriage", or "killing a girl," etc., but you do not know that the Indian folk have a very magical thing called "baby god".

Mystery India, there are many unknown things, perhaps you have heard of "baby water burial", also heard of "child marriage", or "killing a girl," etc., but you do not know that the Indian folk have a very magical thing called "baby god".

Mystery India, there are many unknown things, perhaps you have heard of "baby water burial", also heard of "child marriage", or "killing a girl," etc., but you do not know that the Indian folk have a very magical thing called "baby god".

Mystery India, there are many unknown things, perhaps you have heard of "baby water burial", also heard of "child marriage", or "killing a girl," etc., but you do not know that the Indian folk have a very magical thing called "baby god".

Mystery India, there are many unknown things, perhaps you have heard of "baby water burial", also heard of "child marriage", or "killing a girl," etc., but you do not know that the Indian folk have a very magical thing called "baby god".

Mystery India, there are many unknown things, perhaps you have heard of "baby water burial", also heard of "child marriage", or "killing a girl," etc., but you do not know that the Indian folk have a very magical thing called "baby god".

The Site of the Convent of the Holy Infant Jesus in Singapore: Entwined Histories of a Colonial Convent and a Nation, 1854–2015 explores key issues and developments in colonial and postcolonial Singapore by examining one particular site in central Singapore: the former Convent of the Holy Infant Jesus, established in 1854 and now a food and entertainment complex. The Convent was an early provider of social services and girls’ education—almost a mini-city within walls, including a thriving community of schools, an orphanage, and a women’s refuge. World War II and the Japanese occupation, followed by the creation of the new Republic of Singapore, presented a new set of challenges, but it was the convent’s size and prime location that made it attractive for urban redevelopment in the 1980s and led to government acquisition, demolition of some buildings, and the remainder put out to private tender. The chapel and the former nuns’ residence are classified as National Monuments but, in line with government policy of adaptive re-use of heritage sites, the complex now contains bars and restaurants, and the deconsecrated chapel is used for wedding receptions and events. Tracking the physical and usage changes of the site, this book works to make sense of that eventful journey, a paradoxical journey that moves only in time, not in space, and includes abandoned babies, French nuns, Japanese bombings, and twenty-first century dance parties. In a society that has undergone massive change economically and socially, and, above all, transitioned from a small colonial enterprise to a wealthy independent city-state, those physical changes and differing usages of the Convent site over the years track the changes in the nation. The wider ongoing tensions between heritage conservation and the modern global city are explored by examining what has been chosen for preservation, the quintessentially Singaporean hybridity of the commercial reuse of historic buildings, as well as the nostalgia for what has been lost.

Fred Klineis a well-known art historian, dealer, connoisseur, and explorer who has made a career of scouring antique stores, estate sales, and auctions looking for unusual—and often misidentified—works of art. Many of the gems he has found are now in major museum collections like the Frick, the Getty, and the Metropolitan Museum of Art. But this book is about the discovery of one piece in particular. . . About ten years ago, when Kline was routinely combing through a Christie's catalog, a beautiful little drawing caught his eye. Attributed to Carracci, it came with a very low estimate, but Kline's every instinct told him that the attribution was wrong. He placed a bid and the low asking price and bought the drawing outright. And that was the beginning of how Kline discovered Leonardo da Vinci's model drawing for the Infant Jesus and the Infant St. John. It is the first work by da Vinci to have surfaced in over a century. LEONARDO'S HOLY CHILD chronicles not only the story of this amazing discovery, from Kline's research all over the world to how exactly attributions work with regards to the old masters (most of their works are unsigned). Kline also sheds light on the idea of "connoisseurship," an often-overlooked facet of art history that's almost Holmesian in its intricacy and specificity.