Honour And The Sword

It is 1636 - the height of the Thirty Years War, one of the bloodiest and most destructive conflicts Europe has ever seen. As the campaigning season begins, the Spanish armies swell out of the Artois region of the Netherlands - flooding into King Louis XIII's France. The sleepy border village of Dax-en-roi stands in their way. Facing the overwhelming might of the Spanish forces, the Chevalier de Roland rallies a valiant defence, but in vain - his household guard no match for the invaders. There is only one survivor as the Roland estate is razed to the ground, one soul who escapes the Spanish brutality: the lone heir to the Roland name, the son, a young boy by the name of André de Roland, the new Sieur of Dax . . . Upon this young nobleman's shoulders all hope lies. He alone must bear the honour of the Roland name and, with it, the fate of his people.

In the epic historical novel Sword of Honor, David Kirk continues the saga of Musashi Miyamoto, the greatest samurai in Japanese history, as he journeys to the ancient city of Kyoto to fight for his life and his ideals. Having survived the cataclysmic battle of Sekigahara, which established the mighty Tokugawa Shogunate, young Musashi Miyamoto travels through Japan determined to proclaim his revolutionary epiphany that the "way of the sword," the ancient code that binds samurai to their masters, needs to be abolished. But during the battle Musashi insulted an adept of the powerful Yoshioka School, and a price has been put on his head. Musashi travels to Kyoto, domain of the Yoshioka, for a reckoning. He has taken up with Ameku, a beautiful blind woman branded as a witch; his burgeoning love for her will make him vulnerable. Mushashi intends to deal a crushing blow to the traditional samurai dogma by destroying the Yoshioka warriors, but Musashi will learn that his spectacular gifts with the sword are no match for the cunning of powerful lords. The wily Tokugawa governor, still struggling to establish dominance in Kyoto, sees in Musashi just the weapon he needs to overcome the rebellious Yoshioka. Sword of Honor seamlessly blends meticulous research, mesmerizing action sequences, and a driving narrative to bring this extraordinary figure to life.

Fueled by idealism and eagerness to contribute to the war effort, Guy Crouchback becomes attached to a commando unit undergoing training on the Hebridean isle of Mugg, where the whisky flows freely and respect must be paid to the laird. But the comedy of Mugg is soon followed by the bitterness of Crete, where chaos reigns and a difficult evacuation must be accomplished.—Goodreads.com.

Devlin of Duncaer is the Chosen One, champion of the Kingdom of Jorsk. A simple metalsmith and farmer turned warrior, he has become the most unlikely of heroes to the conquerors of his own people, the Caerfolk. Yet there is a growing faction of Jorskians who believe that if he were truly anointed as Chosen One by the Gods, then the immortals would have given him the Sword of Light as proof of his calling. Missing for generations, the sword is more myth than reality. But Devlin knows where to find it. Lost in battle after the Jorskians’ brutal massacre of Caerfolk, it has remained in Duncaer, a souvenir of one of the land’s darkest days. Feeling more than ever a pawn of fate—and a plaything of the Gods who drive him—Devlin must return to the land of his birth, back to the people who have denounced him. For he is bound by an oath he has no choice but to obey...a promise he may have to die to keep.

Volume 1 of Waugh's Sword of Honour trilogy. The other two volumes are Officers and Gentlemen and The End of the Battle (UK title Unconditional Surrender). The novel is semi-autobiographical and reflects Waugh's experiences during the Second World War, while giving a satirical view of military bureaucracy. There is a strong religious element.

'Unconditional Surrender' is a satire on the English class system. The writer takes a dig at the way the ruling class and their sense of entitlement, even when the country is in a global conflict, can plan through the bureaucracy to make their way into the far less dangerous and more comfortable theatres of war.