Honor Romanticism And The Hidden Value Of Modernity

Despite our preconceptions, Romantic writers, artists, and philosophers did not think of honor as an archaic or regressive concept, but as a contemporary, even progressive value that operated as a counterpoint to freedom, a well-known preoccupation of the period's literature. Focusing on texts by William Godwin, William Wordsworth, Jane Austen, Walter Scott, Mary Prince, and Mary Seacole, this book argues that the revitalization of honor in the first half of the nineteenth century signalled a crisis in the emerging liberal order, one with which we still wrestle today: how can political subjects demand real, materialist forms of dignity in a system dedicated to an abstract, and often impoverished, idea of 'liberty'? Honor, Romanticism, and the Hidden Value of Modernity presents both a theory and a history of this question in the media of the Black Atlantic, the Jacobin novel, the landscape poem, and the "financial" romance.

This rich cultural history shows how honor, as much as freedom, inspired poets, novelists, and abolitionists of the nineteenth century.

This book illuminates the genesis and development of modern war writing in relation to Romanticism, biopolitics and disciplinary theory.

Combating two centuries of sexism, this radical overview of Staël in context reveals a major player in Revolution and Romanticism.

A counter-intuitive history of literary caricature, exploring how caricature helped make the realist novel in the Romantic period.

Exploring the experiments in individual and national self-consciousness conducted during the Romantic period, this essential comparative study of European literature, philosophy and politics makes original and often surprising connections and contrasts to reveal how personal and social identities were re-orientated and disorientated from the French Revolution onwards. Reviving a contested moment in the history of aesthetic theory, this study shows how the growing awareness of irresolution in Kant's third Kritik allowed Romantic writers to put the aesthetic to radical uses not envisaged by its parent philosophy. It also recounts how they would go on to force philosophy to revise received notions of authority, empowering women and subordinated ethnic groups to re-orientate existing hierarchies. The sheer range and variety of writers covered is testament both to the breadth of writing that Kant's philosophy so rashly legitimated and to the wider importance of philosophy to the understanding of Romantic literature.

A captivating exploration of the newly reimagined world of sound and sense in Britain in the decades around 1800.

Matthew Leporati examines the explosive Romantic revival of epic alongside the contemporary revival of missionary activity. His study contributes to charged political debates around British imperialism. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.